Guide to the Pianist's Repertoire, third edition

Guide to the Pianist's Repertoire, third edition PDF

Author: Maurice Hinson

Publisher: Indiana University Press

Published: 2001-05-22

Total Pages: 986

ISBN-13: 9780253109088

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"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.

Eighteen Little Preludes

Eighteen Little Preludes PDF

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published: 1998-08-06

Total Pages: 34

ISBN-13: 1457469111

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This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor

Various Short Preludes and Fugues

Various Short Preludes and Fugues PDF

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 54

ISBN-13: 1457472023

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Titles: * I, Twelve Preludes * II, Six Little Preludes * III, A Little Fugue in C Minor in Two Voices * IV, Fugue in C Major * V, Fugue in C Major * VI, Fugue in D Minor * VII, Fugue in E Minor * VIII, Fugue in A Minor * IX, Fugue in A Major * X, Prelude and Fughetta in D Minor * XI, Prelude and Fughetta in E Minor * XII, Prelude and Fugue in E-Flat Major * XIII, Prelude and Fugue in A Minor

Pianists Guide to Standard Teaching and Performance Literature

Pianists Guide to Standard Teaching and Performance Literature PDF

Author: Jane Magrath

Publisher: Alfred Music

Published: 1995

Total Pages: 588

ISBN-13: 9781457438974

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This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.

Bach -- 18 Short Preludes

Bach -- 18 Short Preludes PDF

Author: Willard Palmer

Publisher: Alfred Music

Published: 1971-06

Total Pages: 0

ISBN-13: 9780739000410

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Collected from several sources, these teaching pieces were published separately in the 18th and 19th centuries as the Twelve Short Preludes and the Six Short Preludes. Students are often introduced to these works prior to studying the Two-Part Inventions (Alfred Edition 22528). This unique edition includes the realization of ornaments and guidance concerning tempos and articulation. 48 pages.

Conversations with Glenn Gould

Conversations with Glenn Gould PDF

Author: Glenn Gould

Publisher: University of Chicago Press

Published: 2005-11-15

Total Pages: 161

ISBN-13: 0226116239

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One of the most idiosyncratic and charismatic musicians of the twentieth century, pianist Glenn Gould (1932–82) slouched at the piano from a sawed-down wooden stool, interpreting Bach, Beethoven, and Mozart at hastened tempos with pristine clarity. A strange genius and true eccentric, Gould was renowned not only for his musical gifts but also for his erratic behavior: he often hummed aloud during concerts and appeared in unpressed tails, fingerless gloves, and fur coats. In 1964, at the height of his controversial career, he abandoned the stage completely to focus instead on recording and writing. Jonathan Cott, a prolific author and poet praised by Larry McMurtry as "the ideal interviewer," was one of the very few people to whom Gould ever granted an interview. Cott spoke with Gould in 1974 for Rolling Stone and published the transcripts in two long articles; after Gould's death, Cott gathered these interviews in Conversations with Glenn Gould, adding an introduction, a selection of photographs, a list of Gould's recorded repertoire, a filmography, and a listing of Gould's programs on radio and TV. A brilliant one-on-one in which Gould discusses his dislike of Mozart's piano sonatas, his partiality for composers such as Orlando Gibbons and Richard Strauss, and his admiration for the popular singer Petula Clark (and his dislike of the Beatles), among other topics, Conversations with Glenn Gould is considered by many, including the subject, to be the best interview Gould ever gave and one of his most remarkable performances.