Shostakovich Reconsidered

Shostakovich Reconsidered PDF

Author: Allan B. Ho

Publisher:

Published: 1998-02

Total Pages: 787

ISBN-13: 9780907689577

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Establishes beyond any doubt the enormous courage of one of the giants of the age

Shostakovich Reconsidered

Shostakovich Reconsidered PDF

Author: Allan Benedict Ho

Publisher:

Published: 1998

Total Pages: 796

ISBN-13:

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In Shostakovich Reconsidered Allan Ho and Dmitry Feofanov systematically address all of the accusations levelled at Testimony and Solomon Volkov, Shostakovich's amanuensis, amassing an enormous amount of material about Shostakovich and his position in Soviet society and burying forever the picture of Shostakovich as a willing participant in the communist charade.

Shostakovich Reconsidered

Shostakovich Reconsidered PDF

Author: Allan Benedict Ho

Publisher:

Published: 1998-01-01

Total Pages: 787

ISBN-13: 9780907680574

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Establishes beyond any doubt the enormous courage of one of the giants of the age

Shostakovich

Shostakovich PDF

Author: Laurel E. Fay

Publisher: Oxford University Press, USA

Published: 2000

Total Pages: 494

ISBN-13: 9780195182514

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"Shostakovich's life is a fascinating example of the paradoxes of living as an artist under totalitarian rule. Alone among his artistic peers, he survived successive Stalinist cultural purges and won the Stalin Prize five times, yet in 1948 he was dismissed from his conservatory teaching positions, and many of his works were banned from performance. He prudently censored himself, in one case putting aside a work based on Jewish folk poems. Under later regimes he balanced a career as a model Soviet - holding government positions and acting as an international ambassador - with his unflagging artistic ambitions."--Jacket.

Testimony

Testimony PDF

Author: Solomon Volkov

Publisher: HarperCollins

Published: 2021-05-04

Total Pages: 575

ISBN-13: 0062987852

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The acclaimed classical composer chronicles his life and work in twentieth-century Soviet Russia with the help of a distinguished musicologist. Since the time of his death, Dmitri Shostakovich’s place in the pantheon of twentieth-century composers has become more commanding and more celebrated, while his musical legacy, with all its wonderfully varied richness, is performed with increasing frequency throughout the world. This seemingly endless surge of interest can be attributed, at least in part, to Testimony, the powerful memoirs the ailing compose dictated to the young Russian musicology Solomon Volkov. When Testimony was first published in the West in 1979, it became an international bestseller, and was called the “book of the year” by The Times in London. The Guardian heralded Testimony as “the most influential music book of the 20th century.” Testimony offers a chance to reckon with the life and work of one of history’s most lauded musical geniuses—as a man and an artist.

A Shostakovich Casebook

A Shostakovich Casebook PDF

Author: Malcolm Hamrick Brown

Publisher: Indiana University Press

Published: 2020-06-30

Total Pages: 426

ISBN-13: 0253056268

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A collection of writings analyzing the controversial 1979 posthumous memoirs of the great Russian composer at their significance. In 1979, the alleged memoirs of legendary composer Dmitry Shostakovich (1906–1975) were published as Testimony: The Memoirs of Dmitry Shostakovich As Related to and Edited by Solomon Volkov. Since its appearance, however, Testimony has been the focus of controversy in Shostakovich studies as doubts were raised concerning its authenticity and the role of its editor, Volkov, in creating the book. A Shostakovich Casebook presents twenty-five essays, interviews, newspaper articles, and reviews—many newly available since the collapse of the Soviet Union—that review the “case” of Shostakovich. In addition to authoritatively reassessing Testimony’s genesis and reception, the authors in this book address issues of political influence on musical creativity and the role of the artist within a totalitarian society. Internationally known contributors include Richard Taruskin, Laurel E. Fay, and Irina Antonovna Shostakovich, the composer’s widow. This volume combines a balanced reconsideration of the Testimony controversy with an examination of what the controversy signifies for all music historians, performers, and thoughtful listeners. Praise for A Shostakovich Casebook “A major event . . . This Casebook is not only about Volkov’s Testimony, it is about music old and new in the 20th century, about the cultural legacy of one of that century’s most extravagant social experiments, and what we have to learn from them, not only what they ought to learn from us.” —Caryl Emerson, Princeton University

Contemplating Shostakovich: Life, Music and Film

Contemplating Shostakovich: Life, Music and Film PDF

Author: Mr Alexander Ivashkin

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 475

ISBN-13: 1409472027

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Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural milieu. The contributions uncover 'outside' stimuli behind Shostakovich's works, allowing the reader to perceive the motivations behind his artistic choices; at the same time, the nature of those choices offers insights into the workings of the larger world – cultural, social, political – that he inhabited. Thus his often ostensibly quirky choices are revealed as responses – by turns sentimental, moving, sardonic and angry – to the particular conditions, with all their absurdities and contradictions, that he had to negotiate. Here we see the composer emerging from the role of tortured loner of older narratives into that of the gregarious and engaged member of his society that, for better and worse, characterized the everyday reality of his life. This invaluable collection offers remarkable new insight, in both depth and range, into the nature of Shostakovich's working circumstances and of his response to them. The collection contains the seeds for a wide range of new directions in the study of Shostakovich's works and the larger contexts of their creation and reception.

Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich

Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich PDF

Author: Sarah Reichardt

Publisher: Routledge

Published: 2017-07-05

Total Pages: 134

ISBN-13: 1351571354

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Since the publication of Solomon Volkov's disputed memoirs of Dmitri Shostakovich, the composer and his music has been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. While much ink has been spilled, very little work has attempted to define how Shostakovich's music has remained so arresting not only to those within the Soviet culture, but also to Western audiences - even though such audiences are often largely ignorant of the compositional context or even the biography of the composer. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer‘s middle string quartets, especially those ambiguities located in moments of rupture within the musical structure. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, though perhaps interpretable as Shostakovich's own unique version of double-speak, also poignantly articulates the fractured state of a more general form of modern subjectivity. Reichardt employs the framework of Lacanian psychoanalysis to offer a cogent explanation of this connection between disruptive musical process and modern subjectivity. The ruptures of Shostakovich's music become symptoms of the pathologies at the core of modern subjectivity. These symptoms, in turn, relate to the Lacanian concept of the real, which is the empty kernel around which the modern subject constructs reality. This framework proves invaluable in developing a powerful, original hermeneutic understanding of the music. Read through the lens of the real, the riddles written into the quartets reveal the arbitrary and contingent state of the musical subject's constructed reality, reflecting pathologies ende

Shostakovich and His World

Shostakovich and His World PDF

Author: Laurel E. Fay

Publisher: Princeton University Press

Published: 2021-06-08

Total Pages: 428

ISBN-13: 0691232199

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.