Society and Politics in the Plays of Thomas Middleton

Society and Politics in the Plays of Thomas Middleton PDF

Author: Swapan Chakravorty

Publisher: Clarendon Press

Published: 1996-05-23

Total Pages: 246

ISBN-13: 019159170X

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A comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.

Thomas Middleton and the Plural Politics of Jacobean Drama

Thomas Middleton and the Plural Politics of Jacobean Drama PDF

Author: Mark Kaethler

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-05-10

Total Pages: 236

ISBN-13: 1501513761

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Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.

Thomas Middleton and the Plural Politics of Jacobean Drama

Thomas Middleton and the Plural Politics of Jacobean Drama PDF

Author: Mark Kaethler

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-05-10

Total Pages: 237

ISBN-13: 1501513990

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Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.

Thomas Middleton in Context

Thomas Middleton in Context PDF

Author: Suzanne Gossett

Publisher: Cambridge University Press

Published: 2011-04-21

Total Pages: 417

ISBN-13: 0521190541

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An illuminating study of all works in the newly enlarged Middleton canon, placing them in personal, national, international and theatrical contexts.

Thomas Middleton: Four Plays

Thomas Middleton: Four Plays PDF

Author: Thomas Middleton

Publisher: Bloomsbury Publishing

Published: 2014-10-10

Total Pages: 559

ISBN-13: 1408174634

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This New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.

Thomas Middleton

Thomas Middleton PDF

Author: J. R. Mulryne

Publisher: Liverpool University Press

Published: 1979

Total Pages: 64

ISBN-13:

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'A great observer of human nature, without fear, without sentiment, without prejudice...' wrote T. S. Eliot in his essay on Middleton. For long Middleton's fame has rested upon two tragedies, Women Beware Women and The Changeling (with William Rowley), which have been especially admired for the surprisingly complex depiction of their female characters. In recent years the professional theatre has come increasingly to appreciate the range of Middleton's comedy, the keenness of his satirical insight into the society of his time, and the excellence of his stage-craft. Middleton was among the most prolific of Jacobean dramatists, both independently and as a collaborator. In his essay, Professor Mulryne has focussed attention upon six representative plays. He touches briefly upon the still disputed question of the authorship of The Second Maiden's Tragedy, a piece only assigned to Middleton in the late nineteenth-century. The bulk of his essay is devoted to four works, A Chaste Maid in Cheapside, the most trenchant of Middleton's comedies on bourgeois life, A Game at Chess, a highly successful satire on contemporary politics, and the two tragedies referred to above, which mark the climax of his dramatic art. Like Shakespeare, Middleton served a long apprenticeship in comedy, and perhaps carried the principle of extending and modifying tragedy by the intimate association of comedy even further than Shakespeare.

Gaming the Stage

Gaming the Stage PDF

Author: Gina Bloom

Publisher: University of Michigan Press

Published: 2018-07-12

Total Pages: 304

ISBN-13: 0472901087

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Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.

Social Dramas

Social Dramas PDF

Author: David A. Postles

Publisher: New Acdemia+ORM

Published: 2010-11-22

Total Pages: 201

ISBN-13: 1955835225

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How the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century. Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use. Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London. “This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick “David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire “This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh