Shakespeare, Our Contemporary

Shakespeare, Our Contemporary PDF

Author: Jan Kott

Publisher: Doubleday

Published: 2015-01-21

Total Pages: 312

ISBN-13: 0804152195

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Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions. Peter Brook and Charles Marowitz are among the many directors who have acknowledged their debt to Jan Kott, finding in his analogies between Shakespearean situations and those in modern life and drama the seeds of vital new stage conceptions. Shakespeare, Our Contemporary has been translated into nineteen languages since it appeared in 1961, and readers all over the world have similarly found their responses to Shakespeare broadened and enriched.

Shakespeare and Modern Culture

Shakespeare and Modern Culture PDF

Author: Marjorie Garber

Publisher: Anchor

Published: 2009-12-01

Total Pages: 370

ISBN-13: 0307390969

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From one of the world's premier Shakespeare scholars comes a magisterial new study whose premise is "that Shakespeare makes modern culture and that modern culture makes Shakespeare." Shakespeare has determined many of the ideas that we think of as "naturally" true: ideas about human character, individuality and selfhood, government, leadership, love and jealousy, men and women, youth and age. Marjorie Garber delves into ten plays to explore the interrelationships between Shakespeare and contemporary culture, from James Joyce's Ulysses to George W. Bush's reading list. From the persistence of difference in Othello to the matter of character in Hamlet to the untimeliness of youth in Romeo and Juliet, Garber discusses how these ideas have been re-imagined in modern fiction, theater, film, and the news, and in the literature of psychology, sociology, political theory, business, medicine, and law. Shakespeare and Modern Culture is a brilliant recasting of our own mental and emotional landscape as refracted through the prism of the protean Shakespeare.

Shakespeare and Contemporary Fiction

Shakespeare and Contemporary Fiction PDF

Author: Barbara L. Estrin

Publisher: Lexington Books

Published: 2012

Total Pages: 285

ISBN-13: 1611493692

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As the first book to use fiction as theory, Shakespeare and Contemporary Fiction reads backward to demonstrate how recent novelists redeploy foundling and lyric plots to uncover a Shakespeare who similarly challenges the mythological homogeneity that scripts us.

Shakespeare and Millennial Fiction

Shakespeare and Millennial Fiction PDF

Author: Andrew James Hartley

Publisher: Cambridge University Press

Published: 2017-11-16

Total Pages: 279

ISBN-13: 1107171725

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This book analyses the ways contemporary fiction writers draw on Shakespeare - the man, his work and his cultural legacy.

Shakespeare and Modern Popular Culture

Shakespeare and Modern Popular Culture PDF

Author: Douglas Lanier

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 187

ISBN-13: 9780198187066

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Shakespeare and Superman? Shakespeare and The Twilight Zone? Shakespeare and romance novels? What is Shakespeare doing in modern popular culture? In the first book-length study to consider the modern 'Shakespop' phenomenon broadly, Douglas Lanier examines how our conceptions of Shakespeare's works and his cultural status have been profoundly shapes by Shakespeare's diffuse presence in such popular forms as films, comic books, TV shows, mass-market fiction, children's books, kitsch, and advertising. Shakespeare and Modern Popular Culture offers an overview of issues raised in Shakespeare's appropriation in twentieth-century popular culture, amd argues that Shakespeare's appearances in these media can be seen as a form of cultural theorizing, a means by which popular culture thinks through its relationship to high culture. Through a series of case studies, the book examines how popular culture actively constructs, contests, uses, and perpetuates Shakespeare's cultural authority.

Shakespearean Allusion in Crime Fiction

Shakespearean Allusion in Crime Fiction PDF

Author: Lisa Hopkins

Publisher: Springer

Published: 2016-04-21

Total Pages: 204

ISBN-13: 1137538759

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This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.

Shakespeare and the Book

Shakespeare and the Book PDF

Author: David Scott Kastan

Publisher: Cambridge University Press

Published: 2001-09-20

Total Pages: 168

ISBN-13: 9780521786515

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An account of Shakespeare's plays as they were transformed from scripts into books.

William Shakespeare × Rose Wylie: The Tempest

William Shakespeare × Rose Wylie: The Tempest PDF

Author: William Shakespeare

Publisher: David Zwirner Books

Published: 2022-04-12

Total Pages: 144

ISBN-13: 9781644230619

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Set on a remote island, Shakespeare’s The Tempest is an ideal subject for the artist Rose Wylie, whose work frequently references classic stories and well-known characters. Likely the last play written entirely by Shakespeare, The Tempest brings together various themes the Bard explored in his prior plays, including magic, revenge and forgiveness, order and society, and nature versus art. The shipwreck and remote island, the spirits, and the dukes and their children offer rich material for Wylie’s works on paper and canvas. As the third title in David Zwirner Books’s Seeing Shakespeare series, this book pairs a complex narrative with equally layered works by a contemporary artist who approaches the play and art making from a unique perspective. Also included is an introduction by the writer Katie Kitamura.

Shakespeare and Contemporary Theory

Shakespeare and Contemporary Theory PDF

Author: Neema Parvini

Publisher: A&C Black

Published: 2012-11-08

Total Pages: 233

ISBN-13: 1441193936

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A complete critical introduction to New Historicist and Cultural Materialist approaches that have dominated contemporary Shakespeare theory, as well as alternative new directions.

Staging Early Modern Romance

Staging Early Modern Romance PDF

Author: Mary Ellen Lamb

Publisher: Routledge

Published: 2009-01-13

Total Pages: 489

ISBN-13: 1135895244

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This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare’s late plays. Although Pericles, Cymbeline, Winter’s Tale, and The Tempest have long been characterized as "romances," their connections with the popular prose romances of their day and the dramatic romances that preceded them have frequently been overlooked. Constructed to explore those connections, this volume includes original essays that relate at least one prose or dramatic romance to an English play written from 1570 to 1630. The introduction explores the use of the term "dramatic romance" over several centuries and the commercial association between print culture, gender, and drama. Eight essays discuss Shakespeare’s plays; three more examine plays by Beaumont, Fletcher, and Massinger. Other authors treated at some length include Boccaccio, Christine de Pizan, Chaucer, Sidney, Greene, Lodge, and Wroth. Barbara Mowat’s afterword considers Shakespeare’s use of Greek romance. Written by foremost scholars of Shakespeare and early modern prose fiction, this book explores the vital cross-currents that occurred between narrative and dramatic forms of Greek, medieval, and early modern romance.