Serbian Songs and Poems
Author: J.W. Wiles (translated)
Publisher:
Published: 1917
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOK →Author: J.W. Wiles (translated)
Publisher:
Published: 1917
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOK →Author: James W Wiles
Publisher:
Published: 2017-11-28
Total Pages: 90
ISBN-13: 9780649760381
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Author: James W. Wiles
Publisher: Hardpress Publishing
Published: 2012-01
Total Pages: 92
ISBN-13: 9781290420549
DOWNLOAD EBOOK →Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: James W Wiles
Publisher: Legare Street Press
Published: 2021-09-10
Total Pages: 90
ISBN-13: 9781015048843
DOWNLOAD EBOOK →This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James William Wiles
Publisher: Palala Press
Published: 2016-04-22
Total Pages: 88
ISBN-13: 9781354341513
DOWNLOAD EBOOK →This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James William Wiles
Publisher:
Published: 2015-07-12
Total Pages: 86
ISBN-13: 9781331223108
DOWNLOAD EBOOK →Excerpt from Serbian Songs and Poems: Chords of the Yugoslav Harp These poems, as I understand, and the reader would suppose a priori, are traditional and national in their character, resembling in this aspect the delightful old folk-songs of England. They express the deep heart of a nation, through centuries of tempest and travail. What, I think, strikes one most of all is their amazing simplicity and directness - a directness which on occasion is pungent. There is humour too in many of these poems, and the thought, as distinct from the expression, is often of a charmingly imaginative quality. Consider, for instance, the last lines of the poem entitled "Love Before and After Death." This poem, too, presents a strange contrast in its first and second halves of a realism quite unaffected and (as some would perhaps have it) crude, with a fantasy perfectly pictorial. How distinctive the thought is at times, like nothing that is English or Latin! Here and there too a spirit of fatalism may be said to brood over a poem, Oriental, reminiscent of history. I imagine that the most competent critic would endorse the translator's decision of retaining in more than one poem the directness of speech, the irregularity of form, without an attempt to refine and embellish which might easily induce in the mind an impression of trick or of artifice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Helen Rootham
Publisher: CreateSpace
Published: 2013-12
Total Pages: 100
ISBN-13: 9781494791247
DOWNLOAD EBOOK →An excerpt from the beginning of the Historical Preface (published 1920): IT is now about a hundred years since the Serbian philologist, Vuk Karadjich, published his first collection of Serbian folk-songs, revealing their originality and beauty to literary Europe. The charm of these simple and powerful poems was so great that in the very beginning they aroused genuine enthusiasm wherever they penetrated. Poets, folklorists, savants — all found reasons enough to study and enjoy them. One of their greatest admirers, Jacob Grimm, asserted that "since the days of Homer, one could say, in the whole of Europe there was not a single phenomenon which would make us understand the essence, as well as the genesis, of epics, to such an extent as they (i.e., the Serbian folk-songs) do." Goethe himself wrote on several occasions about the character of these poems (in his Kunst and Altertum), and, during a conversation with Eckermann, he once ventured to compare the beauty of some examples to that of the Song of Songs. With the vogue of Romanticism the interest for Serbian folk-epics grew all over Europe; translations, imitations, mystifications (for instance, La Gouzla, by Prosper Mérimée), as well as paraphrases, appeared almost in all European languages, gaining more and more admiration for the poetical genius of the Serbian peasantry. The high appreciation of this utterly fresh and naive genius may be sufficiently illustrated by quoting some passages of the well-known German translator of the Serbian songs, Miss Talvj (Therese von Jacob, later Mrs. Robinson). In her English work, Historical View of the Languages and Literature of the Slavonic Nations (New York, MDCCCL), she writes: "All that the other Slav nations, or the Germans, the Scotch, and the Spaniards possess of popular poetry, can at the utmost be compared with the lyrical part of the Serbian songs, called by them female songs, because they are sung only by females and youths; but the long epic extemporised compositions, by which a peasant bard, sitting in a large circle of other peasants, in Unpremeditated but perfectly regular and harmonious verse, celebrates the heroic deeds of their ancestors or contemporaries, has no parallel in the whole of history since the days of Homer." And, again, "Indeed, what epic popular poetry is, how it is produced and propagated, what powers of invention it naturally exhibits,—powers which no art can command, — we may learn from this multitude of simple legends and fables. The Serbians stand in this respect quite isolated; there is no modern nation that can be compared to them in epic productiveness; and a new light seems to be thrown over the grand compositions of the ancients. Thus, without presumption, we may pronounce the publication of these poems one of the most remarkable literary events in modern times...." It would lead too far to quote the opinions on this subject of other important authorities, such as the great Polish poet Adam Mickiewicz, the Russian scholar Pypin, the Italian writer, poet, and savant Nicolo Tomaseo, etc. But common to all of them is the fact that they give to the Serbian folk-poetry one of the foremost places among the poetry of all nations.
Author: Zora Devrnja Zimmerman
Publisher:
Published: 1986
Total Pages: 372
ISBN-13:
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