Selected Writings: Poetry of grammar and grammar of poetry
Author: Roman Jakobson
Publisher: Walter de Gruyter
Published: 1962
Total Pages: 850
ISBN-13: 9789027931788
DOWNLOAD EBOOK →Author: Roman Jakobson
Publisher: Walter de Gruyter
Published: 1962
Total Pages: 850
ISBN-13: 9789027931788
DOWNLOAD EBOOK →Author:
Publisher: Walter de Gruyter
Published: 2010-12-14
Total Pages: 840
ISBN-13: 3110802120
DOWNLOAD EBOOK →Author: Roman Jakobson
Publisher:
Published: 1981
Total Pages: 814
ISBN-13: 9789027931788
DOWNLOAD EBOOK →Author: Roman Jakobson
Publisher:
Published: 1981
Total Pages: 814
ISBN-13: 9789027931788
DOWNLOAD EBOOK →Author: Roman Jakobson
Publisher: Walter de Gruyter
Published: 1962
Total Pages: 446
ISBN-13: 9783110106176
DOWNLOAD EBOOK →Author: Roman Jakobson
Publisher: Walter de Gruyter
Published: 1985
Total Pages: 438
ISBN-13: 9783110106053
DOWNLOAD EBOOK →Author: Matt Whitling
Publisher:
Published: 2012
Total Pages: 171
ISBN-13: 9781591281191
DOWNLOAD EBOOK →Author: Roman Jakobson
Publisher: Walter de Gruyter
Published: 1971
Total Pages: 652
ISBN-13: 9789027976864
DOWNLOAD EBOOK →Author: Eduardo Ledesma
Publisher: SUNY Press
Published: 2016-11-02
Total Pages: 360
ISBN-13: 1438462018
DOWNLOAD EBOOK →Engages in a critical reanalysis of historical Ibero-American experimental poetry in order to demonstrate how the contemporary digital vanguard owes much to this tradition. With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the literary means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects come alive by assembling text to act and seem human, whether on the page, on walls, or on screens. This book is extraordinary. It is truly original in its conception and deeply grounded in its knowledge, and it communicates a passion for its topics, especially the digital age. This is a major contribution that surely will be a new model for literary critique in these languages. Gwen Kirkpatrick, Georgetown University