Shakespeare’s comic theory

Shakespeare’s comic theory PDF

Author: Thomas Allen Nelson

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-03-18

Total Pages: 100

ISBN-13: 3111629724

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Acting Funny

Acting Funny PDF

Author: Frances N. Teague

Publisher: Fairleigh Dickinson Univ Press

Published: 1994

Total Pages: 204

ISBN-13: 9780838635247

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Finally, these assumptions lead to the corollary that such hierarchies are natural and immutable and not fashioned by critics.

The Metamorphoses of Shakespearean Comedy

The Metamorphoses of Shakespearean Comedy PDF

Author: William C. Carroll

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 304

ISBN-13: 1400854814

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This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Shakespeare and the Comedy of Enchantment

Shakespeare and the Comedy of Enchantment PDF

Author: Kent Cartwright

Publisher: Oxford University Press

Published: 2021-11-11

Total Pages: 208

ISBN-13: 019263965X

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Shakespeare and the Comedy of Enchantment argues that enchantment constitutes a key emotional and intellectual dimension of Shakespeare's comedies. It thus makes a new claim about the rejuvenating value of comedy for individuals and society. Shakespeare's comedies orchestrate ongoing encounters between the rational and the mysterious, between doubt and fascination, with feelings moved by elements of enchantment that also seem a little ridiculous. In such a drama, lines of causality become complex, and even satisfying endings leave certain matters incomplete and contingent—openings for scrutiny and thought. In addressing enchantment, the book takes exception to the modernist vision of a deterministic 'disenchanted' world. As Shakespeare's action advances, comic mysteries accrue—uncanny coincidences; magical sympathies; inexplicable repetitions; psychic influences; and puzzlements about the meaning of events—all of whose numinous effects linger ambiguously after reason has apparently answered the play's questions. Separate chapters explore the devices, tropes, and motifs of enchantment: magical clowns who alter the action through stop-time interludes; structural repetitions that suggest mysteriously converging, even opaquely providential destinies; locales that oppose magical and protean forces to regulatory and quotidian values; desires, thoughts, and utterances that 'manifest' comically monstrous events; characters who return from the dead, facilitated by the desires of the living; play-endings crossed by harmony and dissonance, with moments of wonder that make possible the mysterious action of forgiveness. Wonder and wondering in Shakespeare's and other comedies, it emerges, become the conditions for new possibilities. Chapters refer extensively to early modern history, Renaissance and modern theories of comedy, treatises on magical science, and contemporaneous Italian and Tudor comedy.

Shakespeare's Comic Commonwealths

Shakespeare's Comic Commonwealths PDF

Author: Camille Wells Slights

Publisher: University of Toronto Press

Published: 1993-01-01

Total Pages: 316

ISBN-13: 9780802029249

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Challenging the traditional view that Shakespeare's early comedies are about the experience of romantic love and constitute a genre called romantic comedy, Camille Wells Slights demonstrates that they dramatize individual action in the context of social dynamics, reflecting and commenting on the culture in which they originated. Shakespeare's Comic Commonwealths sheds new light on ten Shakespearean comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado about Nothing, As You Like It and Twelfth Night. In a diversity of comic forms - from rollicking farce to tragicomedy - these plays offer varying perspectives on the forces that make and mar human communities. Dramatizing tensions between savagery and civilization, autonomy and dependence, and isolation and community, Shakespeare's comedies both reflect and comment on the society that produces them. Slights eschews viewing these comedies as endorsements of the prevailing ideologies of sixteenth-century England or as subversions of that hierarchical, patriarchal culture. They can be most fruitfully understood as imaginative forms that present cultural practices, institutions and beliefs as human constructions susceptible to critical scrutiny. While exposing the injustice and brutality as well as the assurances and satisfactions of social experiences, Shakespeare's comedies represent people as inescapably social beings. By combining historical scholarship with formal analysis and incorporating insights from social anthropology and feminist theory, Shakespeare's Comic Commonwealths offers new readings of Shakespeare's early comedies and analyses the interaction between the plays and the social structures and processes of early modern England.

Comic Transformations in Shakespeare

Comic Transformations in Shakespeare PDF

Author: Ruth Nevo

Publisher: Routledge

Published: 2013-10-11

Total Pages: 264

ISBN-13: 1136557121

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First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.

Comic Transformations in Shakespeare

Comic Transformations in Shakespeare PDF

Author: Ruth Nevo

Publisher: Routledge

Published: 2013-10-11

Total Pages: 251

ISBN-13: 1136557059

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First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.

Shakespeare's Practical Jokes

Shakespeare's Practical Jokes PDF

Author: David Ellis

Publisher: Associated University Presse

Published: 2007

Total Pages: 244

ISBN-13: 9780838756805

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Female victims and female jokers -- The privileges of rank -- Falstaff -- The ideal victim -- How far can you go? -- The triumph over shame -- Practical jokes and evil practices.