Selling Yourself As A Scriptwriter in Hollywood

Selling Yourself As A Scriptwriter in Hollywood PDF

Author: Peter W. Smith

Publisher: iUniverse

Published: 2001-08

Total Pages: 246

ISBN-13: 0595188281

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AS A NEW SCREENWRITER, WHERE DO YOU START? Selling Yourself as a Scriptwriter in Hollywood is your most important resource as you begin your career as a professional screenwriter. LEARN THE HOLLYWOOD LITERARY MARKETPLACE New screenwriters need to learn the playing field before getting into the game. ABOVE ALL ELSE YOU MUST LOOK PROFESSIONAL This easy-to-read manual teaches new screenwriters state-of-the-art spec script format and selling techniques. LEARN PROFESSIONAL TRICKS-OF-THE-TRADE Many of the tools needed by new screenwriters are readily available—if you know where to find them. BE AWARE OF THE DOs AND THE DON’Ts No-nonsense warning of the common and not-so-common mistakes made by new screenwriters. GETTING YOUR SCREENPLAY KNOWN IN HOLLYWOOD After your screenplay is finished, learn how to uncover potential buyers and how to access reputable agents. A PRODUCER OR AGENT WANTS TO READ YOUR SCRIPT What should you send? What shouldn't you send? Learn how to create an effective submission package. SCREENWRITING CONTESTS & FELLOWSHIPS Are they useful? Which ones are best? There are some great opportunities offered by Hollywood’s major players. The Peterbrook Series

The Complete Idiot's Guide to Screenwriting

The Complete Idiot's Guide to Screenwriting PDF

Author: Skip Press

Publisher: Penguin

Published: 2000

Total Pages: 365

ISBN-13: 9780028639444

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Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.

Good in a Room

Good in a Room PDF

Author: Stephanie Palmer

Publisher: Crown Currency

Published: 2008-03-11

Total Pages: 290

ISBN-13: 0385525281

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Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.

Writing for the Green Light

Writing for the Green Light PDF

Author: Scott Kirkpatrick

Publisher: CRC Press

Published: 2015-03-02

Total Pages: 202

ISBN-13: 1317704207

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Tailor your screenplay to sell. Find out what Hollywood script readers, producers, and studio executives want in a screenplay (and why) from someone who’s been there. Discover what it takes to begin a lasting career as a screenwriter. Peppered with interviews from established professionals, Writing for the Green Light: How to Make Your Script the One Hollywood Notices gives you a sharp competitive edge by showcasing dozens of everyday events that go on at the studios but are rarely if ever discussed in most screenwriting books. With his behind-the-scenes perspective, Scott Kirkpatrick shows you why the system works the way it does and how you can use its unwritten rules to your advantage. He answers such questions as: Who actually reads your script? How do you pique the interest of studios and decision makers? What do agents, producers, and production companies need in a script? How much is a script worth? What are the best genres for new writers and why? What are real steps you can take to ‘break in’ to television writing? How do you best present or pitch a project without looking desparate? How do you negotiate a contract without an agent? How do you exude confidence and seal your first deal? These and other insights are sure to give you and your screenplay a leg-up for success in this competitive landscape!

Make Your Story a Movie

Make Your Story a Movie PDF

Author: John Robert Marlow

Publisher: Macmillan

Published: 2012-12-11

Total Pages: 322

ISBN-13: 1250001838

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$50 Billion of Advice in One Book* Have you ever wondered why some books and stories are adapted into movies, and others aren't? Or wished you could sit down and pick the brains of the people whose stories have been adapted--or the screenwriters, producers, and directors who adapted them? Author John Robert Marlow has done it for you. He spoke to book authors, playwrights, comic book creators and publishers, as well as Hollywood screenwriters, producers and directors responsible for adapting fictional and true stories into Emmy-winning TV shows, Oscar-winning films, billion-dollar megahits and smaller independents. Then he talked to the entertainment attorneys who made the deals. He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to write and pitch your story to maximize the chances of a Hollywood adaptation--and how much (and when) you can expect to be paid. *This book contains the distilled experience of creators, storytellers and others whose works have earned over $50 billion worldwide. Whether you're looking to sell film rights, adapt your own story (alone or with help), or option and adapt someone else's property--this book is for you.

The Screenwriter's Bible

The Screenwriter's Bible PDF

Author: David Trottier

Publisher:

Published: 1998

Total Pages: 330

ISBN-13: 9781879505445

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One of the most popular and useful books on screenwriting, now greatly expanded and completely updated. This edition includes a list of resources and contains approximately 100 new entries.

Writing Screenplays That Sell

Writing Screenplays That Sell PDF

Author: Michael Hauge

Publisher: Harper Collins

Published: 1991-08-16

Total Pages: 356

ISBN-13: 0062725009

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Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.

Script Selling in Goodluckland

Script Selling in Goodluckland PDF

Author: Andrea Rich

Publisher: CreateSpace

Published: 2013-04-03

Total Pages: 120

ISBN-13: 9781483960463

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Everyone has at least once in his life thought he had a great idea he could turn into a blockbuster. But screenwriting and making a living out of screenwriting can be compared to the twelve tasks of Hercules. Many books will tell you how to write a script but none will tell you how hard it is to sell it. Script Selling in Goodluckland will spare you a lot of time and disillusion. Read it before you even type FADE IN. This is a unique insider's perspective on the Hollywood film industry and the business surrounding filmmaking from someone who started out just like you Anything you need to know about what happens when you wrote your first movie screenplay and want to sell it. Avoid the pitfalls and the scams, the disappointments and the false promises. Everything you will find in this book has been experienced on my own skin and the one of people I have met along the way. TABLE OF CONTENT INTRODUCTION Why did I write this book? Why breaking into the film business is so tough? ANDREA WHO? A chapter about how I ended up writing screenplays in English and shopping them around in Hollywood. THE SCREENWRITER Why the screenwriter is a masochistic species. MONEY How money is the key to everything in this business. BOOKS On how books can teach you the craft but not the way you will sell your screenplay. FILM SCHOOLS How film schools can give you quality teaching but no industry introduction. SCREENWRITING SEMINARS AND PITCH MARKETS Why seminars are only a good occasion to collect information, but not an opportunity to sell your work. SCRIPT CONSULTANTS How working with a script consultant can help you to write a higher quality screenplay but not to sell it. WEBSITES Why websites are a good place to find information but will not help you to make a striking breakthrough in the business. SCREENWRITING CONTESTS On how screenwriting contests don't deliver their promises and my personal experience with winning first prize at a contest that didn't get me anywhere. FILM FESTIVALS My personal experience as a screenwriter at the Cannes Film Festival. AGENTS, MANAGERS AND LAWYERS How agents, managers and lawyers are blessed people who don't need clients. INDEPENDENT PRODUCERS How independent producers are producers without money. READERS Why it is easier to pass on your script than to recommend it. STARS Why having a specific star interested in your script is the best way to get your film made. L.A. FAUNA Do you need to live in L.A? HELP I NEED SOMEBODY HELP How screenwriters think they need help but they don't. WHAT TO DO THEN? A recap of ten important points for selling a screenplay. GLOSSARY A fun dictionary of the most commonly used terms.

Breaking In

Breaking In PDF

Author: Lee Jessup

Publisher: Taylor & Francis

Published: 2017-03-31

Total Pages: 308

ISBN-13: 1317194128

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Breaking In: Tales from the Screenwriting Trenches is a no-nonsense, boots-on-the-ground exploration of how writers REALLY go from emerging to professional in today’s highly saturated and competitive screenwriting space. With a focus on writers who have gotten representation and broken into the TV or feature film space after the critical 2008 WGA strike and financial market collapse, the reader will learn from tangible examples of how success was achieved via hard work and specific methodology. This book includes interviews from writers who wrote major studio releases (The Boy Next Door), staffed on television shows (American Crime, NCIS New Orleans, Sleepy Hollow), sold specs and television shows, placed in competitions, and were accepted to prestigious network and studio writing programs. These interviews are presented as Screenwriter Spotlights throughout the book and are supported by insight from top-selling agents and managers (including those who have sold scripts and pilots, had their writers named to prestigious lists such as The Black List and The Hit List) as well as working industry executives. Together, these anecdotes, learnings and perceptions, tied in with the author's extensive experience in and knowledge of the industry, will inform the reader about how the industry REALLY works, what it expects from both working and emerging writers, as well as what next steps the writer should engage in, in order to move their screenwriting career forward.

Writer's Guide to Hollywood Producers, Directors and Screenwriter's Agents, 1999-2000

Writer's Guide to Hollywood Producers, Directors and Screenwriter's Agents, 1999-2000 PDF

Author: Skip Press

Publisher: Prima Lifestyles

Published: 1998

Total Pages: 468

ISBN-13: 9780761514848

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In Hollywood, it's not just what you know, it's "who you know that counts! With "Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents you have the friend you need to succeed in this very competitive industry. In this insider's guide, Hollywood screenwriter Skip Press tells you who's who, what they're looking for, and, most important, how to reach them--by mail, phone, fax, even e-mail. Also included: - Essential information on submission protocols and preferences for hundreds of agencies and production companies - Extensive interviews with key people - How Hollywood works: An A-Z tour - Books, CD-ROMs, and other back doors to Hollywood - And much, much more! "Skip Press has written a book that combines fearless opinions and invaluable hard facts, both of which are hard to find in Hollywood. This book is thoughtfully written, clearly laid out, and of great value to beginners and old-timers alike." --Gareth Wigan, co-vice chairman, Columbia TriStar Motion Picture Group "An invaluable resource for breaking into the movie and television business." --Barbara Anne Hiser, Emmy-winning cable and network television producer "[This book is] not only entertaining but a valuable tool for anyone interested in show business." --Paul Mason, Sr., vice president of Production, Viacom "The bonus for any reader of this book is that Skip Press is just a good writer--accessible, clear, persuasive, motivating, and easy-to-understand." --Jerry B. Jenkins, author of the "Left Behind series and "'Twas the Night Before "An insightful guide to the intricate Hollywood network." --Oliver Eberle, founder and CEO, ShowBIZ Data.com Aboutthe Author Skip Press, a novelist, screenwriter, and producer, is the author of "How to Write What You Want and Sell What You Write and dozens of other titles, as well as hundreds of entertainment articles and short stories. He lives in the Los Angeles area.