Spanish Vampire Fiction since 1900

Spanish Vampire Fiction since 1900 PDF

Author: Abigail Lee Six

Publisher: Routledge

Published: 2019-02-18

Total Pages: 357

ISBN-13: 1351398180

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Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and writers ranging from the most canonical to the most marginal have written vampire stories, Spanish ones included too. When they do, they choose between various strategies of characterization or blend different ones together. How much will they draw on conventions of the transnational corpus? Are their vampires to be local or foreign; alluring or repulsive; pitiable or pure evil, for instance? Decisions like these determine the messages texts carry and, when made by Spanish authors, may reveal aspects of their culture with striking candidness, perhaps because the fantasy premise seems to give the false sense of security that this is harmless escapism and, since metaphorical meaning is implicit, it is open to argument and, if necessary, denial. Part I gives a chronological text-by-text appreciation of all the texts included in this volume, many of them little known even to Hispanists and few if any to non-Spanish Gothic scholars. It also provides a plot summary and brief background on the author of each. These entries are free-standing and designed to be consulted for reference or read together to give a sense of the evolution of the paradigm since 1900. Part II considers the corpus comparatively, first with regard to its relationship to folklore and religion and then contagion and transmission. Spanish Vampire Fiction since 1900: Blood Relations will be of interest to Anglophone Gothic scholars who want to develop their knowledge of the Spanish dimension of the mode and to Hispanists who want to look at some canonical texts and authors from a new perspective but also gain an awareness of some interesting and decidedly non-canonical material.

Spanish Vampire

Spanish Vampire PDF

Author: E.. Hoffmann Price

Publisher: Wildside Press LLC

Published: 1901

Total Pages: 25

ISBN-13: 1479470791

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The tale of a strange romance between a gas-station attendant and a lovely California, who had lain in her lonely grave for more than a hundred years! E. Hoffmann Price—one of the mainstays of fantasy and horror fiction in the classic days of the pulp magazines—published this classic vampire story in the legendary magazine Weird Tales in 1939.

I'm a Zcary Vampire

I'm a Zcary Vampire PDF

Author: José Carlos Andrés

Publisher: NubeOcho

Published: 2023-11-06

Total Pages: 40

ISBN-13: 8419974366

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Una niña paseaba por la calle vacía de la lejana Transilvania cuando ¡apareció una enorme sombra! ¡Una sombra que asombra! —¡ZOY UN VAMPIRO! ¡UN VAMPIRO PELIGROZO! La niña tembló, pero de risa. Este vampirito no consigue dar un susto a nadie. A este paso no podrá superar el examen de la escuela de vampiros... Una divertidísima historia para superar nuestros miedos, de José Carlos Andrés, autor de Los miedos del capitán Cacurcias o Adoptar un dinosaurio, ilustrado por Gómez, reconocida por Daniela pirata, El dedo en la nariz o Ni guau ni miau.

Vampire Films of the 1970s

Vampire Films of the 1970s PDF

Author: Gary A. Smith

Publisher: McFarland

Published: 2017-02-06

Total Pages: 240

ISBN-13: 147662559X

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The 1970s were turbulent times and the films made then reflected the fact. Vampire movies—always a cinema staple—were no exception. Spurred by the worldwide success of Hammer Film’s Dracula Has Risen from the Grave (1969), vampire movies filled theaters for the next ten years—from the truly awful to bonafide classics. Audiences took the good with the bad and came back for more. Providing a critical review of the genre’s overlooked Golden Age, this book explores a mixed bag from around the world, including The Vampire Lovers (1970), Dracula Versus Frankenstein (1971), Scream, Blacula, Scream (1973), ’Salem’s Lot (1975), Dracula Sucks (1978) and Love at First Bite (1979) and many others.

Contemporary Spanish Poetry

Contemporary Spanish Poetry PDF

Author: Cecile West-Settle

Publisher: Fairleigh Dickinson Univ Press

Published: 2005

Total Pages: 266

ISBN-13: 9780838640401

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Debicki's illuminating application of varied critical methodologies and theoretical approaches, in books such as Poetry of Discovery and Spanish Poetry of the Twentieth Century, is reflected in all the essays included in this book."

The Whedonverse Catalog

The Whedonverse Catalog PDF

Author: Don Macnaughtan

Publisher: McFarland

Published: 2018-05-21

Total Pages: 282

ISBN-13: 1476670595

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Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.

The Living Dead

The Living Dead PDF

Author: James B. Twitchell

Publisher: Duke University Press

Published: 1981

Total Pages: 236

ISBN-13: 9780822307891

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In his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize.

Vampire in Love

Vampire in Love PDF

Author: Enrique Vila-Matas

Publisher: New Directions Publishing

Published: 2016-09-27

Total Pages: 282

ISBN-13: 0811223477

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“Arguably Spain’s most significant contemporary literary figure” (Joanna Kavenna, The New Yorker) Gathered for the first time in English, and spanning his entire career, Vampire in Love offers a selection of the Spanish master Enrique Vila-Matas’s finest short stories. An effeminate, hunchbacked barber on the verge of death falls in love with a choirboy. A fledgling writer on barbiturates visits Marguerite Duras’s Paris apartment and watches his dinner companion slip into the abyss. An unsuspecting man receives a mysterious phone call from a lonely ophthalmologist, visits his abandoned villa, and is privy to a secret. The stories in Vampire in Love, selected and brilliantly translated by the renowned translator Margaret Jull Costa, are all told with Vila-Matas’s signature erudition and wit and his provocative questioning of the interrelation of art and life.

The Vampire

The Vampire PDF

Author: Thomas M. Bohn

Publisher: Berghahn Books

Published: 2019-09-01

Total Pages: 304

ISBN-13: 1789202930

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“An illuminating contribution to scholarship on the vampire figure.”—Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.