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The Accent Method of Voice Therapy

Author: M. Nasser Kotby

Publisher: Singular

Published: 1995

Total Pages: 132

ISBN-13:

The title of this book, The Accent Method of Voice Therapy, was intriguing in its promise of a new look at voice intervention. The book is supplemented by audiotaped examples of Dr. Kotby's accent method of voice therapy. In his book, Dr. Kotby moves easily and well through the traditional classification and management of voice disorders. His discussion of management, which is well referenced by internationally known voice professionals, includes diagnosis, treatment, phonosurgery techniques, pharmacotherapy, behavior read justment strategies, and vocal hygiene advice. Dr. Kotby introduces the accent method as a holistic process for voice therapy that involves integration of abdominodiaphragmatic breathing, body movements, and voice rhythms, as reportedly used with West African drum rhythms. The audiotapes demonstrate the use of monosyllables and multisyllables in concert with breath support and rythmic variation of pitch and intensity. The accent method is recommended by Dr. Kotby for managing most organic and functional voice disorders, vocal problems of professional voice users, and several speech and language disorders: dysarthria, stuttering, delayed language development, and prosody problems in hearing-impaired children.

The Accent Method

Author: Kirsten Thyme

Publisher: Routledge

Published: 2001

Total Pages: 196

ISBN-13:

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This accessible manual outlines the Accent Method technique. It offers an effective and rational voice treatment with measurable results in the shortest possible time. It is based on a sound theoretical background in phonetics and voice physiology and combines the most effective elements of various voice therapies. It is a well researched training system for the treatment of voice and speech disorders, covering exercises for relaxation, respiration and voice, including the transfer from voice exercises to reading and oral communication. It aims to obtain the best verbal communication possible, for each individual. It includes a CD with voice and drum exercises.

The Accent Method Second Edition

Author: KIRSTEN. THYME-FROKJAER

Publisher:

Published: 2017-08-17

Total Pages: 222

ISBN-13: 9781909082496

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Presents an overview of the history and principles of the Accent Method, explores the anatomy, physiology and acoustics of phonation, and provides practical instruction on teaching the Accent Method, beginning with breathing and relaxation exercises before proceeding to a detailed description of practical exercises.

The Accent Method

Author:

Publisher:

Published: 2001

Total Pages: 176

ISBN-13:

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Treatment of Voice by the Accent Method

Author: Britt-Inger Fex

Publisher:

Published: 1987

Total Pages:

ISBN-13:

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Singing and Teaching Singing

Author: Janice L.Chapman

Publisher: Plural Publishing

Published: 2016-11-30

Total Pages: 401

ISBN-13: 1944883479

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Singing and Teaching Singing: A Holistic Approach to Classical Voice, Third Editioncontinues to be a beloved resource for singers and their teachers, speech-language pathologists, and laryngologists and an adopted text for instructors and students in voice, singing, and performing arts courses. Janice L. Chapman is able to draw on her experiences as a singer with some of the world's leading opera companies to present a teaching technique specifically focusing on voice in the areas of classical and opera singing. Interspersed with the concepts and components of Chapman's methods are vignettes from her life and career, animated by her conversational and vibrant style to guide (and entertain) the reader through the book in a step-by-step fashion. The philosophy of teaching presented combines three main facets: Holistic, Physiological, and Incremental. The Holistic segment emphasizes that the act of singing involves the whole person (i.e., body, mind, spirit, emotion, and voice); the Physiological segment stresses anatomy, muscular function, and effects of muscular interactions so that students and teachers alike can understand and visualize the functional workings of the torso, larynx, and the vocal tract and their impact on good singing practices; and the Incremental section shows that the act of singing can be broken down into manageable components that have a natural hierarchy that eventually interact and interlock. This teaching model provides a framework to master one element at a time, with the resulting effect of a complete and integrated mastery of technique. Chapman recommends this framework for rehabilitative work with the dysfunctional singer, for working with the developing singer, and for the ongoing development and maintenance of the technically able professional singer. Case studies, examples, exercises, and contributions from some of the world's best-known voice professionals further highlight the text. New to this edition: The addition of a completely new chapter: an interview with voice specialist osteopath Jacob Lieberman on the subject of manual therapy and voiceA rewriting of Marilyn McCarthy's chapters on teaching and learning in light of advances in the fields of neuroscience and educationUpdates to Pamela Davis's chapter on voice and the brain, as well as John Rubin's chapter on vocal and respiratory anatomy and physiologyClarifications by Ron Morris on the use of the accent method of breathing as a highly effective remedial and training techniqueRefinements to chapters on breathing and support, phonation, and resonance*Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.

The Effects of Accent Method Breathing on the Development of Young Classical Singers

Author: Ronald Morris

Publisher:

Published: 2013

Total Pages: 444

ISBN-13:

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Abstract : Breathing and support are considered cornerstones of a secure vocal technique for classical singing. No area of vocal pedagogy has been more controversial and, despite recent advances in the understanding of how the respiratory system functions both in speech and song, some breath management strategies for singing continue to be at odds with scientific fact. Furthermore, many students find the development of these skills a challenge. Accent Method Breathing is a technique that is well grounded in science as it is based on the structure and function of the respiratory system. Accent Method was developed for the remediation of speech and voice difficulties but in the past 20 years it has also been used to help develop breathing and support in singers. The method has been used in both private singing studios and in institutions such as the Queensland Conservatorium Griffith University. Extant research in to Accent Method has focussed on its use in clinical populations and on its effects on the voices of normal speakers. Accent Method has never been evaluated specifically on singers though anecdotal evidence and clinical experience attest to its efficacy with this population. The current study aimed to evaluate the efficacy of Accent Method Breathing with students of classical singing in the early years of their training. A group of students underwent a 10 week group instruction in Accent Method with a matched group of students acting as controls. Measures were taken pre and post intervention consisting of Maximum Phonation Time (MPT), Mean Air Flow Rate through steady state vowels (MFR) and a Phonetogram. The students were also recorded singing a standard passage that was later judged by an expert panel.

Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training

Author: Andrea Caban

Publisher: Routledge

Published: 2021-05-19

Total Pages: 168

ISBN-13: 1000376575

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Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training is a beginner’s guide to Knight-Thompson Speechwork®, a method that focuses on universal and inclusive speech training for actors from all language, racial, cultural, and gender backgrounds and identities. This book provides a progression of playful, practical exercises designed to build a truly universal set of speech skills that any actor can use, such as the ability to identify, discern, and execute every sound found in every language on the planet. By observing different types of flow through the vocal tract, vocal tract anatomy, articulator actions, and how these components can be combined, readers will understand and recreate the process by which language is learned. They will then be introduced to the International Phonetic Alphabet (IPA) and will practice using the IPA for narrow transcription of speech sounds. The book also offers both an intellectual and physical understanding of oral posture and how it contributes to vocal characterization and accent work. This approach to speech training is descriptive, giving students a wide and diverse set of speech sounds and skills to utilize for any character in any project, and it establishes a foundation for future accent study and acquisition. Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training is an excellent resource for teachers and students of speech and actor training, as well as aspiring actors looking to diversify their speech skills.

If in Doubt, Breathe Out!

Author: Ron Morris

Publisher:

Published: 2016-10-17

Total Pages: 178

ISBN-13: 9781909082168

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This practical and concise book introduces Accent Method breathing. While Accent Method is well grounded in science, the science in this book is presented in language that is familiar to singers. Writing in an engaging and entertaining style, the authors demonstrate, with exercises, how to develop effective breathing and support in singers.

African Accents

Author: Beth McGuire

Publisher: Routledge

Published: 2016-02-05

Total Pages: 389

ISBN-13: 1317911997

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This is a comprehensive workbook for actors, covering the key characteristics and profiles of a wide range of African accents of English. Its unique approach not only addresses the methods and processes by which to go about learning an accent, but also looks in detail at each example. This lets the reader plot their own route through the learning process and tailor not only their working methods but also their own personal idiolect. Full breakdowns of each accent cover: an introduction giving a brief history of the accent, its ethnic background, and its language of origin preparatory warm-up exercises specific to each accent a directory of research materials including documentaries, plays, films and online resources key characteristics such as melody, stress, pace and pitch descriptions of physical articulation in the tongue, lips, jaw, palate and pharynx practice sentences, phoneme tables and worksheets for solo study. African Accents is accompanied by a website at www.routledge.com/cw/mcguire with an extensive online database of audio samples for each accent. The book and audio resources guide actors to develop their own authentic accents, rather than simply to mimic native speakers. This process allows the actor to personalize an accent, and to integrate it into the creation of character rather than to play the accent on top of character.