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Racism and Racial Surveillance

Author: Sheila Khan

Publisher:

Published: 2021

Total Pages:

ISBN-13: 9781032109022

"Based on the premise that the project of Western Modernity is a structuring element of our societies, Racism and Racial Surveillance explores in detail its legacies of coloniality and racialization that interfere in a subtle and perverse way in the current social, cultural and political systems. Guided by an interdisciplinary methodology, the various contributions privilege historical contexts of colonial formation and offer a thorough and intersectional analysis on the specters of coloniality in the upsurge of racism, surveillance, and criminalization, as well as the presence of the phantom of the race in spaces of knowledge production such as that of artistic field, forensic genetics and criminal identification. Drawing on multi case studies the book then proffers key concepts and historical background that will be of interest to researchers, students and professionals in a broad range of areas of social sciences and humanities research, including fields such as criminology and policing, science and technology studies, arts studies, literary studies, race and ethnic studies and, finally, memory studies"--

Culture, Social Class, and Race in Public Relations

Author: Damion Waymer

Publisher: Lexington Books

Published: 2012-09-27

Total Pages: 263

ISBN-13: 0739173413

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Culture, Race, and Class-Based Perspectives in Public Relations, edited by Damion Waymer, covers timely and understudied topics in the field of public relations (PR). Via research, case analysis, and theoretical discussion, the contributors to this volume explore the ways that scholars can address issues of voice (or the lack thereof) that marginalized publics have encountered in the past or are currently encountering in regard to matters of culture, race, and class. A central question this book asks is what role can and does a greater understanding of culture, race, and class play in helping scholars, teachers, students, and practitioners to aid in society becoming a better place to live and work? Culture as well as other divisive social constructs such as race and class must be unpacked, problematized, and considered carefully before the fully functioning vision of society can be deemed possible. Some topics included are the Black Panther Party and Native American Activist rhetorical PR, risk equity, critical race theory, and pedagogical approaches to teaching culture, race, and class. This edited volume serves an important early step by scholars—via the context of public relations—in this process of advocating social justice as well as organizations' role in helping society achieve these ends.

Border Optics

Author: Camilla Fojas

Publisher: NYU Press

Published: 2021-06-08

Total Pages: 208

ISBN-13: 147980701X

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Examines how the US-Mexico border is seen through visual codes of surveillance When Donald Trump promised to “build a wall” on the U.S.-Mexico border, both supporters and opponents visualized a snaking barrier of concrete cleaving through nearly two thousand miles of arid desert. Though only 4 percent of the US population lives in proximity to the border, imagining what the wall would look like came easily to most Americans, in part because of how images of the border are reproduced and circulated for national audiences. Border Optics considers the US-Mexico border as one of the most visualized and imagined spaces in the US. As a place of continual crisis, permanent visibility, and territorial defense, the border is rendered as a layered visual space of policing—one that is seen from watchtowers, camera-mounted vehicles, helicopters, surveillance balloons, radar systems, unmanned aerial vehicles, and live streaming websites. It is also a space that is visualized across various forms and genres of media, from maps to geographical surveys, military strategic plans, illustrations, photographs, postcards, novels, film, and television, which combine fascination with the region with the visual codes of surveillance and survey. Border Optics elaborates on the expanded vision of the border as a consequence of the interface of militarism, technology, and media. Camilla Fojas describes how the perception of the viewing public is controlled through a booming security-industrial complex made up of entertainment media, local and federal police, prisons and detention centers, the aerospace industry, and all manner of security technology industries. The first study to examine visual codes of surveillance within an analysis of the history and culture of the border region, Border Optics is an innovative and groundbreaking examination of security cultures, race, gender, and colonialism.