Selected Papers 05 Worldview in Painting Art and Society

Selected Papers 05 Worldview in Painting Art and Society PDF

Author: Meyer Schapiro

Publisher: National Geographic Books

Published: 2000-02-01

Total Pages: 0

ISBN-13: 0807614505

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How can we profitably compare art and philosophy? In the first part of this collection of twenty-one writings, many previously unpublished, Schapiro uses specific works of art to elucidate the rich variety of ways in which artists and art movements have been compared with philosophical systems. His highly lucid arguments, graceful prose, and extraordinary erudition offer new opportunities to broaden and enrich our understanding of even the most familiar works of art. In the second part of the collection, Schapiro explores aspects of our everyday experiences with art: the value of modern art, social realism, revolutionary art, art as a cause of violence, the art market, the public support of artists, public art commissions, church art, and others. Here, in essays that range in a period of more than forty years, we witness Schapiro's unfailing dedication both to the liberty of the artist and to the integration of the arts in society. Throughout all of his writings, Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of critical thinking and creative independence.

Selected Papers 05 Worldview in Painting Art and Society

Selected Papers 05 Worldview in Painting Art and Society PDF

Author: Meyer Schapiro

Publisher: George Braziller Publishers

Published: 1999

Total Pages: 266

ISBN-13:

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How can we profitably compare art and philosophy? In the first part of this collection of twenty-one writings, many previously unpublished, Schapiro uses specific works of art to elucidate the rich variety of ways in which artists and art movements have been compared with philosophical systems. His highly lucid arguments, graceful prose, and extraordinary erudition offer new opportunities to broaden and enrich our understanding of even the most familiar works of art. In the second part of the collection, Schapiro explores aspects of our everyday experiences with art: the value of modern art, social realism, revolutionary art, art as a cause of violence, the art market, the public support of artists, public art commissions, church art, and others. Here, in essays that range in a period of more than forty years, we witness Schapiro's unfailing dedication both to the liberty of the artist and to the integration of the arts in society. Throughout all of his writings, Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of critical thinking and creative independence.

The Routledge Companion to Twentieth Century Philosophy

The Routledge Companion to Twentieth Century Philosophy PDF

Author: Dermot Moran

Publisher: Routledge

Published: 2008-10-27

Total Pages: 1041

ISBN-13: 1134424035

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Featuring twenty-two chapters written by leading international scholars, this major publication covers all the key figures and movements from Frege to Derrida and philosophy of language to feminist philosophy.

Women, Art, and Society

Women, Art, and Society PDF

Author: Whitney Chadwick

Publisher:

Published: 2002

Total Pages: 496

ISBN-13: 9780500203545

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"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.

The Art of Renaissance Europe

The Art of Renaissance Europe PDF

Author: Bosiljka Raditsa

Publisher: Metropolitan Museum of Art

Published: 2000

Total Pages: 225

ISBN-13: 0870999532

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Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.

Let's Kill Johnny Badhair

Let's Kill Johnny Badhair PDF

Author: David Slade

Publisher: IDW Publishing

Published: 2016-07-12

Total Pages: 0

ISBN-13: 9781613779279

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Let's Kill Johnny Badhair includes almost every painting and drawing ever done of Phil Hale's character, as well as peripheral material (robot designs, paintings derived from the series, etc) and covers and pages from the original Epic strip. Also included is an interview, and short writings on the character from Ash wood, Darren Aronofsky, David Slade, and more.

Art in Action

Art in Action PDF

Author: Nicholas Wolterstorff

Publisher: Wm. B. Eerdmans Publishing

Published: 1980

Total Pages: 260

ISBN-13: 9780802818164

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Taking vigorous issue with the pervasive Western notion that the arts exist essentially for the purpose of aesthetic contemplation, Nicholas Wolterstorff proposes instead what he sees as an authentically Christian perspective: that art has a legitimate, even necessary, place in everyday life. While granting that galleries, theaters and concert halls serve a valid purpose, Wolterstorff argues that art should also be appreciated in action -- in private homes, in hotel lobbies, in factories and grocery stores, on main street. His conviction that art should be multifunction is basic to the author's views on art in the city (he regards most American cities as dehumanizing wastelands of aesthetic squalor, dominated by the demands of the automobile), and leads him to a helpful discussion of its role in worship and the church. Developing an aesthetic that is basically grounded, yet always sensitive to the human need for beauty, Wolterstorff make a brilliant contribution to understanding how art can serve to broaden and enrich our lives.