The Art of Adapting Victorian Literature, 1848-1920

The Art of Adapting Victorian Literature, 1848-1920 PDF

Author: Karen E. Laird

Publisher: Routledge

Published: 2016-03-03

Total Pages: 279

ISBN-13: 1317044495

DOWNLOAD EBOOK →

In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.

The Art of Adapting Victorian Literature, 1848-1920

The Art of Adapting Victorian Literature, 1848-1920 PDF

Author: Dr Karen Laird

Publisher:

Published: 2015-08-28

Total Pages: 0

ISBN-13: 9781472424396

DOWNLOAD EBOOK →

In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.

The Art of Adapting Victorian Literature 1848-1920 Dramatizing Jane Eyre David Copperfield and the Woman in White 1848

The Art of Adapting Victorian Literature 1848-1920 Dramatizing Jane Eyre David Copperfield and the Woman in White 1848 PDF

Author: Karen Laird

Publisher: Lund Humphries Publishers

Published: 2015-08-01

Total Pages: 224

ISBN-13: 9781472424402

DOWNLOAD EBOOK →

In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë's Jane Eyre, Charles Dickens's David Copperfield, and Wilkie Collins's The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.

The Art of Adapting Victorian Literature, 1848-1920

The Art of Adapting Victorian Literature, 1848-1920 PDF

Author: Karen E. Laird

Publisher: Routledge

Published: 2016-03-03

Total Pages: 242

ISBN-13: 1317044509

DOWNLOAD EBOOK →

In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.

The Art of Adapting Victorian Literature, 1848-1920

The Art of Adapting Victorian Literature, 1848-1920 PDF

Author: Dr Karen Laird

Publisher: Ashgate Publishing, Ltd.

Published: 2015-08-28

Total Pages: 249

ISBN-13: 1472424395

DOWNLOAD EBOOK →

In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.

Adaptation Before Cinema

Adaptation Before Cinema PDF

Author: Lissette Lopez Szwydky

Publisher: Springer Nature

Published: 2023-01-19

Total Pages: 312

ISBN-13: 3031095960

DOWNLOAD EBOOK →

Adaptation Before Cinema highlights a range of pre-cinematic media forms, including theater, novelization, painting and illustration, transmedia art, children’s media, and other literary and visual culture. The book expands the primary scholarly audience of adaptation studies from film and media scholars to literary scholars and cultural critics working across a range of historical periods, genres, forms, and media. In doing so, it underscores the creative diversity of cultural adaptation practiced before cinema came to dominate the critical conversation on adaptation. Collectively, the chapters construct critical bridges between literary history and contemporary media studies, foregrounding diverse practices of adaptation and providing a platform for innovative critical approaches to adaptation, appropriation, or transmedia storytelling popular from the Middle Ages through the invention of cinema. At the same time, they illustrate how these forms of adaptation not only influenced the cinematic adaptation industry of the twentieth century but also continue to inform adaptation practices in the twenty-first century transmedia landscape. Written by scholars with expertise in historical, literary, and cultural scholarship ranging from the medieval period through the nineteenth century, the chapters use discourses developed in contemporary adaptation studies to shed new lights on their respective historical fields, authors, and art forms.

Edinburgh Companion to Charles Dickens and the Arts

Edinburgh Companion to Charles Dickens and the Arts PDF

Author: Claire Wood

Publisher: Edinburgh University Press

Published: 2024-05-31

Total Pages: 572

ISBN-13: 1474441653

DOWNLOAD EBOOK →

The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929 PDF

Author: Jamie Barlowe

Publisher: Taylor & Francis

Published: 2024-08-08

Total Pages: 166

ISBN-13: 1040100805

DOWNLOAD EBOOK →

Silent Film Adaptations of Novels by British and American Women Writers, 1903–1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost—burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowledge—a fragmented and buried early twentieth-century story now reclaimed and retold for the first time to a twenty-first-century audience. This collective narrative also demonstrates the extent to which the adaptations are intertextually and ideologically entangled with concurrently released early “woman’s films” to re-promote and re-instill the norm of idealized white, married, domesticated womanhood during a time of extraordinary cultural change for women. Retelling this lost narrative also allows for a reassessment of the place and function of the adaptations in the development of the silent film industry and as cinematic precedent for the hundreds of sound adaptations of the literary texts of these eight women writers produced from 1931 to the 2020s.

Sherlock Holmes from Screen to Stage

Sherlock Holmes from Screen to Stage PDF

Author: Benjamin Poore

Publisher: Springer

Published: 2017-08-24

Total Pages: 258

ISBN-13: 1137469633

DOWNLOAD EBOOK →

This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.