Shakespearean Intertextuality

Shakespearean Intertextuality PDF

Author: Stephen Lynch

Publisher: Bloomsbury Publishing USA

Published: 1998-11-19

Total Pages: 136

ISBN-13: 0313002134

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In reshaping Lodge's Rosalynde into As You Like It, Shakespeare not only undermines the Petrarchan and pastoral traditions of the romance, but also refutes the implicit gender structures upon which such Petrarchanisms are based. In refashioning The True Chronicle Historie of King Leir into the tragedy of King Lear, Shakespeare does not simply reject the explicit Christian setting and happy ending of Leir, but engages and responds to the highly Reformational and Calvinistic assumptions that shape and inform the source play. In rewriting Greene's Pandosto into The Winter's Tale, Shakespeare not only adapts the plot and characterization of the source, but consistently counters and refutes the rhetorical and linguistic structures of Greene's romance. And in Pericles, Shakespeare adapts the Appolinus story from Gower's Confessio Amantis, but also responds to suggestions in the source text about the authority of the role of the author.

Shakespeare, Italy, and Intertextuality

Shakespeare, Italy, and Intertextuality PDF

Author: Michele Marrapodi

Publisher: Manchester University Press

Published: 2004

Total Pages: 292

ISBN-13: 9780719066665

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Newly available in paperback, this collection of essays, written by distinguished international scholars, focuses on the structural influence of Italian literature, culture and society at large on Shakespeare's dramatic canon. Exploring recent methodological trends coming from Anglo-American new historicism and cultural materialism and innovative analyses of intertextuality, the volume's four thematic sections deal with 'Theory and practice', 'Culture and tradition', 'Text and ideology' and 'Stage and spectacle'.In their own views and critical perspectives, the individual chapters throw fresh light on the dramatist's pliable technique of dramatic construction and break new ground in the field of influence studies and intertextuality as a whole.A rich bibliography of secondary literature and a detailed index round off the volume.

Shakespeare, Politics, and Italy

Shakespeare, Politics, and Italy PDF

Author: Michael J. Redmond

Publisher: Routledge

Published: 2016-04-01

Total Pages: 286

ISBN-13: 1317056191

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The use of Italian culture in the Jacobean theatre was never an isolated gesture. In considering the ideological repercussions of references to Italy in prominent works by Shakespeare and his contemporaries, Michael J. Redmond argues that early modern intertextuality was a dynamic process of allusion, quotation, and revision. Beyond any individual narrative source, Redmond foregrounds the fundamental role of Italian textual precedents in the staging of domestic anxieties about state crisis, nationalism, and court intrigue. By focusing on the self-conscious, overt rehearsal of existing texts and genres, the book offers a new approach to the intertextual strategies of early modern English political drama. The pervasive circulation of Cinquecento political theorists like Machiavelli, Castiglione, and Guicciardini combined with recurrent English representations of Italy to ensure that the negotiation with previous writing formed an integral part of the dramatic agendas of period plays.

Intertextuality, Intersubjectivity, and Narrative Identity

Intertextuality, Intersubjectivity, and Narrative Identity PDF

Author: Péter Gaál-Szabó

Publisher: Cambridge Scholars Publishing

Published: 2017-01-06

Total Pages: 180

ISBN-13: 1443862584

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Intertextuality, Intersubjectivity, and Narrative Identity presents recent findings and opens new vistas for research by mapping the potential interconnections of intertextuality and intersubjectivity across a range of fields. Multidisciplinary in its focus, it incorporates various research foci and topoi across time and space. It is largely orchestrated around issues of identity in the fields of narration, gender, space, and trauma in British, Irish, American, South African, and Hungarian contexts. The contributions here centre on narrative identity, mediality, and spatiotemporality; modernism and revivalism; cultural memory, counter-histories, and place; female Künstlerdramas and war testimonies; and parasitical intersubjectivity, trauma, and multiple captivities in slave narratives. The volume brings together the seasoned insight of established researchers and the vivacious freshness of young scholars, providing an engaging read. Ultimately, it will prove to be relevant to researchers, teachers, and the general public given its unique approaches and the diversity of the topics explored.

Shakespeare's Originality

Shakespeare's Originality PDF

Author: John Kerrigan

Publisher: Oxford University Press

Published: 2018

Total Pages: 182

ISBN-13: 0198793758

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This compact, engaging book puts Shakespeare's originality in historical context and looks at how he worked with his sources: the plays, poems, chronicles and romances on which his own plays are based.

Renaissance Shakespeare: Shakespeare Renaissances

Renaissance Shakespeare: Shakespeare Renaissances PDF

Author: Martin Procházka

Publisher: Rowman & Littlefield

Published: 2013-12-12

Total Pages: 471

ISBN-13: 1611494613

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Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Native Americans to China and Japan.

Italian Culture in the Drama of Shakespeare & His Contemporaries

Italian Culture in the Drama of Shakespeare & His Contemporaries PDF

Author: Michele Marrapodi

Publisher: Ashgate Publishing, Ltd.

Published: 2007

Total Pages: 310

ISBN-13: 9780754655046

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Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl

Shakespeare and the Cleopatra/Caesar Intertext

Shakespeare and the Cleopatra/Caesar Intertext PDF

Author: Sarah Hatchuel

Publisher: Fairleigh Dickinson

Published: 2011-07-16

Total Pages: 256

ISBN-13: 1611474485

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Is William Shakespeare's Antony and Cleopatra a sequel to the earlier Julius Caesar? If this question raises issues of authorship and reception, it also interrogates the construction of dramatic sequels: how does a playtext ultimately become the follow-up of another text? This book explores how dramatic works written before and after Shakespeare's time have encouraged us to view Shakespeare's Julius Caesar and Antony and Cleopatra as strongly interconnected plays, encouraging their sequelization in the theater and paving the way toward the filmic conflations of the twentieth century. Uniquely blending theories of literary and filmic intertextuality with issues of race and gender, and written by an experienced author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.

Shakespeare's Folktale Sources

Shakespeare's Folktale Sources PDF

Author: Charlotte Artese

Publisher: Rutgers University Press

Published: 2015-06-03

Total Pages: 259

ISBN-13: 1644530449

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Shakespeare’s Folktale Sources argues that seven plays—The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All’s Well that Ends Well, Measure for Measure, and Cymbeline—derive one or more of their plots directly from folktales. In most cases, scholars have accepted one literary version of the folktale as a source. Recognizing that the same story has circulated orally and occurs in other medieval and early modern written versions allows for new readings of the plays. By acknowledging that a play’s source story circulated in multiple forms, we can see how the playwright was engaging his audience on common ground, retelling a story that may have been familiar to many of them, even the illiterate. We can also view the folktale play as a Shakespearean genre, defined by source as the chronicle histories are, that spans and traces the course of Shakespeare’s career. The fact that Shakespeare reworked folktales so frequently also changes the way we see the history of the literary folk- or fairy-tale, which is usually thought to bypass England and move from Italian novella collections to eighteenth-century French salons. Each chapter concludes with a bibliography listing versions of each folktale source as a resource for further research and teaching. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.