Guide to the Pianist's Repertoire

Guide to the Pianist's Repertoire PDF

Author: Maurice Hinson

Publisher: Indiana University Press

Published: 2013-12-03

Total Pages: 1215

ISBN-13: 0253010233

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Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.

The Pianist's Guide to Pedaling

The Pianist's Guide to Pedaling PDF

Author: Joseph Banowetz

Publisher: Indiana University Press

Published: 2022-11-01

Total Pages: 326

ISBN-13: 025306676X

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" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.

Complete works for piano

Complete works for piano PDF

Author: Peter Ilich Tchaikovsky

Publisher: Konemann

Published: 1997

Total Pages: 100

ISBN-13:

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The second volume in the Complete Works of Tchaikovsky. This edition is based on the autograph manuscript and/or first editions of the works. Other editions have also been consulted, whenever justified. Obvious slips of the pen and printing errors have been tacitly corrected while other editorial additions, which have been reduced to a minimum, appear in square brackets. The composer's peculiarities of notation and original fingering are maintained throughout. All dates are in the Old Style.