The Oxford Handbook of Shakespeare and Music

The Oxford Handbook of Shakespeare and Music PDF

Author: Christopher R. Wilson

Publisher: Oxford University Press

Published: 2022

Total Pages: 1289

ISBN-13: 0190945141

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"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--

Shakespeare, Music and Performance

Shakespeare, Music and Performance PDF

Author: Bill Barclay

Publisher: Cambridge University Press

Published: 2017-04-13

Total Pages: 303

ISBN-13: 1107139333

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This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.

Music in Shakespeare

Music in Shakespeare PDF

Author: Christopher R. Wilson

Publisher: Bloomsbury Publishing

Published: 2005-12-01

Total Pages: 528

ISBN-13: 1847140645

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Musical references, allusions to music, and music stage directions abound in Shakespeare, ranging from simple trumpet flourishes to sophisticated, philosophical allegory. Music in Shakespeare: A Dictionary identifies all musical terms found in the Shakespeare canon. An A-Z of over 300 entries includes a definition of each musical term in its historical and theoretical context, and explores the extent of Shakespeare's use of musical imagery across the full range of his dramatic and poetic work. Music in Shakespeare also analyses the usage of musical instruments and sound effects on the Shakespearean stage, providing descriptions of the instruments employed in the Elizabethan and Jacobean theatres. This is a comprehensive reference guide for scholars and students with interests ranging from the thematic and allegorical relevance of music in Shakespeare's works to the history of performance. It is also aimed at the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.

Shakespeare and Popular Music

Shakespeare and Popular Music PDF

Author: Adam Hansen

Publisher: Bloomsbury Publishing

Published: 2010-09-23

Total Pages: 196

ISBN-13: 1441134255

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Exploring the interactions between Shakespeare and popular music, this book links these seeming polar opposites, showing how musicians have woven the Bard into their sounds.

Shakespeare's Songbook

Shakespeare's Songbook PDF

Author: Ross W. Duffin

Publisher: W. W. Norton & Company

Published: 2004

Total Pages: 536

ISBN-13: 9780393058895

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Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.

Shakespeare And Music

Shakespeare And Music PDF

Author: David Lindley

Publisher: A&C Black

Published: 2014-06-01

Total Pages: 297

ISBN-13: 1408143666

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This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.

Pop Sonnets

Pop Sonnets PDF

Author: Erik Didriksen

Publisher: Quirk Books

Published: 2015-10-06

Total Pages: 128

ISBN-13: 1594748292

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The Bard meets the Backstreet Boys in Pop Sonnets, a collection of 100 classic pop songs reimagined as Shakespearean sonnets. All your favorite songs are here, including hits by Jay-Z, Johnny Cash, Katy Perry, Michael Jackson, Talking Heads, and many others. With stirring sentiments on everything from love and despair to wanton women, Pop Sonnets offers inspirational verse for every occasion.

Shakespeare and Music

Shakespeare and Music PDF

Author: Edward W. Naylor

Publisher: BoD – Books on Demand

Published: 2018-09-21

Total Pages: 182

ISBN-13: 3734046866

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Reproduction of the original: Shakespeare and Music by Edward W. Naylor

Shakespeare, Madness, and Music

Shakespeare, Madness, and Music PDF

Author: Kendra Preston Leonard

Publisher: Scarecrow Press

Published: 2009-07-09

Total Pages: 165

ISBN-13: 0810869586

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Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.