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Seeming and Being in Plato’s Rhetorical Theory

Author: Robin Reames

Publisher: University of Chicago Press

Published: 2018-07-23

Total Pages: 244

ISBN-13: 022656701X

The widespread understanding of language in the West is that it represents the world. This view, however, has not always been commonplace. In fact, it is a theory of language conceived by Plato, culminating in The Sophist. In that dialogue Plato introduced the idea of statements as being either true or false, where the distinction between falsity and truth rests on a deeper discrepancy between appearance and reality, or seeming and being. Robin Reames’s Seeming & Being in Plato’s Rhetorical Theory marks a shift in Plato scholarship. Reames argues that an appropriate understanding of rhetorical theory in Plato’s dialogues illuminates how he developed the technical vocabulary needed to construct the very distinctions between seeming and being that separate true from false speech. By engaging with three key movements of twentieth- and twenty-first-century Plato scholarship—the rise and subsequent marginalization of “orality and literacy theory,” Heidegger’s controversial critique of Platonist metaphysics, and the influence of literary or dramatic readings of the dialogues—Reames demonstrates how the development of Plato’s rhetorical theory across several of his dialogues (Gorgias, Phaedrus, Protagoras, Theaetetus, Cratylus, Republic, and Sophist) has been both neglected and misunderstood.

Seeming & Being in Plato’s Rhetorical Theory

Author: Robin Reames

Publisher: University of Chicago Press

Published: 2018-07-23

Total Pages: 244

ISBN-13: 022656715X

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The Beginnings of Rhetorical Theory in Classical Greece

Author: Edward Schiappa

Publisher:

Published: 1999

Total Pages: 248

ISBN-13:

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In this book, Edward Schiappa argues that rhetorical theory did not originate with the Sophists in the fifth century B.C.E. as is commonly believed, but came into being a century later. Schiappa examines closely the terminology of the Sophists (such as Gorgias and Protagoras) and of their reporters and opponents (especially Plato and Aristotle) and contends that the terms and problems constituting what we think of as rhetorical theory had not yet been formed in the era of the early Sophists. His revision of rhetoric's early history changes the way we read the Sophists, Aristotle, and Plato. His book will be of interest to students of classics, communications, philosophy, and rhetoric.

Classical Greek Rhetorical Theory and the Disciplining of Discourse

Author: David M. Timmerman

Publisher: Cambridge University Press

Published: 2010-03-22

Total Pages:

ISBN-13: 1139485997

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This book contributes to the history of classical rhetoric by focusing on how key terms helped to conceptualize and organize the study and teaching of oratory. David Timmerman and Edward Schiappa demonstrate that the intellectual and political history of Greek rhetorical theory can be enhanced by a better understanding of the emergence of 'terms of art' in texts about persuasive speaking and argumentation. The authors provide a series of studies to support their argument. They describe Plato's disciplining of dialgesthai into the Art of Dialectic, Socrates' alternative vision of philosophia, and Aristotle's account of demegoria and symboule as terms for political deliberation. The authors also revisit competing receptions of the Rhetoric to Alexander. Additionally, they examine the argument over when the different parts of oration were formalized in rhetorical theory, illustrating how an 'old school' focus on vocabulary can provide fresh perspectives on persistent questions.

Logos without Rhetoric

Author: Robin Reames

Publisher: Univ of South Carolina Press

Published: 2017-06-19

Total Pages: 208

ISBN-13: 1611177693

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A germinal examination of rhetoric's beginnings through pre-fourth-century Greek texts How did rhetoric begin and what was it before it was called "rhetoric"? Must art have a name to be considered art? What is the difference between eloquence and rhetoric? And what were the differences, if any, among poets, philosophers, sophists, and rhetoricians before Plato emphasized—or perhaps invented—their differences? In Logos without Rhetoric: The Arts of Language before Plato, Robin Reames attempts to intervene in these and other questions by examining the status of rhetorical theory in texts that predate Plato's coining of the term rhetoric (c. 380 B.C.E.). From Homer and Hesiod to Parmenides and Heraclitus to Gorgias, Theodorus, and Isocrates, the case studies contained here examine the status of the discipline of rhetoric prior to and therefore in the absence of the influence of Plato and Aristotle's full-fledged development of rhetorical theory in the fourth century B.C.E. The essays in this volume make a case for a porous boundary between theory and practice and promote skepticism about anachronistic distinctions between myth and reason and between philosophy and rhetoric in the historiography of rhetoric's beginning. The result is an enlarged understanding of the rhetorical content of pre-fourth-century Greek texts. Edward Schiappa, head of Comparative Media Studies/Writing and the John E. Burchard Professor of Humanities at the Massachusetts Institute of Technology, provides an afterword

A New Handbook of Rhetoric

Author: Michele Kennerly

Publisher: Penn State Press

Published: 2021-07-12

Total Pages: 221

ISBN-13: 0271091533

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Like every discipline, Rhetorical Studies relies on a technical vocabulary to convey specialized concepts, but few disciplines rely so deeply on a set of terms developed so long ago. Pathos, kairos, doxa, topos—these and others originate from the so-called classical world, which has conferred on them excessive authority. Without jettisoning these rhetorical terms altogether, this handbook addresses critiques of their ongoing relevance, explanatory power, and exclusionary effects. A New Handbook of Rhetoric inverts the terms of classical rhetoric by applying to them the alpha privative, a prefix that expresses absence. Adding the prefix α- to more than a dozen of the most important terms in the field, the contributors to this volume build a new vocabulary for rhetorical inquiry. Essays on apathy, akairos, adoxa, and atopos, among others, explore long-standing disciplinary habits, reveal the denials and privileges inherent in traditional rhetorical inquiry, and theorize new problems and methods. Using this vocabulary in an analysis of current politics, media, and technology, the essays illuminate aspects of contemporary culture that traditional rhetorical theory often overlooks. Innovative and groundbreaking, A New Handbook of Rhetoric at once draws on and unsettles ancient Greek rhetorical terms, opening new avenues for studying values, norms, and phenomena often stymied by the tradition. In addition to the editor, the contributors include Caddie Alford, Benjamin Firgens, Cory Geraths, Anthony J. Irizarry, Mari Lee Mifsud, John Muckelbauer, Bess R. H. Myers, Damien Smith Pfister, Nathaniel A. Rivers, and Alessandra Von Burg.

Recovering Reputation

Author: Andreas Avgousti

Publisher: Oxford University Press

Published: 2022-06-03

Total Pages: 265

ISBN-13: 0197624081

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Andreas Avgousti considers the modern problem of reputation by turning to the dialogues of Plato, to show that reputation is not only an issue for political elites, but that it is a quality that helps the wider citizenry to cohere, bringing together citizens and non-citizens. Avgousti argues that reputation is worth thinking about because it is a power that circulates among the many, linked to and sustained by myths and rumors, and it is a power that the many exercise through the social mechanisms of praise and blame.

Words Made Flesh

Author: Sean Dempsey

Publisher: University of Virginia Press

Published: 2022-08-26

Total Pages: 452

ISBN-13: 0813948134

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Religion is not merely a different way of thinking but is rather an alternative manner of being—it is both a way of attending to the world and a form of embodiment. Literature provides another key to legislating new ways of being in the world. Some of the best Romantic literature can be understood as experimental attempts to access and harness infrasensible energy—affects and dispositions operating beneath the threshold of consciousness—in the hope that by so doing it may become possible to project elusive affects into the practical world of conscious thinking and judgment. Words Made Flesh demonstrates how the Romantic poets Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley and the novelist Jane Austen affect, mediate, and ultimately alter our very sense of embodiment in ways that have lasting effects on readers’ affective, political, and spiritual lives. Such works, which unsettle habitual ways of seeing, are perennially valuable because they not only call attention to the dispositions we normally inhabit, but they also suggest ways of forging new patterns and forms of life through the medium of embodiment. Drawing on the work of these writers, Dempsey argues that Romanticism’s contribution to our understanding of the postsecular becomes clearer when considered in relation to three timely scholarly conversations not previously synthesized: secular and postsecular studies, affect theory, and media studies. By weaving together these three strands, Words Made Flesh clarifies how Romanticism provides a useful field guide to the new geography of the self ushered in by secular modernity, while also pointing toward potential postsecular futures. Ultimately, Dempsey argues for a view of literature that recognizes it as an essential component to ethical practice.

The Bloomsbury Handbook of Plato

Author: Gerald A. Press

Publisher: Bloomsbury Publishing

Published: 2022-10-06

Total Pages: 553

ISBN-13: 1350227242

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This essential reference text on the life, thought and writings of Plato uses over 160 short, accessible articles to cover a complete range of topics for both the first-time student and seasoned scholar of Plato and ancient philosophy. It is organized into five parts illuminating Plato's life, the whole of the Dialogues attributed to him, the Dialogues' literary features, the concepts and themes explored within them and Plato's reception via his influence on subsequent philosophers and the various interpretations of his work. This fully updated 2nd edition includes 19 newly commissioned entries on topics ranging across comedy, tragedy, Xenophon, metatheatre, gender, musical theory, animals, Orphism, political theory, religion, time, Hellenistic philosophy and post-Platonic ancient commentaries. It also features revisions to the majority of articles from the 1st edition, including 8 which have been completely re-written, and 12 which have had the references substantially revised. Reflecting the growing diversity of Plato scholarship across the world, this edition includes contributions from a wide range of scholars who enrich the field and provide students and scholars with a vital resource for study and reference.

Kairotic Inspiration

Author: Sarah Allen

Publisher: University of Pittsburgh Press

Published: 2022-11-01

Total Pages: 256

ISBN-13: 0822989255

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On the precipice of the Sixth Extinction, we face a frightening fate—ongoing ecological crises that may result in not only the extinction of a million species within decades but another mass extinction event like the one that wiped out the dinosaurs. In Kairotic Inspiration: Imagining the Future in the Sixth Extinction, Sarah Allen suggests that humans face this future, whatever it brings, by attending to the ways in which all beings are caught in the entangled processes of becoming. But change is often painful and requires inspiration. Allen explores a theory that shifts the concept of inspiration away from the unique genius of the individual and instead situates it within conceptual, human and nonhuman animal relations that can disrupt the state of being. To expand the understanding of change beyond the polarized binary that defines difference, the author builds on Nietzsche’s conceptualization of the Dionysian, which explains how the self is unmade through immersive experiences. This unmaking creates room for a different experience of becoming, one which Donna Haraway calls “becoming-with” and “producing-with.” In the end, Allen demonstrates how deepening kairotic connections can transform us as beings, thrusting us further into the processes of becoming and embracing the change that is possible in this living, changing, endangered world.