Lanterna Rally
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South African Art 1850-2003
Art South Africa
South African Art Now
Author: Sue Williamson
Publisher: Harper Collins
Published: 2011-05-17
Total Pages: 326
ISBN-13: 0062043471
DOWNLOAD EBOOK →Described by international curator Okwui Enwezor as "one of the most dynamic and vigorous spaces of artistic practice," contemporary South African art is an exciting, emerging scene that is attracting the attention of international museums, curators, and collectors today. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success. This book covers forty years of art history, from the dark years of apartheid, which saw the rise of resistance art, to the long-awaited achievement of freedom in 1994, to the present-day struggles for reconciliation and transformation. Through it all, the engaged, powerful work of these artists provided a mirror for society. Including a compelling foreword by Nobel Prize-winning writer Nadine Gordimer, South African Art Now is a must-have resource for collectors, curators, and anyone interested in the pulse of international contemporary art.
Art Southafrica
South African Art 1800 - Now
South African art now
On Route in South Africa
Author: BPJ Erasmus
Publisher: Jonathan Ball Publishers
Published: 2014-06-06
Total Pages: 401
ISBN-13: 1920289801
DOWNLOAD EBOOK →From Pofadder, eMkhuze and Haenertsburg to Cookhouse, Klipplaat, Maokeng and Taung ... South Africa's amazing diversity is an invitation to take to the road. This revised and updated edition of On Route in South Africa has a new, contemporary look, but contains all the features that have made it such a classic. Previous editions won a special place in the hearts of those both living in, and visiting, South Africa. No other book available offers such a range and depth of information about the villages, towns and cities of this land, and on the intriguing and informative tales they have to tell. The 37 chapters are arranged in logical sequence, beginning with Cape Town and radiating outwards. Each chapter corresponds to an established and coherent geographic or demographic area. Included are detailed regional maps, incorporating up-to-date place names, and complemented by route directions within the text. With its expanded text and more than 500 photographs, On Route in South Africa contains a remarkable wealth of information, making it the perfect travel planner and companion.
Paris and South African Artists 1850-1965
Methodology, Ideology and Pedagogy of African Art
Author: Moyo Okediji
Publisher: Taylor & Francis
Published: 2024-02-14
Total Pages: 327
ISBN-13: 1003848893
DOWNLOAD EBOOK →This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
