Sensation Novels and Domestic Minds

Sensation Novels and Domestic Minds PDF

Author: Mathilde Vialard

Publisher: Taylor & Francis

Published: 2024-02-26

Total Pages: 218

ISBN-13: 1003845347

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Drawing on the recent academic interest in approaching health and wellbeing from a humanities perspective, Sensation Novels and Domestic Minds investigates how the Victorians dealt with questions of mental health by examining literary works in the genre of sensation fiction. The novels of Mary Elizabeth Braddon and Wilkie Collins, two prominent writers of the genre, often portray characters suffering from mental illnesses commonly diagnosed at the time, among which are monomania, moral insanity, melancholia and hypochondria. By studying the fictional works of Braddon and Collins alongside medical texts from the nineteenth century, it sets out to investigate how these novels fictionally represented real mental sufferings. This book considers the different mental illnesses the characters of sensation novels develop inside and outside the home as they struggle to define their own identity against Victorian social expectations. It demonstrates how these novels fictionalised the crisis of the leisured upper classes, who spent most of their time at home, and found themselves at odds with a society that increasingly separated the domestic and working environments, while also considering the impact that a lack of a sense of domestic belonging could have on their mental health. Sensation Novels and Domestic Minds further analyses the extent to which domesticity—in its excess or lack—could afflict the mental health of Victorian men and women through the fictional representation of suicidal thoughts and acts in the novels of Braddon and Collins.

Demons of the Body and Mind

Demons of the Body and Mind PDF

Author: Ruth Bienstock Anolik

Publisher: McFarland

Published: 2014-01-10

Total Pages: 245

ISBN-13: 0786457481

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The Gothic mode, typically preoccupied by questions of difference and otherness, consistently imagines the Other as a source of grotesque horror. The sixteen critical essays in this collection examine the ways in which those suffering from mental and physical ailments are refigured as Other, and how they are imagined to be monstrous. Together, the essays highlight the Gothic inclination to represent all ailments as visibly monstrous, even those, such as mental illness, which were invisible. Paradoxically, the Other also becomes a pitiful figure, often evoking empathy. This exploration of illness and disability represents a strong addition to Gothic studies.

Experiencing Epiphanies in Literature and Cinema

Experiencing Epiphanies in Literature and Cinema PDF

Author: Bradley Lewis

Publisher: Taylor & Francis

Published: 2024-07-09

Total Pages: 206

ISBN-13: 1040041078

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Experiencing Epiphanies in Literature and Cinema uses health humanities and psychological humanities to explore literary and cinematic epiphanies. James Joyce first adopted the term “epiphany” from its religious use to articulate momentsof luminous intensity or “sudden spiritual manifestation.” This study develops and extends Joyce’s use of epiphany through a range of literary and cinematic examples, from William Shakespeare to Ruth Ozeki and from Yasujirō Ozu to Jim Jarmusch. This wealth of epiphanies in the arts is important from a health humanities perspective in that they provide access to aesthetic and sustainable experiences of well-being, joy, and human flowering. They also provide antidotes to aesthetics of anti-epiphany—a showing forth of terror, horror, and panic. Experiencing Epiphanies is accordingly both critical and affirmative, diagnostic and therapeutic. It uses critique to understand the increasing need for well-being in contemporary times, and it uses affirmation to develop underutilized resources in the arts for transforming, configuring, and refiguring our everyday lives.

Gut, Brain, and Environment in Nineteenth-Century French Literature and Medicine

Gut, Brain, and Environment in Nineteenth-Century French Literature and Medicine PDF

Author: Manon Mathias

Publisher: Taylor & Francis

Published: 2024-04-30

Total Pages: 282

ISBN-13: 1040022189

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Gut, Brain, and Environment in Nineteenth-Century French Literature and Medicine offers a new way of conceptualizing food in literature: not as social or cultural symbol but as an agent within a network of relationships between body and mind and between humans and environment. By analysing gastrointestinal health in medical, literary, and philosophical texts, this volume rethinks the intersections between literature and health in the nineteenth century and triggers new debates about France’s relationship with food. Of relevance to scholars of literature and to historians and sociologists of science, food, and medicine, it will provide ideal reading for students of French Literature and Culture, History, Cultural Studies, and History of Science and Medicine, Literature and Science, Food Studies, and the Medical Humanities. Readers will be introduced to new ways of approaching digestion in this period and will gain appreciation of the powerful resources offered by nineteenth-century French writing in understanding the nature of connections between gut, mind, and environment and the impact of these connections on our status as human beings.

Theater Figures

Theater Figures PDF

Author: Emily Allen

Publisher: Ohio State University Press

Published: 2003

Total Pages: 270

ISBN-13: 9780814209318

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Why did nineteenth-century novels return, over again, to the scene of theater? Emily Allen argues that theater provided nineteenth-century novels, novelists, and critics with a generic figure that allowed them to position particular novels and novelistic genres within a complex literary field. Novel genres high and low, male and female, public and private, realistic and romantic, all came to identify themselves within a set of coordinates that included--if only for the purpose of exclusion--the spectacular figure of theater. This figure likewise provided a trope around and against which to construct images of readers and authors, images that most frequently worked to mediate between the supposedly private acts of reading and writing and the very public facts of the print market. In readings of novels by Burney, Austen, Scott, Dickens, Jewsbury, Flaubert, Braddon, and Moore, Allen shows how frequently theater appears as figure in novels of the nineteenth century, and how theater figures--actively and importantly--in what we have come to look back on as the history of the nineteenth-century novel. "Theater Figures thus offers a new model for thinking about how theater helped produce changes in the nineteenth-century literary market. While previous critics have considered theater as an enabling foil for the novel--either a constitutive opposite or constructive ally--Allen demonstrates how theater figures and tropes were used to negotiate competition among the novels and novelists eagerly seeking their share of the literary limelight.

The Outward Mind

The Outward Mind PDF

Author: Benjamin Morgan

Publisher: University of Chicago Press

Published: 2017-05-01

Total Pages: 380

ISBN-13: 022645746X

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Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.

The Nineteenth-century Sensation Novel

The Nineteenth-century Sensation Novel PDF

Author: Lyn Pykett

Publisher: Northcote House Pub Limited

Published: 2011

Total Pages: 181

ISBN-13: 0746312121

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This clearly written and wide-ranging study identifies the main features of the sensation novel, analysing its broader cultural significance as well as looking at it in its specific cultural context.

Industry and the Creative Mind

Industry and the Creative Mind PDF

Author: Sandra Tomc

Publisher: University of Michigan Press

Published: 2012-06-19

Total Pages: 310

ISBN-13: 0472028421

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Industry and the Creative Mind takes a radically new look at the figure of the eccentric, alienated writer in American literature and entertainment from 1790 to 1860. Traditional scholarship takes for granted that the eccentric writer, modeled by such Romantic beings as Lord Byron and brought to life for American audiences by the gloomy person of Edgar Allan Poe, was a figure of rebellion against the excesses of modern commercial culture and industrial life. By contrast, Industry and the Creative Mind argues that in the United States myths of writerly moodiness, alienation, and irresponsibility predated the development of a commercial arts and entertainment industry and instead of forming a site of rebellion from this industry formed a bedrock for its development. Looking at the careers of a number of early American writers---Joseph Dennie, Nathaniel Parker Willis, Edgar Allan Poe, Fanny Fern, as well as a host of now forgotten souls who peopled the twilight worlds of hack fiction and industrial literature---this book traces the way in which early nineteenth-century American arts and entertainment systems incorporated writerly eccentricity in their "logical" economic workings, placing the mad, rebellious writer at the center of the industry's productivity and success.