Shakespeare and the Awareness of Audience

Shakespeare and the Awareness of Audience PDF

Author: Ralph Berry

Publisher: Routledge

Published: 2015-07-30

Total Pages: 250

ISBN-13: 1317370929

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This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.

Shakespeare and Social Theory

Shakespeare and Social Theory PDF

Author: BRADD. SHORE

Publisher: Routledge

Published: 2021-08-23

Total Pages: 296

ISBN-13: 9781032017174

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This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.

Shakespeare’s Audiences

Shakespeare’s Audiences PDF

Author: Matteo Pangallo

Publisher: Routledge

Published: 2021-03-28

Total Pages: 341

ISBN-13: 1000352579

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Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.

Talking to the Audience

Talking to the Audience PDF

Author: Bridget Escolme

Publisher: Psychology Press

Published: 2005

Total Pages: 212

ISBN-13: 9780415332231

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This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct dramatic subjectivity, or selfhood, in Shakespeare plays.

Shakespeare: Actors and Audiences

Shakespeare: Actors and Audiences PDF

Author: Fiona Banks

Publisher: Bloomsbury Publishing

Published: 2018-11-15

Total Pages: 296

ISBN-13: 1474274005

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Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.

The Renaissance of emotion

The Renaissance of emotion PDF

Author: Richard Meek

Publisher: Manchester University Press

Published: 2015-08-01

Total Pages: 384

ISBN-13: 0719098947

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This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.

Discrepant Awareness

Discrepant Awareness PDF

Author: K. P. S. Jochum

Publisher: Frankfurt am Main ; Bern ; Las Vegas : Lang

Published: 1979

Total Pages: 374

ISBN-13:

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«Discrepant awareness» describes the unequal distribution of knowledge and information among various characters in a drama as well as in the relationship between dramatic characters and audience. Only a few studies of this important dramatic element have been written so far. This book attempts to define discrepant awareness and to explore its various possibilities of usage in a coherent body of dramatic literature.

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