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Techno Fantasies

Author: Alan Bunkum

Publisher: Schiffer Book for Collectors

Published: 2005

Total Pages: 136

ISBN-13:

Charts toy robot design of the last half of the 20th century and explores Japanese aesthetics in tinplate toys, especially robots. Over 200 photographs and original conceptual drawings illustrate this fascinating history. Robotic manufacturers such as Tomy, Horikawa, Waco, and Sony are just a few of the Japanese manufacturers whose robotic designs are featured here. Captions provide much relevant information, including date, size, manufacturer, and current values. An important book for historians, collectors, designers, and students of Japanese studies and popular culture in the golden age of toy production.

The Symbolic Species Evolved

Author: Theresa Schilhab

Publisher: Springer Science & Business Media

Published: 2012-03-26

Total Pages: 291

ISBN-13: 9400723350

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This anthology is a compilation of the best contributions from Symbolic Species Conferences I, II (which took place in 2006, 2007). In 1997 the American anthropologist Terrence Deacon published The Symbolic Species: The Coevolution of Language and the Brain. The book is widely considered a seminal work in the subject of evolutionary cognition. However, Deacons book was the first step – further steps have had to be taken. The proposed anthology is such an important associate. The contributions are written by a wide variety of scholars each with a unique view on evolutionary cognition and the questions raised by Terrence Deacon - emergence in evolution, the origin of language, the semiotic 'missing link', Peirce's semiotics in evolution and biology, biosemiotics, evolutionary cognition, Baldwinian evolution, the neuroscience of linguistic capacities as well as phylogeny of the homo species, primatology, embodied cognition and knowledge types.

Technoscience and Postphenomenology

Author: Jan Kyrre Berg Friis

Publisher: Lexington Books

Published: 2015-10-30

Total Pages: 281

ISBN-13: 073918962X

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Friis and Crease capture Postphenomenology, a new field that has attracted attention among scholars engaged in technology studies. Contributors to this edited collection seek to analyze, clarify, and develop postphenomenological language and concepts, expand the work of Don Ihde, the field's founder, and scout into fields that Ihde never tackled. Many of the contributors to this collection had especially close ties to Ihde and have benefited from close work with him. This combined with the distinctive diversity of the contributors—18 people from 10 different countries—enables this volume to put on display the diversity of content and styles in this young movement.

Anime's Knowledge Cultures

Author: Jinying Li

Publisher: U of Minnesota Press

Published: 2024-03-12

Total Pages: 302

ISBN-13: 1452970580

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Unlocking the technosocial implications of global geek cultures Why has anime, a “low-tech” medium from last century, suddenly become the cultural “new cool” in the information age? Through the lens of anime and its transnational fandom, Jinying Li explores the meanings and logics of “geekdom” as one of the most significant sociocultural groups of our time. In Anime’s Knowledge Cultures, Li shifts the center of global geography in knowledge culture from the computer boys in Silicon Valley to the anime fandom in East Asia. Drawing from film studies, animation studies, media theories, fan studies, and area studies, she provides broad cultural and theoretical explanations of anime’s appeal to a new body of tech-savvy knowledge workers and consumers commonly known as geeks, otaku, or zhai. Examining the forms, techniques, and aesthetics of anime, as well as the organization, practices, and sensibilities of its fandom, Anime’s Knowledge Cultures is at once a theorization of anime as a media environment as well as a historical and cultural study of transnational geekdom as a knowledge culture. Li analyzes anime culture beyond the national and subcultural frameworks of Japan or Japanese otaku, instead theorizing anime’s transnational, transmedial network as the epitome of the postindustrial knowledge culture of global geekdom. By interrogating the connection between the anime boom and global geekdom, Li reshapes how we understand the meanings and significance of anime culture in relation to changing social and technological environments.

Wonderlands of the Avant-Garde

Author: Julia Vaingurt

Publisher: Northwestern University Press

Published: 2013-05-31

Total Pages: 322

ISBN-13: 0810166526

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In postrevolutionary Russia, as the Soviet government was initiating a program of rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. In spite of their professed utilitarianism, however, most avant-gardists created works that can hardly be regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists’ investment of technology with aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold’s theater, Tatlin’s and Khlebnikov’s architectural designs, Mayakovsky’s writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture.

The Philosophy of Imagination

Author: Galit Wellner

Publisher: Bloomsbury Publishing

Published: 2024-04-18

Total Pages: 257

ISBN-13: 1350277223

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Combining perspectives from both continental and analytic philosophy, this timely volume explores how imagination today both shapes and is shaped by technology, art and ethics. Imagination is one of the most significant and broadly examined concepts in contemporary philosophy and is frequently understood as a basic human faculty that enables complex activities. This book shows, however, that imagination is more than a mere enabler. Whilst imagination shapes our experiences, it is at the same time shaped by our environments. Some of the most creative manifestations of imagination are the result of its two-way interaction with art or technology, or both. In short, imagination co-shapes us. Beyond the traditional perspectives of Kant and Heidegger, The Philosophy of Imagination: Technology, Art and Ethics examines our dynamic relationship with imagination, from contemporary technological advancements such as AI that transform the whole ecosystem to imagination in the context of videogames and literary fiction. Analysing societal imagination, it addresses the relationship between the racial imaginary and white ignorance, as well as the effects that societal mechanisms such as lockdowns can have on our imagination. Taking its cue from the here and now, this volume brings together leading international scholars to investigate how the concept of co-shaping allows us to see imagination and its crucial role in society in new and productive ways.