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A Companion to Textile Culture

Author: Jennifer Harris

Publisher: John Wiley & Sons

Published: 2020-08-17

Total Pages: 528

ISBN-13: 1118768647

A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.

The Pacific Arts of Polynesia and Micronesia

Author: Adrienne L. Kaeppler

Publisher: Oxford University Press, USA

Published: 2008-03-27

Total Pages: 217

ISBN-13: 0192842382

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With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.

The Cambridge Global History of Fashion: Volume 2

Author: Christopher Breward

Publisher: Cambridge University Press

Published: 2023-07-31

Total Pages: 910

ISBN-13: 1108851479

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Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.

Critical Readings in the History of Christian Mission

Author: Martha Frederiks

Publisher: BRILL

Published: 2021-06-22

Total Pages: 460

ISBN-13: 9004399607

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This selection of texts introduces students and researchers to the multi- and interdisciplinary field of mission history. The four parts of this book acquaint the readers with methodological considerations and recurring themes in the academic study of the history of mission. Part one revolves around methods, part two documents approaches, while parts three and four consist of thematic clusters, such as mission and language, medical mission, mission and education, women and mission, mission and politics, and mission and art.Critical Readings in the History of Christian Mission is suitable for course-work and other educational purposes.

Lines That Connect

Author: Graeme Were

Publisher: University of Hawaii Press

Published: 2010-08-31

Total Pages: 217

ISBN-13: 0824860489

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Building on historical and contemporary literature in anthropology and art theory, Lines That Connect treats pattern as a material form of thought that provokes connections between disparate things through processes of resemblance, memory, and transformation. Pattern is constantly in a state of motion as it traverses spatial and temporal divides and acts as an endless source for innovation through its inherent transformability. Graeme Were argues that it is the ideas carried by pattern’s relational capacity that allows Pacific islanders to express their links to land, genealogy, and resources in the most economic ways. In doing so, his book is a timely and unique contribution to the analysis of pattern and decorative art in the Pacific amid growing debates in anthropology and art history. This striking and original study brings together objects and photographs, historical literature and contemporary ethnographic case studies to explore pattern in its logical workings. It presents the first-ever analysis of the well-known patterned shell valuable called kapkap as revealed in New Ireland mortuary feasts. Innovative research in the study of Christianity and the Baha’i faithful in the region shows how pattern has been appropriated in new religious communities. Were argues that pattern is used in various guises in performances, church architecture, and funerary images to contrasting effect. He explores the conditions under which pattern facilitates a connecting of old and new ideas and how missionary processes are implicated in this flow. He then considers the mechanisms under which pattern is internalized, paying particular attention to its embeddedness in spatial and numerical thinking. Finally, he examines how pattern carries new materials and technologies, which in turn provide new resources for sustaining old beliefs. Drawing on a multitude of fields (anthropology; art history; Pacific, museum, and religious studies; education; ethnomathematics), Lines That Connect raises key questions about the capacity of pattern across the Pacific to bind and sustain ideas about place, body, and genealogy in the most logical of ways.

Gauguin and Polynesia

Author: Nicholas Thomas

Publisher: Bloomsbury Publishing

Published: 2024-02-01

Total Pages: 463

ISBN-13: 1801105251

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Paul Gauguin is commonly regarded as one of the greatest modern artists. He is renowned for resplendent, mythic imagery from Oceania, for a life of restless travel and for his supposed immersion in Polynesian life. But he has long been regarded ambivalently, and in recent years both Gauguin's sexual behaviour, and his paintings, have been considered exploitative. Gauguin and Polynesia offers a fresh view on the artist, not from the perspective of European art history, but from the contemporary vantage point of the region – Oceania – which he so famously moved to. Gauguin's art is revealed, for the first time, to be richer and more eclectic than has been recognised. The artist indeed did invent enigmatic and symbolic images, but he also depicted Polynesia's colonial modernity, acknowledging the life of the time and the dignity and power of some of the Islanders he encountered. Gauguin and Polynesia neither celebrates nor condemns an extraordinary painter, who at times denounced and at other times affirmed the French empire that shaped his own life and the places he moved between. It is a revelation, of a formative artist of modern life, and of multicultural worlds in the making.