Suki Schorer on Balanchine Technique

Suki Schorer on Balanchine Technique PDF

Author: Suki Schorer

Publisher:

Published: 1999

Total Pages: 456

ISBN-13:

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George Balanchine was one of the greatest choreographers in the history of ballet. Written by a leading teacher at the School of American Ballet who is also one of Balanchine''s former dancers, this is a highly detailed book on the master''s technique.'

Put Your Best Foot Forward

Put Your Best Foot Forward PDF

Author: Suki Schorer

Publisher: Workman Publishing

Published: 2005-01-01

Total Pages: 104

ISBN-13: 9780761137955

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Presents advice for young ballet students, including practicing etiquette and grooming, finding a balance between mind and body, maintaining focus, developing patience, and fostering an attitude of generosity in dancing for audiences.

Balanchine the Teacher

Balanchine the Teacher PDF

Author: Barbara Walczak

Publisher:

Published: 2008

Total Pages: 324

ISBN-13:

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This work is a technical explanation of the stylistic approach that George Balanchine taught in New York City between 1940 and 1960, as recorded by two prominent dancers who studied with him at the time.

Ballet Pedagogy

Ballet Pedagogy PDF

Author: Rory Foster

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780813034591

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Rory Foster argues that it isn't sufficient for a ballet teacher to be well versed in technique; they must also know how to utilize pedagogial skills.

I Was a Dancer

I Was a Dancer PDF

Author: Jacques D'Amboise

Publisher: Knopf

Published: 2011-03-01

Total Pages: 465

ISBN-13: 0307595234

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“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.

Ballerina

Ballerina PDF

Author: Deirdre Kelly

Publisher: Greystone Books Ltd

Published: 2012

Total Pages: 264

ISBN-13: 1771640006

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Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection--the feminine ideal. But the reality is another story. From the earliest ballerinas in the 17th century--who often led double lives as concubines--through the poverty of the corps de ballet dancers in the 1800's and the anorexic and bulimic ballerinas of George Balanchine, starvation and exploitation have plagued ballerinas throughout history. Using the stories of great dancers such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, Evelyn Hart, Marie Camargo, and Misty Copeland, Deirdre Kelly exposes the true rigors for women in ballet. She rounds her critique with examples of how the world of ballet is slowly evolving for the better. But to ensure that this most graceful of dance forms survives into the future, she says that the time has come to rethink ballet, to position the ballerina at its center and accord her the respect she deserves.

Dance Anecdotes

Dance Anecdotes PDF

Author: Mindy Aloff

Publisher: Oxford University Press, USA

Published: 2006

Total Pages: 286

ISBN-13: 0195054113

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A collection of stories that aim to capture the boundless variety and richness of dance as an art, a tradition, a profession, an obsession, and an ideal.

Classical Ballet Technique

Classical Ballet Technique PDF

Author: Gretchen Ward Warren

Publisher: University Press of Florida

Published: 1989

Total Pages: 395

ISBN-13: 9780813009452

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Aimed at advanced dancers, this book discusses classical ballet's basic concepts, techniques, and movements

The It Girl

The It Girl PDF

Author: Paul McKibbins

Publisher: Samuel French, Inc.

Published: 2004

Total Pages: 116

ISBN-13: 9780573628726

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Musical comedy / 3m, 4f (with doubling.) / Unit set Here is a lighthearted tribute to silent movies and Clara Bow that reinvents her 1927 film about a sassy department store salesclerk who wins an advertising contest held to find the girl with the elusive, thrilling quality know as It. Among those she enchants with sexy charm is the heir to the retail empire that employs her. "Perky ... with a savvy score.... Has the heightened melodramatic tone of a silent movie." - New York Times "Flapper