African Filmmaking

African Filmmaking PDF

Author: Roy Armes

Publisher: Indiana University Press

Published: 2006

Total Pages: 248

ISBN-13: 9780253348531

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A critique of filmmaking in the Maghreb and sub-Saharan Africa by noted film scholar Roy Ames

Focus on African Films

Focus on African Films PDF

Author: Françoise Pfaff

Publisher: Indiana University Press

Published: 2004-07-13

Total Pages: 344

ISBN-13: 9780253216687

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'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.

African Cinema and Human Rights

African Cinema and Human Rights PDF

Author: Mette Hjort

Publisher: Indiana University Press

Published: 2019-03-01

Total Pages: 321

ISBN-13: 0253039444

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Essays and case studies exploring how filmmaking can play a role in promoting social and economic justice. Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: Documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities Legitimating, and consequently solidifying, an expanded scope for human rights Promoting the realization of social and economic right Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners’ self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film’s ideal role within the context of our ever-continuing struggle towards a more just global society.

New African Cinema

New African Cinema PDF

Author: Valérie Orlando

Publisher: Rutgers University Press

Published: 2017-04-15

Total Pages: 189

ISBN-13: 0813579589

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New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

Africa Shoots Back

Africa Shoots Back PDF

Author: Melissa Thackway

Publisher: Indiana University Press

Published: 2003

Total Pages: 248

ISBN-13: 9780253343499

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Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the 1960s to challenge Western stereotypes. This text shows how directors have produced alternatives, focusing on issues of memory and history.

Contemporary African Cinema

Contemporary African Cinema PDF

Author: Olivier Barlet

Publisher: MSU Press

Published: 2016-08-01

Total Pages: 466

ISBN-13: 1628952709

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African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.