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Sound, Music and the Moving-Thinking Body

Author: Osvaldo Glieca

Publisher: Cambridge Scholars Publishing

Published: 2014-07-08

Total Pages: 145

ISBN-13: 144386384X

It has long been known that practicing musicians and dancers draw upon interdisciplinary relationships between sound and movement to inform their work and that many performance arts educators apply these relationships in working with aspiring composers, choreographers and performers. However, most material on the subject has been, to this point, relegated to single chapters in books and journal articles. Now, Sound, Music and the Moving-Thinking Body brings together the diverse topics researchers and practitioners across the sector are exploring, and raises issues concerning the collaborative aspects of creating and performing new work. Sound, Music and the Moving-Thinking Body is a result of the Composer, Choreographer and Performer Collaboration Conference of Contemporary Music and Dance/Movement 2012 hosted by the Institute of Musical Research, Senate House, University of London, and the Department of Music at Goldsmiths, University of London.

Body, Sound and Space in Music and Beyond: Multimodal Explorations

Author: Clemens Wöllner

Publisher: Taylor & Francis

Published: 2017-04-07

Total Pages: 308

ISBN-13: 1317173473

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Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.

Unintentional Music

Author: Lane Arye

Publisher: Hampton Roads Publishing

Published: 2002-01-01

Total Pages: 264

ISBN-13: 1612832903

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The last time you whistled a tune or hummed a song-why did you choose that one? You may not consider yourself a musical person, but your little act of unintended music may be the key to unlocking within you a wealth of unsuspected creativity-a kind of creativity that goes way beyond music, too. Lane Arye, PhD, a musician himself, focuses on the music that people do not intend to make. Using the highly regarded psychological model called Process Work, developed by Arnold Mindell, PhD, Arye has been teaching students around the world how to awaken their creativity, using music as the starting point, but including all art forms and ways of expression. The unintentional appears at moments when some hidden part of us, something beyond our usual awareness, suddenly tries to express itself. If we start paying attention to what is trying to happen rather than to what we think should happen, we open the door to self-discovery and creativity. Sometimes what we regard as "mistakes" in self-expression are in fact treasures. The book is rich with real-life stories, ideas, and practical techniques for unlocking creativity, which Arye dispenses with humor, insight, and enthusiasm.

Artistic Research in Performance through Collaboration

Author: Martin Blain

Publisher: Springer Nature

Published: 2020-07-13

Total Pages: 291

ISBN-13: 303038599X

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This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research. It is explored here through the different practices in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), as well as focusing attention and understanding on the tacit/implicit dimensions of working across different media.

Paul Dukas: Legacies of a French Musician

Author: Helen Julia Minors

Publisher: Routledge

Published: 2019-03-29

Total Pages: 260

ISBN-13: 1351331094

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This book appraises the contribution of Paul Dukas (1865–1935) to a wide variety of French musical practices. As a composer, critic, artistic collaborator and teacher, Dukas was central to the fin de siècle and early twentieth-century Paris musical scene (and more broadly to the French scene). Significantly, his compositional style mediated tradition through the modern language of his present, while his critical writings pioneered a new mode of musical discourse in the French press. Of further interest are Dukas’s professional relationships with iconic figures such as Gabriel Fauré and Claude Debussy, and his role in fostering the next generation of French composers. In addition to mentoring famous names such as Olivier Messiaen and Tony Aubin, he staunchly supported his female students, notably Elsa Barraine, Claude Arrieu and Yvonne Desportes. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician. Paul Dukas: Legacies of a French Musician traces two aspects of his work: Part I treats Dukas as a composer, thinker and artistic collaborator; Part II constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin de siècle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.

Music and Embodied Cognition

Author: Arnie Cox

Publisher: Indiana University Press

Published: 2016-09-06

Total Pages: 300

ISBN-13: 0253021677

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Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

Knowing Bodies, Moving Minds

Author: Liora Bresler

Publisher: Springer Science & Business Media

Published: 2013-11-11

Total Pages: 228

ISBN-13: 1402020236

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This book aims to define new theoretical, practical, and methodological directions in educational research centered on the role of the body in teaching and learning. Based on our phenomenological experience of the world, it draws on perspectives from arts-education and aesthetics, as well as curriculum theory, cultural anthropology and ethnomusicology. These are arenas with a rich untapped cache of experience and inquiry that can be applied to the notions of schooling, teaching and learning. The book provides examples of state-of-the-art, empirical research on the body in a variety of educational settings. Diverse art forms, curricular settings, educational levels, and cultural traditions are selected to demonstrate the complexity and richness of embodied knowledge as they are manifested through institutional structures, disciplines, and specific practices.

Sound, Music, Affect

Author: Marie Thompson

Publisher: Bloomsbury Publishing USA

Published: 2013-03-14

Total Pages: 225

ISBN-13: 1441192409

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Sound, Music, Affect features brand new essays that bring together the burgeoning developments in sound studies and affect studies. The first section sets out key methodological and theoretical concerns, focussing on the relationships between affective models and sound. The second section deals with particular musical case studies, exploring how reference to affect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice of sonic disruption: from the notion of noise as 'prophecy', to the appropriation of 'bad vibes' for pleasurable aesthetic and affective experiences. And the final section engages with some of the ways in which affect can help us understand the politics of chill, relaxation and intimacy as sonic encounters. The result is a rich and multifaceted consideration of sound, music and the affective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology.

Intersemiotic Perspectives on Emotions

Author: Susan Petrilli

Publisher: Taylor & Francis

Published: 2022-07-29

Total Pages: 368

ISBN-13: 1000613216

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This edited volume explores emotion and its translations through the global world from a variety of different perspectives, as a personal, socio- cultural, ideological, ethical and political, even business investment in the latest phases of globalisation. Emotions are powerful in engaging or disengaging individuals, communities, the masses, peoples and nations with distinct linguistic and cultural backgrounds for good, but also for evil. All depends on how emotions are interpreted, that is, translated in “words” or in “facts”, in any case in “signs”. Semiotic reflection on emotions and their interpretation/translation is thus of essential importance. An adequate understanding of emotional phenomena and their complexities calls for different views which together reveal and illustrate inconsistencies in our modern life. The contributors argue that an investigation of types of emotional translation – linguistic and non- linguistic, audio-visual, theatrical, literary, racial, legal, architectural, political, and so forth – can contribute to a better understanding of emotions and how they are exploited to engender injustice, unfairness, absurdity in contemporary life. Nonetheless, emotions are also exploited and oriented – and this is the intent of our authors – to favour the development of sustainable multicultural societies and facilitate living together. A major reference for students and scholars in translation, semiotics, language and cultural studies around the world.

A world of sound

Author: Francesco Aletta

Publisher: Frontiers Media SA

Published: 2023-09-15

Total Pages: 218

ISBN-13: 2832530486

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Everything vibrates and makes sound, from the smallest living cells in the human body to the biggest skyscrapers. Sound itself is a travelling wave of vibrating particles but, amazingly, our brains can understand sounds – gathering information and meaning from these vibrations. Sounds are the building blocks for language, and culture, and can be a source of both pleasure and pain. In the modern world sound is also fantastic tool for medicine, industry and monitoring the natural environment. But it can also be polluting and bad for our health. For many animals, sound is essential for survival, enabling them to communicate, hunt and navigate their world. Hearing loss affects around 5% of the world’s population, and encouraged by the WHO, scientists across the world are working to find new ways to improve deaf people’s lives. The science of sound cuts across many disciplines - from medicine and neuroscience to the environment - and people who study sound use complex mathematics and cutting-edge technology to help us understand how sound affects us and our planet. 2020/21 was the first International Year of Sound, initiated by the International Commission for Acoustics, in response to UNESCO resolution 39C/49, as a celebration of sound and how it enters our lives in so many ways. To celebrate the year of sound, here you will find a collection of articles written by experts from the UK Acoustics Network and the International Year of Sound team. These articles explore the fascinating world of sound and how it benefits and causes problems to people, other animals, and our environment. Editorial consultant: Caryl Hart, Children’s Author.