Spenser's Ovidian Poetics

Spenser's Ovidian Poetics PDF

Author: Michael L. Stapleton

Publisher: University of Delaware Press

Published: 2009

Total Pages: 273

ISBN-13: 0874130808

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The author's predecessors focus almost exclusively on the Metamorphoses as intertext, but do not often distinguish between early modern Latin editions of the poem and translations such as Arthur Golding's. Although Spenser read Ovid in his native language, during the quarter-century of his writing career, his countrymen such as Shakespeare, Donne, and Lodge imitate and recast the ancient author. During this English aetas Ovidiana, a translation industry arises simultaneously so that the entire corpus is rendered into English, from Golding's Metamorphoses (1567) to Wye Saltonstall's Ex Ponto (1638). Since the sixteenth century did not often read or hear a Roman poet in prose renditions, the author uses Renaissance poetical verse translations (with the Latin text) to explore Spenser's variegated use of Ovid: how he sounded as early modern English poetry.

Spenser and Ovid

Spenser and Ovid PDF

Author: Syrithe Pugh

Publisher: Routledge

Published: 2017-03-02

Total Pages: 317

ISBN-13: 1351898698

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In Spenser and Ovid, Syrithe Pugh gives the first sustained account of Ovid's presence in the Spenser canon, uncovering new evidence to reveal the thematic and formal debts many of Spenser's poems owe to Ovid, particularly when considered in the light of an informed understanding of all of Ovid's work. Pugh's reading presents a challenge to New Historicist assumptions, as she contests both the traditional insistence on Virgil as Spenser's prime classical model and the idea it has perpetuated of Spenser as Elizabeth I's imperial propagandist. In fact, Pugh locates Ovid's importance to Spenser precisely in his counter-Virgilian world view, with its high valuation of faithful love, concern for individual freedom, distrust of imperial rule, and the poet's claim to vatic authority in opposition to political power. Her study spans Spenser's career from the inaugural Shepheardes Calender to what was probably his last poem, The Mutabilitie Cantos, and embraces his work in the genres of pastoral, love poetry, and epic romance.

Spenser and Donne

Spenser and Donne PDF

Author: Yulia Ryzhik

Publisher: Manchester University Press

Published: 2019-10-07

Total Pages: 405

ISBN-13: 152611738X

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This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.

Edmund Spenser

Edmund Spenser PDF

Author: Andrew Hadfield

Publisher: Routledge

Published: 2014-09-19

Total Pages: 253

ISBN-13: 1317891325

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This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.

Spenser and the Poetics of Pastoral

Spenser and the Poetics of Pastoral PDF

Author: David R. Shore

Publisher: McGill-Queen's Press - MQUP

Published: 1985-09-01

Total Pages: 200

ISBN-13: 0773561226

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The Shepheardes Calender (1579) signalled Spenser's desire to assume the role of an English Virgil and at the same time his readiness to leave behind the pastoral world of his apprenticeship and his early persona, Colin Clout. Yet Spenser was twice to return to the pastoral world of Colin Clout, first in Colin Clouts Come Home Againe (written 1591, published 1595), and then again in the sixth and last complete book of The Faerie Queene. In Spenser and the Poetics of Pastoral, David Shore considers the structure of the moral eclogues of the Calender as it defines the pastoral vision that informs and unifies the entire poem. He then examines the themes of poetic idealism and courtly corruption in Colin Clout and sees in their confrontation Spenser's questioning of the public foundations of the poet's heroic endeavour. Finally, he considers Calidore's pastoral retreat in The Faerie Queene and finds in it support for the argument that Spenser's greatest poem is essentially complete. Pastoral is a highly self-conscious genre, especially in Spenser's explorations of the imaginative world of Colin Clout. By bringing together Spenser's three versions of that world, Spenser and the Poetics of Pastoral contributes to a richer appreciation of the pastoral works themselves and to a better understanding of the shape of Spenser's literary career as a whole.

Edmund Spenser in Context

Edmund Spenser in Context PDF

Author: Andrew Escobedo

Publisher: Cambridge University Press

Published: 2016-10-24

Total Pages: 616

ISBN-13: 1316869873

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Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A reading list at the end of the volume will prove invaluable to further study.

The Prince of Poets

The Prince of Poets PDF

Author: John R. Elliott

Publisher:

Published: 1968

Total Pages: 556

ISBN-13:

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"This volume presents both a documentary survey of Spenser's poetic reputation and an introduction to the chief problems posed by his poetry to the modern reader. The earlier portion of the book is devoted to the landmarks of Spenser criticism and scholarship. Later parts deal with modern scholarly writings on Spenser with sections devoted to the poetic values of his age. The longest section is devoted to The Faerie Queene. Carefully chosen for their direct relevance to the question that modern readers are likely to ask when reading Spenser, the majority of the essays seek to explain the differences between Spenser's poetry and modern poetry by relating it to Renaissance literary culture. The Editor says in his introduction, "Perhaps no major English poet has received a more appreciate rereading in recent times than Edmund Spenser. For years relegated to the dusty shelf reserved for authors politely honored but seldom read, Spenser has been on of the chief beneficiaries of our renewed interest in an understanding of Renaissance art. With the discovery by modern readers of the intellectual complexity and artistic coherence of literary forms that once seemed merely naive and disordered, Spenser has emerged from the shadow of Marlowe, Shakespeare, and Donne to lay claim once again to his title as 'The Prince of Poets in his Tyme." -Publisher.

The New Poet

The New Poet PDF

Author: Richard Danson Brown

Publisher: Liverpool University Press

Published: 1999-01-01

Total Pages: 312

ISBN-13: 9780853238034

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This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection, "Mother Hubberd’s Tale" and "Muiopotmos", Brown innovatively addresses the collection in its entirety. He urges us to see it as a planned whole with a consistent design on the reader: he fully acknowledges, and even brings out further, the heterogeneity of the collection, but he examines it nevertheless as a sustained reflection on the nature of poetry and the auspices for writing in a modern world, distancing itself from the traditions of the immediate past. The strength of this work lies both in the originality of its project and in the precision and enterprise of the close reading that informs its argument. Interest in the concern of Spenser’s poetry with the nature of poetry is in the current critical mainstream, but here the attentiveness is both unusually focused and unusually sustained. Brown garners more than would be expected from the translations in the Complaints, while at the same time including striking and individual chapters on the better known "Mother Hubberd’s Tale" and "Muiopotmos"; he advances understanding of these extremely subtle texts and fully justifies his wider approach to the collection as a whole. Arguing that Spenser’s relationship to literary tradition is more complex than is often thought, Brown suggests that Spenser was a self-conscious innovator whose gradual move away from traditional poetics is exhibited by the different texts in the Complaints. He further suggests that the Complaints are a "poetics in practice", which progress from traditional ideas of poetry to a new poetry that emerges through Spenser’s transformation of traditional complaint.