The Freeman's Glee Book
Author: Central Fremont and Dayton glee club, New York city
Publisher:
Published: 1856
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOK →Author: Central Fremont and Dayton glee club, New York city
Publisher:
Published: 1856
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOK →Author: Central Fremont and Dayton Glee Club
Publisher:
Published: 1864
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOK →Author: Central Fremont and Dayton Glee Club
Publisher:
Published: 1856
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOK →Author: William Miles
Publisher:
Published: 1990
Total Pages: 200
ISBN-13: 9780887362309
DOWNLOAD EBOOK →No candidate for President of the United States was ever elected or rejected because of a song, but since the start of the 19th century the campaign song was used to promote candidates and make them more appealing to voters. These songs and ballads were usually set to the common tunes of their day and printed in books or pamphlets called "songsters." Until now, few serious studies of the American presidential campaign songster have been written. Miles' work brings a minimum of bibliographic control to its field by focusing on the campaign songster, a part of presidential campaigns from 1840 to 1964.
Author: Benjamin S. Schoening
Publisher: Lexington Books
Published: 2011-12-16
Total Pages: 313
ISBN-13: 0739172999
DOWNLOAD EBOOK →In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns.