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Talking Films and Songs

Author: Nasreen Munni Kabir

Publisher: Oxford University Press

Published: 2018-02-16

Total Pages: 200

ISBN-13: 0199091773

One of the great thinkers of Indian cinema, Javed Akhtar needs no introduction. As a screenplay writer, he and Salim Khan wrote the dialogue for blockbusters like Zanjeer, Deewar, and Sholay; as a songwriter, he has composed a huge variety of songs including, ‘Yeh kahaan aa gaye hum’, ‘Kuchh na kaho’, and ‘Kal ha na ho’. Talking Films and Songs showcases both these aspects of Javed Akhtar’s versatile genius, through freewheeling conversations with Nasreen Munni Kabir. Originally published in 1999 (Talking Films) and 2005 (Talking Songs), these extremely popular books have delighted readers, researchers, and scholars of Indian film. Full of wit and wisdom, this edition is a must-read for Hindi cinema enthusiasts.

Talking Songs

Author: Javed Akhtar

Publisher:

Published: 2007

Total Pages: 272

ISBN-13: 0195687124

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Is the universe infinite, or does it have an edge beyond which there is, quite literally, nothing? Do we live in the only possible universe? Why does it have one time and three space dimensions - or does it? What is it made of? What does it mean when we hear that a new particle has been discovered? Will quantum mechanics eventually break down and give way to a totally new description of the world, one whose features we cannot even begin to imagine?This book aims to give the non-specialist reader a general overview of what physicists think they do and do not know in some representative frontier areas of contemporary physics. After sketching out the historical background, A. J. Leggett goes on to discuss the current situation and some of the open problems of cosmology, high-energy physics, and condensed-matter physics. Unlike most other accounts, this book focuses not so much on recent achievements as on the fundamental problems at theheart of the subject, and emphasizes the provisional nature of our present understanding of things.

Talking Films

Author: Jāvīd Ak̲h̲tar

Publisher: Oxford University Press, USA

Published: 2002-12-24

Total Pages: 170

ISBN-13:

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Poet, lyricist and screenplay writer, Javed Akhtar is that rare individual celebrated in the diverse worlds of popular cinema and of literature and letters. Zanjeer, Deewaar and Sholay, with screenplays written by him in partnership with Salim Khan, are milestones in the history of Indian cinema. Javed Akhtar's book of poetry, Tarkash, published both in Urdu and Hindi, has enjoyed enormous critical as well as commercial success. The songs he has written for the Hindi screen have also been trendsetters, and today Javed Akhtar is among the most respected names in the Indian film industry. Here, Nasreen Munni Kabir talks with this hugely creative writer about his early influences, his relationship with his parents, his life and work in films where he began as a clapper boy in the mid-sixties, and his successful partnership with Salim Khan. An original thinker, Javed Akhtar turns his analytical gaze to the conventions of Hindi cinema, its songs and its stories. He is illuminating about many aspects of screenplay, dialogue writing and lyric writing, bringing alive his understanding of these creative forms with his descriptions of the way well-known film dialogue and famous songs canme to be written. Akhtar speaks with clarity and honesty about his development as a poet and his growth as a politically-aware person. Sparkling with Akhtar's wit, intelligence and skill as a raconteur, this well-illustrated book will appeal to everyone interested in cinema and the arts.

Film Music

Author: Peter Larsen

Publisher: Reaktion Books

Published: 2007

Total Pages: 260

ISBN-13: 9781861893413

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Peter Larsen traces the history of music in film and discusses central theoretical questions concerning its narrative and psychological functions. He looks in depth at film classics such a Howard Hawks's 'The Big Sleep' and Hitchcock's 'North by Northwest' as well as later blockbusters such as 'Star Wars' and 'Bladerunner'.

The Cambridge Companion to Film Music

Author: Mervyn Cooke

Publisher: Cambridge University Press

Published: 2016-12-08

Total Pages: 439

ISBN-13: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Forbidden Music

Author: Michael Haas

Publisher: Yale University Press

Published: 2013-04-15

Total Pages: 505

ISBN-13: 0300154313

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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germanyâ€™s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

The Invisible Art of Film Music

Author: Laurence E. MacDonald

Publisher: Scarecrow Press

Published: 2013-05-02

Total Pages: 625

ISBN-13: 0810883988

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Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain,and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.

A.R. Rahman: The Spirit of Music

Author: Nasreen Munni Kabir

Publisher: Om Books International

Published: 2011

Total Pages: 216

ISBN-13: 9380070144

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When composer A.R. Rahman's first film Roja was released in 1992, his astonishing music with its other-worldly melodies, tonal texture, pulsating rhythms made an instant impact in India. His abundantly flowing talent has given life to the scores of over a hundred films, including Dil Se, Bombay, Lagaan, Warriors of Heaven and Earth, 127 Hours and Jodhaa Akbar. According to a recent estimate by the BBC, 150 million copies of his albums have sold worldwide. A.R. Rahman has won a host of awards, together with a Golden Globe, a Bafta, two Oscars and two Grammys for his score in Slumdog Millionaire. In 2010, he received the Padma Bhushan, the third highest civilian honour, awarded by the Government of India. Despite all his great success, Rahman remains a deeply private person, shying away from the glitz and glamour of show business. A.R. Rahman: The Spirit of Music is in the form of biographical conversations between the composer and Nasreen Munni Kabir in which we hear of Rahman's amazing journey from modest beginnings to an assured place in world music history.

Movies, Songs, and Electric Sound

Author: Charles O'Brien

Publisher: Indiana University Press

Published: 2019-02-08

Total Pages: 228

ISBN-13: 0253040426

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How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O’Brien examines American and European musical films created circa 1930, when the world’s sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films’ musical sequences. Rather than advancing a film’s plot, songs in these films were staged, filmed, and cut to facilitate the singer’s engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O’Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.

The Sound of Pictures

Author: Andrew Ford

Publisher: ReadHowYouWant.com

Published: 2011-02

Total Pages: 426

ISBN-13: 1458762947

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The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of na...