The Early Pianoforte

The Early Pianoforte PDF

Author: Stewart Pollens

Publisher: Cambridge University Press

Published: 1995-09-14

Total Pages: 328

ISBN-13: 9780521417297

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This is the first comprehensive study of the history and technology of the early piano.

Music Analysis in the Nineteenth Century: Volume 2, Hermeneutic Approaches

Music Analysis in the Nineteenth Century: Volume 2, Hermeneutic Approaches PDF

Author: Ian Bent

Publisher: Cambridge University Press

Published: 1994-08-25

Total Pages: 319

ISBN-13: 9780521461832

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In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised description, some pure examples, and others hybrid forms mixed with technical analysis. The music analysed is amongst the best-known in the repertoire: Wagner writes on Beethoven's Ninth Symphony, E. T. A. Hoffmann on the Fifth, Schumann writes on Berlioz, and Berlioz on Meyerbeer. Professor Bent presents each analysis with its own detailed introduction and each is amplified by supporting information in footnotes.

Muzio Clementi and British Musical Culture

Muzio Clementi and British Musical Culture PDF

Author: Luca Lévi Sala

Publisher: Routledge

Published: 2018-06-14

Total Pages: 258

ISBN-13: 1351800884

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Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.