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Author: Erwin Panofsky
Publisher: Routledge
Published: 2018-05-04
Total Pages: 356
ISBN-13: 0429976690
DOWNLOAD EBOOK →In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.
Author: Jack Ludlow
Publisher:
Published: 2011
Total Pages: 0
ISBN-13: 9780753188767
DOWNLOAD EBOOK →An action-packed period that was crying out for fictional treatment
Author: Christine M. Boeckl
Publisher: Penn State Press
Published: 2000-11-24
Total Pages: 333
ISBN-13: 1935503456
DOWNLOAD EBOOK →Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
Author: Berthold Hub
Publisher: Routledge
Published: 2020-09-23
Total Pages: 404
ISBN-13: 1000179117
DOWNLOAD EBOOK →The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline – and also those whose research is on the art and culture of the Italian Renaissance itself – with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.
Author: Krešimir Purgar
Publisher: Routledge
Published: 2020-06-15
Total Pages: 246
ISBN-13: 0429557574
DOWNLOAD EBOOK →This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
Published: 2018-01-30
Total Pages: 261
ISBN-13: 022656584X
DOWNLOAD EBOOK →Almost thirty years ago, W.J.T. Mitchell's 'Iconology' helped launch the interdisciplinary study of visual media, now a central feature of the humanities. Mitchell's now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture. These key concepts imply an approach to images as true objects of investigation-an 'image science.' Continuing with this influential line of thought, 'Image Science' gathers Mitchell's most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings.
Author: Erwin Panofsky
Publisher: Princeton University Press
Published: 2020-09-01
Total Pages: 170
ISBN-13: 0942299477
DOWNLOAD EBOOK →Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of “archaeology” of Western representation that far surpasses the usual scope of art historical studies. Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.
Author: David C. Miller
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 356
ISBN-13: 9780300065145
DOWNLOAD EBOOK →This overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.
Author: Lester C. Olson
Publisher: Univ of South Carolina Press
Published: 2004
Total Pages: 350
ISBN-13: 9781570035258
DOWNLOAD EBOOK →"Olson contends that attention to the visual images created in each of these roles dramatizes fundamental changes in Franklin's sensibility concerning British America. In 1754 Franklin was an American Whig supporter of the British Empire's constitutional monarchy. During the late 1750s and early 1760s he veered toward increasing the power of the Crown over Pennsylvania by changing the colony's form of government before ultimately rejecting constitutional monarchy and advocating republican politics during the 1770s and 1780s. The shifts in Franklin's fundamental political commitments are among the most arresting aspects of his life. Benjamin Franklin's Vision of American Community highlights these changes as it examines his pictorial representations of British America through several decades."--BOOK JACKET.
