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The Labyrinth

Author: Saul Steinberg

Publisher: New York Review of Books

Published: 2018-11-20

Total Pages: 291

ISBN-13: 1681372436

A seminal work by an artist whose drawings in The New Yorker, LIFE, Harper's Bazaar, and many other publications influenced an entire generation of American artists and writers. Saul Steinberg’s The Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings. These carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, discovering and inventing a great variety of events: "Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.

When God Takes Away

Author: Mark Steinberg,

Publisher: Createspace Independent Publishing Platform

Published: 2016-06-28

Total Pages: 272

ISBN-13: 9781533349071

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Neal Randall Steinberg was born on August 28, 1986. He died on May 26, 2013. This is the story of his life, as told by his father, Dr. Mark Steinberg. As seen through his father's eyes, Neal's story is filled with joy and accomplishments, pride and deep love, sorrow and tragedy. The worth of a life is not measured by its longevity, for we all pass away like flowers in a field. And death ends a physical life, not a relationship. When God Takes Away tells the touching story of Neal Steinberg-his brilliance and loneliness, his family and those to whom he mattered, his development as a young star with so much promise, and, ultimately his decline into drug addiction. It is the story of a father's profound love for his son, the close bond they shared despite conflicts, and the helplessness of losing a child. More than the personal story of a family and its tragedies, When God Takes Away is a handbook for living with the realities of loss, a universal experience that everyone must endure. Revealing the depth of his personal despair and speaking from his decades of professional experience as a clinical neuropsychologist, Dr. Steinberg candidly discloses how loss affects our most core emotional and spiritual foundations. He bares his soul to connect with the reader's soul and share how losses reflect our capacities to attach emotionally with other beings and how to let go when it is time to do so. When God Takes Away is a compassionate and uplifting guide to dealing with the inevitability of loss and its integration into what really matters in your life. Steinberg tackles the difficult issues of mortality and relationship loss, as well as the seldom addressed realities of losing body functions, possessions, opportunities, and innocence. How each of us accepts and copes with loss reflects a developmental underpinning of how we learned to form emotional attachments and how we deal with trauma. Steinberg explores these truths with meaningful and practical explanations, bridging the psychological impact of loss with emotional comfort and coping tools. Living is intertwined with losing. How can we face loss without succumbing to weakness, hopelessness, and a losing attitude? When God Takes Away is a beacon in the darkness. This book shows how to cultivate and exercise determination, perseverance, and hope while maintaining an identity and security that neither resides in nor depends upon the gifts and possessions that are, in reality, temporary. If you are ready to give up your hurt and the stubbornness of sorrow, this book will light the path toward living with loss and surrender.

Saul Steinberg

Author: Joel Smith

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 300

ISBN-13: 0300115865

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Best known for his barbed and brilliant art for "The New Yorker," Saul Steinberg (1914-1999) turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art.

Machine

Author: Susan Steinberg

Publisher: Graywolf Press

Published: 2019-08-20

Total Pages: 144

ISBN-13: 1555978916

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A haunting story of guilt and blame in the wake of a drowning, the first novel by the author of Spectacle Susan Steinberg’s first novel, Machine, is a dazzling and innovative leap forward for a writer whose most recent book, Spectacle, gained her a rapturous following. Machine revolves around a group of teenagers—both locals and wealthy out-of-towners—during a single summer at the shore. Steinberg captures the pressures and demands of this world in a voice that effortlessly slides from collective to singular, as one girl recounts a night on which another girl drowned. Hoping to assuage her guilt and evade a similar fate, she pieces together the details of this tragedy, as well as the breakdown of her own family, and learns that no one, not even she, is blameless. A daring stylist, Steinberg contrasts semicolon-studded sentences with short lines that race down the page. This restless approach gains focus and power through a sharply drawn narrative that ferociously interrogates gender, class, privilege, and the disintegration of identity in the shadow of trauma. Machine is the kind of novel—relentless and bold—that only Susan Steinberg could have written.

Steinberg at the New Yorker

Author: Joel Smith

Publisher:

Published: 2005-02-08

Total Pages: 250

ISBN-13:

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For six decades, Saul Steinberg's covers, cartoons, features, and illustrations were a defining presence at "The New Yorker." This richly illustrated book explores the remarkable range and unceasing evolution of this major American modernist.

Michelangelo’s Sculpture

Author: Leo Steinberg

Publisher: University of Chicago Press

Published: 2018-11-28

Total Pages: 241

ISBN-13: 022648257X

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Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.

Renaissance and Baroque Art

Author: Leo Steinberg

Publisher: University of Chicago Press

Published: 2020-08-19

Total Pages: 416

ISBN-13: 022666886X

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Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis, but always put into the service of interpretation. This volume begins and ends with thematic essays on two fundamental precepts of Steinberg’s art history: how dependence on textual authority mutes the visual truths of images and why artists routinely copy or adapt earlier artworks. In between are fourteen chapters on masterpieces of renaissance and baroque art, with bold and enlightening interpretations of works by Mantegna, Filippo Lippi, Pontormo, El Greco, Caravaggio, Steen and, finally, Velázquez. Four chapters are devoted to some of Velázquez’s best-known paintings, ending with the famously enigmatic Las Meninas. Renaissance and Baroque Art is the third volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.

Running the Books

Author: Avi Steinberg

Publisher: Anchor

Published: 2011-10-04

Total Pages: 418

ISBN-13: 0767931319

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Avi Steinberg is stumped. After defecting from yeshiva to attend Harvard, he has nothing but a senior thesis on Bugs Bunny to show for himself. While his friends and classmates advance in the world, Steinberg remains stuck at a crossroads, his “romantic” existence as a freelance obituary writer no longer cutting it. Seeking direction (and dental insurance) Steinberg takes a job running the library counter at a Boston prison. He is quickly drawn into the community of outcasts that forms among his bookshelves—an assortment of quirky regulars, including con men, pimps, minor prophets, even ghosts—all searching for the perfect book and a connection to the outside world. Steinberg recounts their daily dramas with heartbreak and humor in this one-of-a-kind memoir—a piercing exploration of prison culture and an entertaining tale of one young man’s earnest attempt to find his place in the world.

The Agent

Author: Leigh Steinberg

Publisher: Macmillan

Published: 2014-01-21

Total Pages: 321

ISBN-13: 1250030439

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A New York Times bestseller! The real-life "Jerry Maguire," superagent Leigh Steinberg shares his personal stories on the rise, fall, and redemption of his game-changing career in the high-stakes world of professional sports Leigh Steinberg is renowned as one of the greatest sports agents in history, representing such All-Pro clients as Troy Aikman, Bruce Smith, and Ben Roethlisberger. Over one particular seven-year stretch, Steinberg represented the top NFL Draft pick an unheard of six times. Director Cameron Crowe credits Steinberg as a primary inspiration for the titular character in Jerry Maguire, even hiring Steinberg as a consultant on the film. Lightyears ahead of his contemporaries, he expanded his players' reach into entertainment. Already the bestselling author of a business book on negotiation, the original superagent is now taking readers behind the closed doors of professional sports, recounting priceless stories, like how he negotiated a $26.5 million package for Steve Young—the biggest ever at the time—and how he passed on the chance to represent Peyton Manning. Beginning with his early days as a student leader at Berkeley, Steinberg details his illustrious rise into pro sports fame, his decades of industry dominance, and how he overcame a series of high-profile struggles to regain his sobriety and launch his comeback. This riveting story takes readers inside the inner circle of top-notch agents and players through the visionary career of Leigh Steinberg, the pre-eminent superagent of our time.

The Afterlives of the Terror

Author: Ronen Steinberg

Publisher: Cornell University Press

Published: 2019-09-15

Total Pages: 172

ISBN-13: 1501739263

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The Afterlives of the Terror explores how those who experienced the mass violence of the French Revolution struggled to come to terms with it. Focusing on the Reign of Terror, Ronen Steinberg challenges the presumption that its aftermath was characterized by silence and enforced collective amnesia. Instead, he shows that there were painful, complex, and sometimes surprisingly honest debates about how to deal with its legacies. As The Afterlives of the Terror shows, revolutionary leaders, victims' families, and ordinary citizens argued about accountability, retribution, redress, and commemoration. Drawing on the concept of transitional justice and the scholarship on the major traumas of the twentieth century, Steinberg explores how the French tried, but ultimately failed, to leave this difficult past behind. He argues that it was the same democratizing, radicalizing dynamic that led to the violence of the Terror, which also gave rise to an unprecedented interrogation of how society is affected by events of enormous brutality. In this sense, the modern question of what to do with difficult pasts is one of the unanticipated consequences of the eighteenth century's age of democratic revolutions. Thanks to generous funding from Michigan State University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes, available on the Cornell University Press website and other Open Access repositories.