Medieval Building Techniques

Medieval Building Techniques PDF

Author: Günther Binding

Publisher: Tempus Publishing, Limited

Published: 2004

Total Pages: 222

ISBN-13:

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How did medieval builders manage to construct the towering cathedrals of Europe and other great civic buildings, not to mention the tens of thousands of parish churches? By combing through thousands of medieval illuminated manuscripts, early printed works, sculptures and carvings, Gunther Binding has assembled hundreds of drawings that clearly show the tools and techniques used by the masons and builders of the Middle Ages."

Medieval Illuminators and Their Methods of Work

Medieval Illuminators and Their Methods of Work PDF

Author: Jonathan James Graham Alexander

Publisher: Yale University Press

Published: 1992-01-01

Total Pages: 230

ISBN-13: 9780300060737

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Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.

The Materials and Techniques of Medieval Painting

The Materials and Techniques of Medieval Painting PDF

Author: Daniel V. Thompson

Publisher: Courier Corporation

Published: 2012-05-11

Total Pages: 262

ISBN-13: 0486142035

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Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.

Medieval Manuscript to Modern Practice: The Wrestling Techniques of Fiore dei Liberi

Medieval Manuscript to Modern Practice: The Wrestling Techniques of Fiore dei Liberi PDF

Author: Guy Windsor

Publisher: Spada Press

Published: 2024-06-04

Total Pages: 175

ISBN-13: 9527157366

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In From Medieval Manuscript to Modern Practice, renowned historical swordsman Guy Windsor demystifies one of the greatest martial arts books of all time, Fiore dei Liberi's Il Fior di Battaglia (The Flower of Battle). In the late 14th century dei Liberi, an Italian knightly combat master, wrote Il Fior di Battaglia (The Flower of Battle). This magnificent, illustrated manuscript described how to fight on foot and on horseback, in armour and without, with sword, spear, pollax, dagger, or with no weapon at all. Dr. Windsor has spent the last twenty years studying Fiore's work and creating a modern practice of historical swordsmanship from it. In this book, he takes you through all of Fiore's wrestling techniques. Each technique (or “play”) is shown with the drawing from the treatise, his transcription and translation of the text, his commentary on how it fits into the system and works in practice, and a link to a video of the technique in action. The book also contains a detailed introduction describing Fiore's life and times, and extensive discussion of the contexts in which Fiore's art belongs. From Medieval Manuscript to Modern Practice: The Wrestling Techniques of Fiore dei Liberi is essential reading for all martial artists, and historians of the medieval and early Renaissance.

Medieval Swordsmanship

Medieval Swordsmanship PDF

Author: John Clements

Publisher:

Published: 1998-11

Total Pages: 350

ISBN-13:

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From the author of Renaissance Swordsmanship comes the most comprehensive and historically accurate view ever of the lost fighting arts of Medieval knights, warriors and men-at-arms. Based on years of extensive training and research in the use of European swords, it contains highly effective fighting techniques for the sword, sword & shield, long-sword, great-sword, pole-arm and more. And with more than 200 illustrations and rare historical documents, it is a scholarly reference as well as a hands-on training guide for martial artists of all levels.

Art of the Book

Art of the Book PDF

Author: National Art Library (Great Britain)

Publisher: Victoria & Albert Museum

Published: 2001-06

Total Pages: 216

ISBN-13:

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Celebrating the marriage of word and image on the written and printed page, The Art of the Book presents rarely examined treasures from the National Art Library at the Victoria and Albert Museum, London. Featuring a huge range of material spanning six centuries -- including illuminated manuscripts, fine bindings, the classics of children's literature, comic novels, and artists' books, it explores the ways in which books not only transmit information but become works of art in their own right. Thematic sections illustrate the key aspects of book design and production over the ages. With medieval books of hours sitting alongside contemporary paperback novels, the choice of artists, designers, subjects, and authors is wonderfully varied -- from Leonardo da Vinci to Sir Eduardo Paolozzi, Aesop to Charles Dickens, and de Brunhoff's Babar the Elephant to Art Spiegelman's Maus. Strikingly illustrated with 100 colorplates, this absorbing compendium will be of interest to collectors, graphic designers, and booklovers.

The Materials and Techniques of Medieval Painting

The Materials and Techniques of Medieval Painting PDF

Author: Daniel V (Daniel Varney) Thompson

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 244

ISBN-13: 9781014167385

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.