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Stalin's Music Prize

Author: Marina Frolova-Walker

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 382

ISBN-13: 0300208847

Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.

Classics for the Masses

Author: Pauline Fairclough

Publisher: Yale University Press

Published: 2016-05-28

Total Pages: 297

ISBN-13: 0300219431

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Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

Shostakovich and Stalin

Author: Solomon Volkov

Publisher: Knopf

Published: 2007-12-18

Total Pages: 307

ISBN-13: 0307427722

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“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality. This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.

The Whisperers

Author: Orlando Figes

Publisher: Macmillan

Published: 2008-11-25

Total Pages: 788

ISBN-13: 9780312428037

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History.

Musical Lives and Times Examined

Author: Richard Taruskin

Publisher: Univ of California Press

Published: 2023

Total Pages: 576

ISBN-13: 0520392000

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"A gathering chiefly of talks given either by invitation or at conferences throughout the world over the last quarter century. The topics range widely, but recurrent themes include the place of classical music in contemporary society and culture, the fraught relationship between aesthetics and ethics, and the responsibilities of scholarship in an age of spin"--

Stalin's Great Science

Author: A. B. Kozhevnikov

Publisher: Imperial College Press

Published: 2004

Total Pages: 388

ISBN-13: 9781860944208

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World-class science and technology developed in the Soviet Union during Stalin's dictatorial rule under conditions of political violence, lack of international contacts, and severe restrictions on the freedom of information. Stalin's Great Science: The Times and Adventures of Soviet Physicists is an invaluable book that investigates this paradoxical success by following the lives and work of Soviet scientists ? including Nobel Prize-winning physicists Kapitza, Landau, and others ? throughout the turmoil of wars, revolutions, and repression that characterized the first half of Russia's twentieth century.The book examines how scientists operated within the Soviet political order, communicated with Stalinist politicians, built a new system of research institutions, and conducted groundbreaking research under extraordinary circumstances. Some of their novel scientific ideas and theories reflected the influence of Soviet ideology and worldview and have since become accepted universally as fundamental concepts of contemporary science. In the process of making sense of the achievements of Soviet science, the book dismantles standard assumptions about the interaction between science, politics, and ideology, as well as many dominant stereotypes ? mostly inherited from the Cold War ? about Soviet history in general. Science and technology were not only granted unprecedented importance in Soviet society, but they also exerted a crucial formative influence on the Soviet political system itself. Unlike most previous studies, Stalin's Great Science recognizes the status of science as an essential element of the Soviet polity and explores the nature of a special relationship between experts (scientists and engineers) and communist politicians that enabled the initial rise of the Soviet state and its mature accomplishments, until the pact eroded in later years, undermining the communist regime from within.

Stalin's Final Films

Author: Claire Knight

Publisher: Cornell University Press

Published: 2024-07-15

Total Pages: 180

ISBN-13: 1501776193

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Stalin's Final Films explores a neglected period in the history of Soviet cinema, breathing new life into a body of films long considered moribund as the pinnacle of Stalinism. While film censorship reached its apogee in this period and fewer films were made, film attendance also peaked as Soviet audiences voted with their seats and distinguished a clearly popular postwar cinema. Claire Knight examines the tensions between official ideology and audience engagement, and between education and entertainment, inherent in these popular films, as well as the financial considerations that shaped and constrained them. She explores how the Soviet regime used films to address the major challenges faced by the USSR after the Great Patriotic War (World War II), showing how war dramas, spy thrillers, Stalin epics, and rural comedies alike were mobilized to consolidate an official narrative of the war, reestablish Stalinist orthodoxy, and dramatize the rebuilding of socialist society. Yet, Knight also highlights how these same films were used by filmmakers more experimentally, exploring a diverse range of responses to the ideological crisis that lay at the heart of Soviet postwar culture, as a victorious people were denied the fruits of their sacrificial labor. After the war, new heroes were demanded by both the regime and Soviet audiences, and filmmakers sought to provide them, with at times surprising results. Stalin's Final Films mines Soviet cinema as an invaluable resource for understanding the unique character of postwar Stalinism and the cinema of the most repressive era in Soviet history.

Stalin's Meteorologist

Author: Olivier Rolin

Publisher: Catapult

Published: 2018-12-11

Total Pages: 209

ISBN-13: 1640091572

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Winner of the 2014 Prix du Style "Masterful . . . An eloquent addition to a violent episode in the history of science in the twentieth century." —Nature In 1934, the highly respected head of the Soviet Union’s meteorology department, Alexei Feodosievich Wangenheim, was suddenly arrested without cause and sentenced to a gulag. Less than a year after being hailed by Stalin as a national hero, he ended up with thousands of other "political prisoners" in a camp on Solovetsky Island, under vast northern skies and surrounded by water that was, for more than six months of the year, a sheet of motionless ice. He was violently executed in 1937—a fact kept from his family for nearly twenty years. Olivier Rolin masterfully weaves together Alexei's story and his eventual fate, drawing on an archive of letters and delicate drawings of the natural world that Wangenheim sent to his family from prison. Tragically, Wangenheim never stopped believing in the Revolution, maintaining that he'd been incarcerated by accident, that any day Stalin would find out and free him. His stubbornness suffuses the narrative with tension, and offers insight as to how he survived an impossible situation for so long. Stalin’s Meteorologist is a fascinating work that casts light on the devastating consequences of politically inspired paranoia and the mindlessness and trauma of totalitarianism—relevant revelations for our time.

Bloodlands

Author: Timothy Snyder

Publisher: Basic Books

Published: 2012-10-02

Total Pages: 546

ISBN-13: 0465032974

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From the author of the international bestseller On Tyranny, the definitive history of Hitler’s and Stalin’s politics of mass killing, explaining why Ukraine has been at the center of Western history for the last century. Americans call the Second World War “the Good War.” But before it even began, America’s ally Stalin had killed millions of his own citizens—and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war’s end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single story. With a new afterword addressing the relevance of these events to the contemporary decline of democracy, Bloodlands is required reading for anyone seeking to understand the central tragedy of modern history and its meaning today.

Rimsky-Korsakov and His World

Author: Marina Frolova-Walker

Publisher: Princeton University Press

Published: 2018-09-11

Total Pages: 385

ISBN-13: 0691185514

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A rare look at the life and music of renowned Russian composer Nikolai Rimsky-Korsakov During his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention. In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky. The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev. The Bard Music Festival Bard Music Festival 2018 Rimsky-Korsakov and His World Bard College August 10–12 and August 17–19, 2018