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Television Comedy and Femininity

Author: Rosie White

Publisher: Bloomsbury Publishing

Published: 2018-11-30

Total Pages: 256

ISBN-13: 1786726505

Can comedy on television harbour elements of gender transgression or subversion? If a man is permitted to be 'funny peculiar' – playing the underdog or misfit – does a woman seem stranger in his place? Mapping examples from British and American comedy television over the past 60 years, from I Love Lucy to The Big Bang Theory and Smack the Pony to Waiting For God, this book asks: are particular forms of television comedy gendered in specific ways? Paying attention to series which have not been addressed in academic work, as well as more established shows, White offers fresh insights for the fields of television studies, gender and women's studies, cultural history and comedy.

Television Comedy and Femininity

Author: Rosie White

Publisher: Bloomsbury Publishing

Published: 2018-11-30

Total Pages: 256

ISBN-13: 178673656X

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Hysterical!

Author: Linda Mizejewski

Publisher: University of Texas Press

Published: 2017-12-06

Total Pages: 469

ISBN-13: 1477314520

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Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren't funny. But today's funny women aren't a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher's daredevil stunts, Mae West's linebacker walk, Lucille Ball's manic slapstick, Carol Burnett's athletic pratfalls, Ellen DeGeneres's tomboy pranks, Whoopi Goldberg's sly twinkle, and Tina Fey's acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women's bodies and behaviors. Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field's leading authorities, introducing a new framework for women's comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women's comedy.

How to Watch Television, Second Edition

Author: Ethan Thompson

Publisher: NYU Press

Published: 2020-03-31

Total Pages: 416

ISBN-13: 1479898813

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A new edition that brings the ways we watch and think about television up to the present We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it “good” or “bad.” Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television, Second Edition brings together forty original essays—more than half of which are new to this edition—from today’s leading scholars on television culture, who write about the programs they care (and think) the most about. Each essay focuses on a single television show, demonstrating one way to read the program and, through it, our media culture. From fashioning blackness in Empire to representation in Orange is the New Black and from the role of the reboot in Gilmore Girls to the function of changing political atmospheres in Roseanne, these essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast, streaming, and cable. Addressing shows from TV’s earliest days to contemporary online transformations of the medium, How to Watch Television, Second Edition is designed to engender classroom discussion among television critics of all backgrounds. To access additional essays from the first edition, visit the full list here bit.ly/HowToWatchTV2e.

Women Watching Television

Author: Andrea L. Press

Publisher: University of Pennsylvania Press

Published: 1991-03

Total Pages: 260

ISBN-13: 9780812212860

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Women's inclinations to identify with television characters varies with their assessment of the realism of these characters and their social world.

TV Family Values

Author: Alice Leppert

Publisher: Rutgers University Press

Published: 2019-03-15

Total Pages: 193

ISBN-13: 0813592690

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During the 1980s, U.S. television experienced a reinvigoration of the family sitcom genre. In TV Family Values, Alice Leppert focuses on the impact the decade's television shows had on middle class family structure. These sitcoms sought to appeal to upwardly mobile “career women” and were often structured around non-nuclear families and the reorganization of housework. Drawing on Foucauldian and feminist theories, Leppert examines the nature of sitcoms such as Full House, Family Ties, Growing Pains, The Cosby Show, and Who's the Boss? against the backdrop of a time period generally remembered as socially conservative and obsessed with traditional family values.

Television Women from Lucy to Friends

Author: Lynn C. Spangler

Publisher: Praeger

Published: 2003-09-30

Total Pages: 312

ISBN-13:

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Between the pre-feminist antics of Lucy Ricardo & the post-feminist musings of the women in 'Friends', the depiction of women on television has evolved in as many interesting & surprising ways as the women's movement itself.

The Girl in the Show

Author: Anna Fields

Publisher: Skyhorse

Published: 2017-08-08

Total Pages: 392

ISBN-13: 1510718370

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For fans of Tina Fey, Amy Poehler, Amy Schumer—and every other "funny woman"—comes a candid feminist comedy manifesto exploring the sisterhood between women's comedy and women's liberation. “I’m not funny at all. What I am is brave.” —Lucille Ball From female pop culture powerhouses dominating the entertainment landscape to memoirs from today’s most vocal feminist comediennes shooting up the bestseller lists, women in comedy have never been more influential. Marking this cultural shift, The Girl in the Show explores how comedy and feminism have grown hand in hand to give women a stronger voice in the ongoing fight for equality. From I Love Lucy to SNL to today’s rising cable and web series stars, Anna Fields's entertaining, thoughtful, and candid retrospective combines personal narratives with the historical, political, and cultural contexts of the feminist movement. With interview subjects such as Abbi Jacobson, Molly Shannon, Mo Collins, and Lizz Winstead—as well as actresses, stand-up comics, writers, producers, and female comedy troupes—Fields shares true stories of wit and heroism from some of our most treasured (and underrepresented) artists. Creating a blueprint for the feminist comedians of tomorrow using lessons of the past, The Girl in the Show encourages readers to revel in—and rebel against—our collective ideas of "women's comedy."

The Queer Fantasies of the American Family Sitcom

Author: Tison Pugh

Publisher: Rutgers University Press

Published: 2018-02-27

Total Pages: 259

ISBN-13: 0813591759

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The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.