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Author: Stephen Hannock
Publisher: Chronicle Books (CA)
Published: 2000
Total Pages: 128
ISBN-13:
DOWNLOAD EBOOK →Stephen Hannock is considered one of the finest American landscape painters. His work seems to glow-an extraordinary signature effect illustrated in these 60 paintings. Praised by critics and collectors, Hannock won an Academy Award in 1998 for his work on the Robin Williams' film, What Dreams May Come.
Author: Jason Rosenfeld
Publisher: Hudson Hills
Published: 2009
Total Pages: 244
ISBN-13: 9781555952914
DOWNLOAD EBOOK →Stephen Hannock is a contemplative and iconoclastic artist who brings fresh vision and new insight into his studies of light and reflection in the landscape. His work, which echoes the tradition of the Luminist paintings of the 19th century, springs from a sensibility unique among contemporary artists. As in his well-known Oxbow series, his landscape paintings, subtly lit with the rising sun's rays over flooded waters, build their depth with the layers of lacquer Hannock adds; it is this polishing technique, adding as many as twelve layers to his oil paintings, that allows him to play with the reflections of light and shadow over his subjects. At the same time, current events and moments from the artist's life are brought into his pieces in the form of messages, clippings and photographs built into the lacquered layers, which recede into the painting when viewed from a distance, making the work not only a representation of the subject but also a reflection of the life and preoccupations of the artist at a specific point in time. The final presentation is a painting that is deeply human, touching the viewer with its honesty, wit and humor. This richly illustrated monograph includes a wide spectrum of paintings spanning the artist's career, as well as drawings done while traveling in Asia, Europe, and North America, and of friends in music and the arts, at work in their homes and studios. SELLING POINTS: The definitive monograph on this major American painter, whose work is in some of the most important public and private collections in the country Three descriptive essays provide insight into Hannock's work including his major work The Oxbow, After Church, After Cole, Flooded, Green Light (Flooded Rivers for the Matriarchs: E. and A. Mongan), 1999, which hangs in the Metropolitan Museum of Art Never-before-seen works including Northern City Renaissance, Newcastle, England, completed in 2008 for the musician, Sting as a gift to his hometown 223 colour & 9 b/w illustrations
Author: Stephen Hannock
Publisher:
Published: 2014-05
Total Pages: 28
ISBN-13: 9781909707047
DOWNLOAD EBOOK →The definitive monograph on this major American painter, whose work is in some of the most important public and private collections in the country Three descriptive essays provide insight into Hannock's work including his major work The Oxbow, After Church, After Cole, Flooded, Green Light (Flooded Rivers for the Matriarchs: E. and A. Mongan), 1999, which hangs in the Metropolitan Museum of Art Never-before-seen works including Northern City Renaissance, Newcastle, England, completed in 2008 for the musician, Sting as a gift to his hometown Stephen Hannock is a contemplative and iconoclastic artist who brings fresh vision and new insight into his studies of light and reflection in the landscape. His work, which echoes the tradition of the Luminist paintings of the 19th century, springs from a sensibility unique among contemporary artists. As in his well-known Oxbow series, his landscape paintings, subtly lit with the rising sun's rays over flooded waters, build their depth with the layers of lacquer Hannock adds; it is this polishing technique, adding as many as twelve layers to his oil paintings, that allows him to play with the reflections of light and shadow over his subjects. At the same time, current events and moments from the artist's life are brought into his pieces in the form of messages, clippings and photographs built into the lacquered layers, which recede into the painting when viewed from a distance, making the work not only a representation of the subject but also a reflection of the life and preoccupations of the artist at a specific point in time. The final presentation is a painting that is deeply human, touching the viewer with its honesty, wit and humor. This richly illustrated monograph includes a wide spectrum of paintings spanning the artist's career, as well as drawings done while traveling in Asia, Europe, and North America, and of friends in music and the arts, at work in their homes and studios.
Author: Marlborough Gallery
Publisher:
Published: 2012-04-25
Total Pages: 26
ISBN-13: 9780897974370
DOWNLOAD EBOOK →April 25 - June 2, 2012 Marlborough Chelsea
Author: McKenzie Fine Art Inc
Publisher:
Published: 2002
Total Pages:
ISBN-13: 9781880086094
DOWNLOAD EBOOK →Author: Stephen Hannock
Publisher:
Published: 1998
Total Pages: 54
ISBN-13: 9780937809174
DOWNLOAD EBOOK →Author: Karen Wilkin
Publisher:
Published: 2020
Total Pages: 0
ISBN-13: 9781732986435
DOWNLOAD EBOOK →- Showcases artists' work featured at The Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern art, and more - Accompanies an exhibition at the Brattleboro Museum & Art Center, Brattleboro, Vermont opening in October 2020 This publication accompanies the Figuration Never Died: New York Painterly Painting, 1950-1970 exhibition at the Brattleboro Museum & Art Center. By about 1950, forward-looking New York painting was seen as synonymous with abstraction- especially charged, gestural Abstract Expressionism. But there was also a strong group of dissenters; artists, all born in the 1920s and many of them students of Hans Hofmann, who never lost their enthusiasm for the seductive qualities of thick, malleable oil paint. They remained, for the most part, 'painterly' painters. These rebellious artists include Lois Dodd, Jane Freilicher, Paul Georges, Grace Hartigan, Wolf Kahn, Alex Katz, Albert Kresch, Robert de Niro Sr., Paul Resika, and Anne Tabachnick. The compelling figurative work they made between about 1950 and 1970, in contrast to the prevailing Abstract Expressionism of the time, constitutes a significant chapter in the history of recent American Modernism.
Author: Eileen Rizo-Patron
Publisher: State University of New York Press
Published: 2017-07-31
Total Pages: 340
ISBN-13: 1438466072
DOWNLOAD EBOOK →Repositions Bachelard as a critical and integral part of contemporary continental philosophy. Like Schelling before him and Deleuze and Guattari after him, Gaston Bachelard made major philosophical contributions to the advancement of science and the arts. In addition to being a mathematician and epistemologist whose influential work in the philosophy of science is still being absorbed, Bachelard was also one of the most innovative thinkers on poetic creativity and its ethical implications. His approaches to literature and the arts by way of elemental reverie awakened long-buried modes of thinking that have inspired literary critics, depth psychologists, poets, and artists alike. Bachelard’s extraordinary body of work, unduly neglected by the English-language reception of continental philosophy in recent decades, exhibits a capacity to speak to the full complexity and wider reaches of human thinking. The essays in this volume analyze Bachelard as a phenomenological thinker and situate his thought within the Western tradition. Considering his work alongside that of Schelling, Husserl, Bergson, Buber, Heidegger, Merleau-Ponty, Gadamer, Deleuze, and Nancy, this collection highlights some of Bachelard’s most provocative proposals on questions of ontology, hermeneutics, ethics, environmental politics, spirituality, and the possibilities they offer for productive transformations of self and world. Eileen Rizo-Patron is Research Associate at the Center for Philosophy, Interpretation, and Culture at Binghamton University, State University of New York. She is the coeditor (with Richard Kearney) of Traversing the Heart: Journeys of the Inter-religious Imagination and the translator of Bachelard’s Intuition of the Instant. Edward S. Casey is Distinguished Professor of Philosophy at Stony Brook University, State University of New York. He is the author of many books, including The Fate of Place: A Philosophical History. Jason M. Wirth is Professor of Philosophy at Seattle University. His books include Schelling’s Practice of the Wild: Time, Art, Imagination, also published by SUNY Press.
