The American Scene: American Painting of the 1930's
Author: Matthew Baigell
Publisher: New York : Praeger
Published: 1974
Total Pages: 226
ISBN-13:
DOWNLOAD EBOOK →Author: Matthew Baigell
Publisher: New York : Praeger
Published: 1974
Total Pages: 226
ISBN-13:
DOWNLOAD EBOOK →Author: Barbara Novak
Publisher: Oxford University Press
Published: 2007-01-12
Total Pages: 352
ISBN-13: 9780198042259
DOWNLOAD EBOOK →In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
Author: Emily Wasserman
Publisher:
Published: 1970
Total Pages: 102
ISBN-13: 9780882546278
DOWNLOAD EBOOK →Author: Robert Knott
Publisher:
Published: 1998
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOK →After attending Wake Forest University on an athletic scholarship, J. Donald Nichols played professional baseball with the Baltimore Orioles. From there he went into the real estate development business. He has built more than 175 shopping centers throughout the country, and his company, JDN Realty, is listed on the New York Stock Exchange. Nichols first began collecting American Impressionist paintings in the 1970s, buying one painting as his personal reward for each shopping center he built. After ten years, he began looking for a new area in which to collect. The J. Donald Nichols Collection is now recognized as perhaps the finest collection of American abstract art of the 1930s and 1940s ever assembled.
Author: Diana L. Linden
Publisher: Wayne State University Press
Published: 2015-10-15
Total Pages: 272
ISBN-13: 0814339840
DOWNLOAD EBOOK →Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. In Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Carmenita Higginbotham
Publisher: Penn State University Press
Published: 2015
Total Pages: 0
ISBN-13: 9780271063935
DOWNLOAD EBOOK →Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.
Author: Arthur D. Hittner
Publisher:
Published: 2011-12-13
Total Pages:
ISBN-13: 9781320029674
DOWNLOAD EBOOK →Although the so-called "American Scene" movement dominated American art during the second quarter of the twentieth century, it has been largely forgotten today, eclipsed by emergence of abstract expressionism and the development of other avant garde art movements which gained prominence in America by mid-century. Today, however, even as the Depression-era generation fades from the scene, its art lives on. The quality, energy and visual impact of this art is abundantly apparent from even a cursory perusal of the masterworks described and reproduced in this catalogue of a private collection of American representational art of the Thirties and Forties. Painting the American Scene: American Art of the Thirties and Forties offers an extraordinary glimpse into the lives and work of twenty-nine American painters whose art was highly acclaimed and widely exhibited during their lifetimes and for whom proper recognition is long overdue.
Author: Erika Doss
Publisher: University of Georgia, Georgia Museum of Art
Published: 2003
Total Pages: 348
ISBN-13:
DOWNLOAD EBOOK →Coming Home: American Paintings, 1930/1950, from the Schoen CollectionCatalog of a traveling exhibition held at the Mobile Museum of Art, the Georgia Museum of Art, and three other institutions between Oct. 17, 2003 and Nov. 27, 2005.