Storytelling in Christian Art from Giotto to Donatello

Storytelling in Christian Art from Giotto to Donatello PDF

Author: Jules Lubbock

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 380

ISBN-13: 9780300117271

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Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice. This book is richly illustrated, and many of its photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock's interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery.

The Cross and Creation in Liturgy and Art

The Cross and Creation in Liturgy and Art PDF

Author: Christopher Irvine

Publisher: SPCK

Published: 2013-06-20

Total Pages: 328

ISBN-13: 0281070997

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The book gives an account of various movements in art and their relation to the visual and in churches and in liturgy, for example the Franciscan movement, different approaches to the crucifixion, and the restoration of creation. It recovers the links between the cross and creation, and relates the baptismal covenant to a commitment to care for creation.

Giotto's Arena Chapel and the Triumph of Humility

Giotto's Arena Chapel and the Triumph of Humility PDF

Author: Henrike Christiane Lange

Publisher: Cambridge University Press

Published: 2023-01-31

Total Pages: 581

ISBN-13: 1009041657

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In this book, Henrike Lange takes the reader on a tour through one of the most beloved and celebrated monuments in the world – Giotto's Arena Chapel. Paying close attention to previously overlooked details, Lange offers an entirely new reading of the stunning frescoes in their spatial configuration. The author also asks fundamental questions that define the chapel's place in Western art history. Why did Giotto choose an ancient Roman architectural frame for his vision of Salvation? What is the role of painted reliefs in the representation of personal integrity, passion, and the human struggle between pride and humility familiar from Dante's Divine Comedy? How can a new interpretation regarding the influence of ancient reliefs and architecture inform the famous “Assisi controversy” and cast new light on the debate around Giotto's authorship of the Saint Francis cycle? Illustrated with almost 200 color plates, this volume invites scholars and students to rediscover a key monument of art and architecture history and to see it with new eyes.

Teaching the Bible through Popular Culture and the Arts

Teaching the Bible through Popular Culture and the Arts PDF

Author: Mark Roncace

Publisher: Society of Biblical Lit

Published: 2012-11-01

Total Pages: 404

ISBN-13: 1589836758

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This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture. It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible.

Jesus, Paul, and Early Christianity

Jesus, Paul, and Early Christianity PDF

Author: Rieuwerd Buitenwerf

Publisher: BRILL

Published: 2008-12-31

Total Pages: 472

ISBN-13: 9047443462

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This collection of essays by leading experts in New Testament scholarship addresses core themes in the study of early Christianity. It is dedicated to Henk Jan de Jonge (Emeritus Professor in the New Testament, Leiden University) in honour of his important contributions to the field of New Testament Studies.

The Medieval Haggadah

The Medieval Haggadah PDF

Author: Marc Michael Epstein

Publisher: Yale University Press

Published: 2011-06-07

Total Pages: 338

ISBN-13: 0300156669

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Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.

Religion and the Arts: History and Method

Religion and the Arts: History and Method PDF

Author: Diane Apostolos-Cappadona

Publisher: BRILL

Published: 2017-11-06

Total Pages: 92

ISBN-13: 9004361561

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In Religion and the Arts: History and Method, Diane Apostolos-Cappadona analyses the origins and methodological journey of this field though concerns with repatriation, museum exhibitions, and globalization, to offer an indispensable introduction to study of the field.

Medieval Clothing and Textiles 18

Medieval Clothing and Textiles 18 PDF

Author: Cordelia Warr

Publisher: Boydell & Brewer

Published: 2024-05-14

Total Pages: 221

ISBN-13: 183765185X

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The best new research on medieval clothing and textiles, drawing from a range of disciplines. The essays collected here continue the Journal's wide-ranging and eclectic tradition. Topics include literary evidence for linen armour; serial production in late medieval silks; the inventory of Isabella Bruce's bridal goods; the depiction of women textile workers in the frescoes of the Salone of the Palazzo della Ragione in Padua, Italy; ideal female beauty in the Middle Ages and the means used to attain and assess it; and social status as evidenced by clothing and textiles in the Scottish royal treasurer's accounts of the mid-sixteenth century.

ReVisioning

ReVisioning PDF

Author: James Romaine

Publisher: Wipf and Stock Publishers

Published: 2014-05-20

Total Pages: 395

ISBN-13: 1630871826

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ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.

Art Theory as Visual Epistemology

Art Theory as Visual Epistemology PDF

Author: Harald Klinke

Publisher: Cambridge Scholars Publishing

Published: 2014-06-26

Total Pages: 155

ISBN-13: 1443862517

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How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.