Cavell on Film

Cavell on Film PDF

Author: Stanley Cavell

Publisher: SUNY Press

Published: 2005-04-21

Total Pages: 432

ISBN-13: 9780791464328

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Stanley Cavell's most important writings on cinema, collected together for the first time in one volume.

The World Viewed

The World Viewed PDF

Author: Stanley Cavell

Publisher: Harvard University Press

Published: 1979-01-01

Total Pages: 284

ISBN-13: 0674253353

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Stanley Cavell looks closely at America's most popular art and our perceptions of it. His explorations of Hollywood's stars, directors, and most famous films—as well as his fresh look at Godard, Bergman, and other great European directors—will be of lasting interest to movie-viewers and intelligent people everywhere.

Stanley Cavell and the Magic of Hollywood Films

Stanley Cavell and the Magic of Hollywood Films PDF

Author: Daniel Shaw

Publisher: Edinburgh University Press

Published: 2019-08-05

Total Pages: 176

ISBN-13: 1474455727

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One of America's most important contemporary thinkers, Stanley Cavell's remarkable film philosophy proposed that the greatest Hollywood films reflect the struggle to become who we really are - a struggle that is foregrounded in the characteristically American theory of Emersonian perfectionism. Focusing on his account of what makes Hollywood movies so magical, Dan Shaw draws on Cavell's theories to interpret a range of classic and contemporary dramas, including Mr Smith Goes to Washington (1939), Boys Don't Cry (1999) and The Hurt Locker (2008). Pairing of these analyses with discussions of Cavell's precursors, including Emerson, Nietzsche and Mill, the book explores a distinctively American philosophical foundation for the study of Hollywood film.

Pursuits of Happiness

Pursuits of Happiness PDF

Author: Stanley Cavell

Publisher: Harvard University Press

Published: 1981

Total Pages: 300

ISBN-13: 9780674739062

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Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.

Stanley Cavell and Film

Stanley Cavell and Film PDF

Author: Catherine Wheatley

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 320

ISBN-13: 1350113239

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“Film is made for philosophy,” asserted Stanley Cavell. In addition to his work on scepticism, morality, and the intentions and meanings of ordinary language, the American philosopher wrote fascinatingly about cinema, arguing that film can reveal new ground for thinking through old philosophical problems. In this book, Catherine Wheatley draws upon Cavell's explicitly film-inspired works, key philosophical concepts and autobiographical writings, examining his analyses of films from Hollywood's Golden Age, the French New Wave, contemporary action cinema, silent film heroes Chaplin and Keaton, directors Cocteau and Hitchcock, and performers Greta Garbo and Ginger Rogers. Revealing the ways in which Cavell's thinking was shaped by the movies, Wheatly poses the question: what was it about film that taught the philosopher how best to live in the world?

Contesting Tears

Contesting Tears PDF

Author: Stanley Cavell

Publisher: University of Chicago Press

Published: 1996

Total Pages: 278

ISBN-13: 9780226098142

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A Note on the Captions Preface Introduction 1: Naughty Orators: Negation of Voices in Gaslight 2: Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman3: Ugly Duckling, Funny Butterfly: Bette Davis and Now, Voyager 4: Postscript: To Whom It May Concern 5: Stella's Taste: Reading Stella Dallas Notes Bibliography Filmography Index Copyright © Libri GmbH. All rights reserved.

Film as Philosophy

Film as Philosophy PDF

Author: R. Read

Publisher: Springer

Published: 2005-09-27

Total Pages: 219

ISBN-13: 0230524265

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A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy. The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they can come together.

Philosophy the Day After Tomorrow

Philosophy the Day After Tomorrow PDF

Author: Stanley Cavell

Publisher: Harvard University Press

Published: 2005

Total Pages: 332

ISBN-13: 9780674022324

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Seeking for philosophy the same spirit and assurance conveyed by artists like Fred Astaire, Cavell presents essays exploring the meaning of grace and gesture in film and on stage, in language and in life. Critical to the renaissance in American thought Cavell hopes to provoke is the recognition of the centrality of the “ordinary” to American life.

Stanley Cavell's American Dream

Stanley Cavell's American Dream PDF

Author: Lawrence F. Rhu

Publisher: Fordham Univ Press

Published: 2006

Total Pages: 284

ISBN-13: 9780823225965

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This book states that, after Cavell's celebrated reading of 'King Lear' turned into a nightmarish meditation on Vietnam, he found a more audible voice. Here, the poetry of ideas and presence of mind that animate Cavell's writing receive readings attuned to the spirit of their composition and its enlivening powers.

Reading Cavell's The World Viewed

Reading Cavell's The World Viewed PDF

Author: William Rothman

Publisher: Wayne State University Press

Published: 2000-11-01

Total Pages: 296

ISBN-13: 0814340105

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In their thoughtful study of one of Stanley Cavell’s greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher’s many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium’s artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are. Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell’s brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. Reading Cavell’s The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell’s work provocative and fruitful.