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Thalia Delighting in Song

Author: Emmet Robbins

Publisher: University of Toronto Press

Published: 2013-01-01

Total Pages: 353

ISBN-13: 1442613432

Emmet I. Robbins earned an international reputation as a scholar of ancient Greek poetry, possessing a broad cultural background and a command of many languages that allowed him to present sensitive and informed readings of poets from Homer to the tragedians. Thalia Delighting in Song assembles for the first time his work from 1975 through 1999, reflecting his close reading of the Greek texts and his firm grasp of their literary, historical and mythological contexts. Among the essays included in this volume are important reflections on the poetry of Homer, Alcman, Sappho, Pindar and Aeschylus. Also featured are Robbins' writings that situate Greek texts in their wider contexts, comparing Greek poetry and modern opera, for example, or assessing the enduring influence of myth in the Indo-European traditions, accounting for links between Greek literature and the poetry, sagas and songs of several other cultures. Thalia Delighting in Song ensures that the next generation of Classicists will continue to benefit from the insights of one of the foremost scholars in the field.

Thalia Delighting in Song

Author: Emmet I. Robbins

Publisher: University of Toronto Press

Published: 2013-06-17

Total Pages: 353

ISBN-13: 1442668210

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The British Thalia; or, Jacks [sic] of Newbury's delight, songs

Author: British Thalia

Publisher:

Published: 1810

Total Pages: 82

ISBN-13:

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Pindar, Song, and Space

Author: Richard Neer

Publisher: JHU Press

Published: 2019-11-05

Total Pages: 475

ISBN-13: 1421429799

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A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"—and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.

Hesiod's Theogony

Author: Stephen Scully

Publisher: Oxford University Press

Published: 2015-08-26

Total Pages: 400

ISBN-13: 0190253975

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Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony]...and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the Enûma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucian, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse.

Women's Ritual Competence in the Greco-Roman Mediterranean

Author: Matthew Dillon

Publisher: Taylor & Francis

Published: 2016-10-14

Total Pages: 248

ISBN-13: 1134780524

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Contributions in this volume demonstrate how, across the ancient Mediterranean and over hundreds of years, women’s rituals intersected with the political, economic, cultural, or religious spheres of their communities in a way that has only recently started to gain sustained academic attention. The volume aims to tease out a number of different approaches and contexts, and to expand existing studies of women in the ancient world as well as scholarship on religious and social history. The contributors face a famously difficult task: ancient authors rarely recorded aspects of women’s lives, including their songs, prophecies, and prayers. Many of the objects women made and used in ritual were perishable and have not survived; certain kinds of ritual objects (lowly undecorated pots, for example) tend not even to be recorded in archaeological reports. However, the broad range of contributions in this volume demonstrates the multiplicity of materials that can be used as evidence – including inscriptions, textiles, ceramics, figurative art, and written sources – and the range of methodologies that can be used, from analysis of texts, images, and material evidence to cognitive and comparative approaches.

Married Life in Greco-Roman Antiquity

Author: Claude-Emmanuelle Centlivres Challet

Publisher: Routledge

Published: 2021-12-30

Total Pages: 259

ISBN-13: 1000485811

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Beyond the institution of marriage, its norms, and rules, what was life like for married couples in Greco-Roman antiquity? This volume explores a wide range of sources over seven centuries to uncover possible answers to this question. On tombstones, curse or oracular tablets, in contracts, petitions, letters, treatises, biographies, novels, and poems, throughout Egypt, Greece, and Rome, 107 couples express themselves or are given life by their contemporaries and share their experiences of, and views on, marital relationships and their practical and emotional consequences. Renowned scholars and the next generation of experts explore seven centuries of source material to uncover the dynamics of the married life of metropolitan and provincial, famous and unknown, young and old couples. Men’s and women’s hopes, fears, traumas, joys, endeavours, and needs are analysed and reveal an array of interactions and behaviours that enlighten us on gender roles, social expectations, and intimate dealings in antiquity. Known texts are revisited, new evidence is put forward, and novel interpretations and concepts are offered which highlight local and chronological specificities as well as transhistorical commonalities. The analysis of married life in Greco-Roman antiquity, from ongoing vetting process to place where to find security, reveals the fundamental yearning to be included and loved and how the tensions created by the sometimes contradictory demands of traditional ideals and individual realities can be resolved, furthering our knowledge of social and cultural mechanisms. Married Life in Greco-Roman Antiquity will provide valuable resources of interest to scholars and students of Classical studies as well as social history, gender studies, family history, the history of emotions, and microhistory.

Medieval Song from Aristotle to Opera

Author: Sarah Kay

Publisher: Cornell University Press

Published: 2022-07-15

Total Pages: 293

ISBN-13: 1501763903

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Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "words plus music" but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book—to better understand the sung dimension of medieval song.

A Companion to Greek Lyric

Author: Laura Swift

Publisher: John Wiley & Sons

Published: 2022-05-11

Total Pages: 608

ISBN-13: 1119122651

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Discover the power of Greek lyric with essays from some of the foremost scholars in the field today Recent decades have seen a strong resurgence of interest in Greek lyric, resulting in this topic becoming one of the most dynamic areas of Classical scholarship. In A Companion to Greek Lyric, renowned Classical scholar Laura Swift delivers a collection of essays by international experts and emerging voices that offers up-to-date approaches on the methodology, contexts, and reception of Greek lyric from the archaic to the Hellenistic period. This edited volume includes detailed analyses of the poets themselves, as well as a reflection of the current state of play in the study of Greek lyric. It showcases the scope and range of approaches to be found in scholarly work in the field. Newcomers to the subject will benefit from the range of contextual and technical information included that allows for a more effective engagement with the lyric poets. Readers will also enjoy: Guidance on working with texts that are mainly preserved as fragments A selection of ways in which lyric poetry has influenced and inspired writers from Rome to the modern era Recommendations for further reading that offer a starting point for how to follow up on a particular topic Perfect for undergraduate and master’s students taking courses on Greek lyric or survey courses on classical literature, A Companion to Greek Lyric also belongs in the libraries of students of English or Comparative Literature seeking an authoritative resource for Greek lyric.

The Extant Odes of Pindar

Author: Ernest Myers

Publisher: Read Books Ltd

Published: 2020-08-14

Total Pages: 184

ISBN-13: 1528790979

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First published in 1874, “The Extant Odes of Pindar” contains a complete collection of all known odes written by Ancient Greek lyric poet Pindar. Pindar numbers amongst the nine canonical lyric poets of ancient Greece. Relatively well-preserved, his odes convey the values and beliefs of Ancient Greece at the beginning of the classical period. Contents include: “For Hieron of Syracuse, Winner in the Horse Race”, “For Theron Of Akragas, Winner in the Chariot-race”, “For Theron Of Akragas, Winner in the Chariot-race”, “For Psaumis of Kamarina, Winner in the Mule-chariot-race”, “For Psaumis of Kamarina, Winner in the Mule-chariot-race”, “For Ageias of Syracuse, Winner in the Muile-chariot-race”, etc. Ernest James Myers (1844–1921) was a Classicist, author, and poet. Other notable works by this author include: “The Judgement of Prometheus” (1886), “Gathered Poems” (1904), and “Lord Althorp: a Biography” (1890). Macha Press is republishing this classic biography now in a new edition complete with the extract 'Classical Games' by Francis Storr.