Slave Culture : Nationalist Theory and the Foundations of Black America

Slave Culture : Nationalist Theory and the Foundations of Black America PDF

Author: Sterling Stuckey Professor of History Northwestern University

Publisher: Oxford University Press, USA

Published: 1987-04-23

Total Pages: 442

ISBN-13: 0198021240

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How were blacks in American slavery formed, out of a multiplicity of African ethnic peoples, into a single people? In this major study of Afro-American culture, Sterling Stuckey, a leading thinker on black nationalism for the past twenty years, explains how different African peoples interacted during the nineteenth century to achieve a common culture. He finds that, at the time of emancipation, slaves were still overwhelmingly African in culture, a conclusion with profound implications for theories of black liberation and for the future of race relations in America. By examining anthropological evidence about Central and West African cultural traditions--Bakongo, Ibo, Dahomean, Mendi and others--and exploring the folklore of the American slave, Stuckey has arrived at an important new cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of a black ethos. He establishes, for example, the centrality of an ancient African ritual--the Ring Shout or Circle Dance--to the black American religious and artistic experience. Black nationalist theories, the author points out, are those most in tune with the implication of an African presence in America during and since slavery. Casting a fresh new light on these ideas, Stuckey provides us with fascinating profiles of such nineteenth century figures as David Walker, Henry Highland Garnet, and Frederick Douglas. He then considers in detail the lives and careers of W. E. B. Dubois and Paul Robeson in this century, describing their ambition that blacks in American society, while struggling to end racism, take on roles that truly reflected their African heritage. These concepts of black liberation, Stuckey suggests, are far more relevant to the intrinsic values of black people than integrationist thought on race relations. But in a final revelation he concludes that, with the exception of Paul Robeson, the ironic tendency of black nationalists has been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from.

Slave Culture

Slave Culture PDF

Author: Sterling Stuckey

Publisher: New York : Oxford University Press

Published: 1987

Total Pages: 446

ISBN-13:

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In this major study, Sterling Stuckey, a leading Afro-American scholar, explains how different African peoples interacted during the 19th century to achieve a common culture. By examining evidence from anthropology and art history about Central and West African cultural traditions, and exploring the folklore of the American slave, Stuckey has arrived at an important cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of the black ethos.

Going Through the Storm

Going Through the Storm PDF

Author: Sterling Stuckey

Publisher: Oxford University Press, USA

Published: 1994

Total Pages: 314

ISBN-13: 019508604X

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Essays on the conjunction of art and history as demonstrated in dance, music, poetry, and novels.

Fighting for Us

Fighting for Us PDF

Author: Scot Brown

Publisher: NYU Press

Published: 2003-08

Total Pages: 262

ISBN-13: 0814798772

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The story of the influential Black nationalist organization and its leader, the man who invented Kwanza.

Rituals of Resistance

Rituals of Resistance PDF

Author: Jason R. Young

Publisher: LSU Press

Published: 2011-02-11

Total Pages: 379

ISBN-13: 0807139238

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In Rituals of Resistance Jason R. Young explores the religious and ritual practices that linked West-Central Africa with the Lowcountry region of Georgia and South Carolina during the era of slavery. The choice of these two sites mirrors the historical trajectory of the transatlantic slave trade which, for centuries, transplanted Kongolese captives to the Lowcountry through the ports of Charleston and Savannah. Analyzing the historical exigencies of slavery and the slave trade that sent not only men and women but also cultural meanings, signs, symbols, and patterns across the Atlantic, Young argues that religion operated as a central form of resistance against slavery and the ideological underpinnings that supported it. Through a series of comparative chapters on Christianity, ritual medicine, burial practices, and transmigration, Young details the manner in which Kongolese people, along with their contemporaries and their progeny who were enslaved in the Americas, utilized religious practices to resist the savagery of the slave trade and slavery itself. When slaves acted outside accepted parameters—in transmigration, spirit possession, ritual internment, and conjure—Young explains, they attacked not only the condition of being a slave, but also the systems of modernity and scientific rationalism that supported slavery. In effect, he argues, slave spirituality played a crucial role in the resocialization of the slave body and behavior away from the oppressions and brutalities of the master class. Young's work expands traditional scholarship on slavery to include both the extensive work done by African historians and current interdisciplinary debates in cultural studies, anthropology, and literature. Drawing on a wide range of primary sources from both American and African archives, including slave autobiography, folktales, and material culture, Rituals of Resistance offers readers a nuanced understanding of the cultural and religious connections that linked blacks in Africa with their enslaved contemporaries in the Americas. Moreover, Young's groundbreaking work gestures toward broader themes and connections, using the case of the Kongo and the Lowcountry to articulate the development of a much larger African Atlantic space that connected peoples, cultures, languages, and lives on and across the ocean's waters.

Jews and Blacks in the Early Modern World

Jews and Blacks in the Early Modern World PDF

Author: Jonathan Schorsch

Publisher: Cambridge University Press

Published: 2004-04-12

Total Pages: 566

ISBN-13: 9780521820219

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This book offers the first in-depth treatment of Jewish images of and behavior toward Blacks during the period of peak Jewish involvement in Atlantic slave-holding.

UnAfrican Americans

UnAfrican Americans PDF

Author: Tunde Adeleke

Publisher: University Press of Kentucky

Published: 2014-10-17

Total Pages: 216

ISBN-13: 0813157536

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Though many scholars will acknowledge the Anglo-Saxon character of black American nationalism, few have dealt with the imperialistic ramifications of this connection. Now, Nigerian-born scholar Tunde Adeleke reexamines nineteenth-century black American nationalism, finding not only that it embodied the racist and paternalistic values of Euro-American culture but also that nationalism played an active role in justifying Europe's intrusion into Africa. Adeleke looks at the life and work of Martin Delany, Alexander Crummell, and Harry McNeal Turner, demonstrating that as supporters of the mission civilisatrice ("civilizing mission") these men helped lay the foundation for the colonization of Africa. By exposing the imperialistic character of nineteenth-century black American nationalism, Adeleke reveals a deep historical and cultural divide between Africa and the black diaspora. Black American nationalists had a clear preference--Euro-America over Africa--and their plans were not designed for the immediate benefit of Africans but to enhance their own fortunes. Arguing that these men held a strong desire for cultural affinity with Europe, Adeleke makes a controversial addition to the ongoing debate concerning the roots of black nationalism and Pan-Africanism.

The Power to Die

The Power to Die PDF

Author: Terri L. Snyder

Publisher: University of Chicago Press

Published: 2015-08-28

Total Pages: 255

ISBN-13: 022628073X

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“[A] well-written exploration of the cultural and legal meanings of slave suicide in British North America . . . far-reaching, compelling, and relevant.” —Choice The history of slavery in early America is a history of suicide. On ships crossing the Atlantic, enslaved men and women refused to eat or leaped into the ocean. They strangled or hanged themselves. They tore open their own throats. In America, they jumped into rivers or out of windows, or even ran into burning buildings. Faced with the reality of enslavement, countless Africans chose death instead. In The Power to Die, Terri L. Snyder excavates the history of slave suicide, returning it to its central place in early American history. How did people—traders, plantation owners, and, most importantly, enslaved men and women themselves—view and understand these deaths, and how did they affect understandings of the institution of slavery then and now? Snyder draws on an array of sources, including ships’ logs, surgeons’ journals, judicial and legislative records, newspaper accounts, abolitionist propaganda and slave narratives to detail the ways in which suicide exposed the contradictions of slavery, serving as a powerful indictment that resonated throughout the Anglo-Atlantic world and continues to speak to historians today.

Shout Because You're Free

Shout Because You're Free PDF

Author:

Publisher: University of Georgia Press

Published: 2013-10-01

Total Pages: 229

ISBN-13: 082034611X

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The ring shout is the oldest known African American performance tradition surviving on the North American continent. Performed for the purpose of religious worship, this fusion of dance, song, and percussion survives today in the Bolton Community of McIntosh County, Georgia. Incorporating oral history, first-person accounts, musical transcriptions, photographs, and drawings, Shout Because You're Free documents a group of performers known as the McIntosh County Shouters. Derived from African practices, the ring shout combines call-and-response singing, the percussion of a stick or broom on a wood floor, and hand-clapping and foot-tapping. First described in depth by outside observers on the sea islands of South Carolina and Georgia during the Civil War, the ring shout was presumed to have died out in active practice until 1980, when the shouters in the Bolton community first came to the public's attention. Shout Because You're Free is the result of sixteen years of research and fieldwork by Art and Margo Rosenbaum, authors of Folk Visions and Voices. The book includes descriptions of present-day community shouts, a chapter on the history of the shout's African origins, the recollections of early outside observers, and later folklorists' comments. In addition, the tunes and texts of twenty-five shout songs performed by the McIntosh County Shouters are transcribed by ethnomusicologist Johann S. Buis.Shout Because You're Free is a fascinating look at a unique living tradition that demonstrates ties to Africa, slavery, and Emancipation while interweaving these influences with worship and oneness with the spirit.