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Drive-in Theaters

Author: Kerry Segrave

Publisher: McFarland

Published: 2012-01-25

Total Pages: 296

ISBN-13: 0786491701

A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.

The American Drive-In Movie Theater

Author: Don Sanders

Publisher: MBI Publishing Company

Published: 2003-07

Total Pages: 160

ISBN-13: 9780760317075

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The drive-in movie theater brought together two distinct American institutions: cars and movies. Since the earliest drive-ins of the 1930s, these entertainment complexes have been an integral part of American culture. Their appeal stretched to people from all corners of the country, offering a place for social gathering and various amusements. Take a ride down memory lane in this entertaining look at every aspect of the drive-in movie theater: the architecture, the marquees, the cars, the food, and much more. Black-and-white and color photos, along with period ads and other memorabilia, provide a highly illustrated tour from the origins of the drive-in, through its heyday in the 1950s, its decline, and its subsequent revival.

The American Drive-In Movie Theatre

Author: Don Sanders

Publisher: Crestline Books

Published: 2013-01-15

Total Pages: 0

ISBN-13: 9780785829751

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The American Drive-in Movie Theatre relives the magic and excitement of the drive-in experience through rare photographs, lively text, and entertaining personal stories. From the first theaters of the early 1930s to the successful ozoners of today, the glorious history of the drive-in is told. For those who fondly recall watching movies under the stars, this book of nostalgia is sure to take you back to the days when life was good, cars had style, and the drive-in theatre was the epitome of American entertainment. The drive-in's appeal was universal and attracted everyone in nearly every town across the country. Even celebrities—like Elvis Presley, John Wayne, Frankie Avalon, Annette Funicello, and The Beatles—enjoyed the pleasures of the drive-in experience. With great films, wonderful food, kiddie amusement parks, and opulaent architecture, the ozoner was the place to be!

Drive-in Movie Memories

Author: Don Sanders

Publisher: Carriage House Publishing

Published: 2000

Total Pages: 0

ISBN-13: 9780967004709

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A colorful album with photos and stories that transport readers back to that innocent (and sometimes not so innocent!) time when Saturday night meant a hot date in Dad's De Soto under the big outdoor screen.

At a Theater Or Drive-in Near You

Author: Randall Clark

Publisher: Taylor & Francis

Published: 1995

Total Pages: 244

ISBN-13: 9780815319511

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Millions of Americans have been thrilled, scared, titillated, and shocked by exploitation movies, low budget films with many scenes of sex, violence, and other potentially lurid elements. The term derives from the fact that promoters of such films exploit the contents in advertising that plays up the sexual or violent aspects of the films. This is the first comprehensive study of the American exploitation film to be published. It discusses five distinct genres: the teen movie, the sexploitation film, the martial arts movie, the blaxploitation film and the lawbreaker picture. Contained within these genres are many popular American film types, including beach movies, biker pictures, and women's prison movies. The study provides a history and sociopolitical analysis of each genre, focusing on significant films in those genres. It also discusses the economics of exploitation films and their place in the motion picture industry, the development of drive-in theaters, the significance of the teenage audience, and the effect of the videocassette. Finally, the book applies major film and cultural theories to establish an aesthetic for evaluating the exploitation film and to explore the relationship between film and audience. (Ph.D. dissertation, Bowling Green State University, 1990; revised with new preface and index)

The Driven-in Restaurant Special Edition

Author: Michael Karl Witzel

Publisher:

Published: 2002-06-06

Total Pages: 100

ISBN-13: 9780760313343

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Drive-in Theaters

Author: Kerry Segrave

Publisher: McFarland

Published: 2006-04-21

Total Pages: 296

ISBN-13: 0786426306

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Horror at the Drive-In

Author: Gary D. Rhodes

Publisher: McFarland

Published: 2015-09-03

Total Pages: 313

ISBN-13: 1476610517

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Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States--and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film's embrace of DNA, the use of cinematic form to create a non-Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.

Shared Pleasures

Author: Douglas Gomery

Publisher: Univ of Wisconsin Press

Published: 1992

Total Pages: 412

ISBN-13: 9780299132149

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Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR

Videoland

Author: Daniel Herbert

Publisher: Univ of California Press

Published: 2014-01-24

Total Pages: 332

ISBN-13: 0520279611

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Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie cultureÕs historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.