Spring and Port Wine

Spring and Port Wine PDF

Author: Bill Naughton

Publisher: Heinemann

Published: 1994

Total Pages: 138

ISBN-13: 9780435233044

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The "Heinemann Plays" series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. In this play, the whole Crompton family becomes entangled in a row in which a good many uncomfortable truths are told.

Spring and Port Wine

Spring and Port Wine PDF

Author: Bill Naughton

Publisher:

Published: 1967

Total Pages: 102

ISBN-13:

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Rafe Crompton is not a stern man but has such unswerving integrity that his family is forced to hide slight peccadilloes from him. His daughter Hilda particularly resents this and her refusal to eat a herring that is placed before her at dinner makes the situation explosive. The family is almost broken up before Rafe is made to see the dangers in his attitudes, and they are reunited in an atmosphere more progressive and tolerant.4 women, 4 men

Spring and Port Wine

Spring and Port Wine PDF

Author:

Publisher:

Published: 2010

Total Pages:

ISBN-13:

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A stern strict and deeply religious father and lenient mother try to deal with the ups and downs of their four children's lives in working class Bolton.

Good Nights Out

Good Nights Out PDF

Author: Aleks Sierz

Publisher: Bloomsbury Publishing

Published: 2019-12-12

Total Pages: 240

ISBN-13: 135004623X

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London's West End is a global success story, staging phenomenal hit shows that have delighted millions of spectators and generated billions of pounds in revenue. In Good Nights Out, Aleks Sierz provides a thematic survey of such popular theatre shows that were enormous commercial successes over the past 75 years. He argues that these outstanding hits have a lot to say about the collective cultural, social and political attitudes and aspirations of the country, and about how our national identity - and theatre's role in creating it - has evolved over the decades. The book spans a range of work from almost forgotten plays, such as R. F. Delderfield's Worm's Eye View and Hugh Hastings's Seagulls Over Sorrento, to well-known mega-hits, such as The Mousetrap and The Phantom of the Opera. Such popular work has tended to be undervalued by some critics and commentators mainly because it has not been thought to be a suitable subject for inclusion in the canon of English Literature. By contrast, Sierz demonstrates that genres such as the British musical, light comedy, sex farce or murder mystery are worth appreciating not only for their intrinsic theatrical qualities, but also as examples of the dream life of the British people. The book challenges the idea that mega-hits are merely escapist entertainments and instead shows how they contribute to the creation of powerful myths about our national life. The analysis of such shows also points towards the possibility of creating an alternative history of postwar British theatre.