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Screen Kids

Author: Gary Chapman

Publisher: Moody Publishers

Published: 2020-10-06

Total Pages: 170

ISBN-13: 0802499031

Has Technology Taken Over Your Home? In this digital age, children spend more time interacting with screens and less time playing outside, reading a book, or interacting with family. Though technology has its benefits, it also has its harms. In Screen Kids Gary Chapman and Arlene Pellicane will empower you with the tools you need to make positive changes. Through stories, science, and wisdom, you’ll discover how to take back your home from an overdependence on screens. Plus, you’ll learn to teach the five A+ skills that every child needs to master: affection, appreciation, anger management, apology, and attention. Learn how to: Protect and nurture your child’s growing brain Establish simple boundaries that make a huge difference Recognize the warning signs of gaming too much Raise a child who won’t gauge success through social media Teach your child to be safe online This newly revised edition features the latest research and interactive assessments, so you can best confront the issues technology create in your home. Now is the time to equip your child with a healthy relationship with screens and an even healthier relationship with others.

Being and the Screen

Author: Stephane Vial

Publisher: MIT Press

Published: 2019-11-12

Total Pages: 278

ISBN-13: 0262043165

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How digital technology is profoundly renewing our sense of what is real and how we perceive. Digital technologies are not just tools; they are structures of perception. They determine the way in which the world appears to us. For nearly half a century, technology has provided us with perceptions coming from an unknown world. The digital beings that emerge from our screens and our interfaces disrupt the notion of what we experience as real, thereby leading us to relearn how to perceive. In Being and the Screen, Stéphane Vial provides a philosophical analysis of technology in general, and of digital technologies in particular, that relies on the observation of experience (phenomenology) and the history of technology (epistemology). He explains that technology is no longer separate from ourselves—if it ever was. Rather, we are as much a part of the machine as the machine is part of us. Vial argues that the so-called difference between the real and the virtual does not exist and never has. We are living in a hybrid environment—which is both digital and nondigital, online and offline. With this book, Vial endows philosophical meaning to what we experience daily in our digital age. In A Short Treatise on Design, Vial offers a concise introduction to the discipline of design—not a history book, but a book built of philosophical problems, developing a theory of the effect of design. This book is published with the support of the University of Nîmes, France.

Life on the Screen

Author: Sherry Turkle

Publisher: Simon and Schuster

Published: 2011-04-26

Total Pages: 358

ISBN-13: 1439127115

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Life on the Screen is a book not about computers, but about people and how computers are causing us to reevaluate our identities in the age of the Internet. We are using life on the screen to engage in new ways of thinking about evolution, relationships, politics, sex, and the self. Life on the Screen traces a set of boundary negotiations, telling the story of the changing impact of the computer on our psychological lives and our evolving ideas about minds, bodies, and machines. What is emerging, Turkle says, is a new sense of identity—as decentered and multiple. She describes trends in computer design, in artificial intelligence, and in people’s experiences of virtual environments that confirm a dramatic shift in our notions of self, other, machine, and world. The computer emerges as an object that brings postmodernism down to earth.

Smoke Screen

Author: Terri Blackstock

Publisher: Thomas Nelson

Published: 2019-11-05

Total Pages: 353

ISBN-13: 0310332648

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One father was murdered. Another was convicted of his death. And all because their children fell in love. Nate Beckett has spent his life fighting wildfires instead of the lies and rumors that drove him from his Colorado hometown. His mother begs him to come back now that his father has been released from prison, but it isn’t until he’s sidelined by an injury that he’s forced to return and face his past. But that means facing Brenna too. Fourteen years ago, Nate was in love with the preacher’s daughter. When Pastor Strickland discovered Brenna had defied him to sneak out with Nate, the fight between the Pastor and Nate’s drunken dad was loud—and very public. The Pastor was found murdered later that night, and everyone accused Nate’s father, Roy, of the murder. When the church burned down not long after, people assumed Nate set the fire to get even for his father’s conviction. He let the rumors fly and left town without looking back. Brenna is stunned to learn that the man convicted of murdering her father has been pardoned. The events of that night set her life on a bad course, and now she’s fighting a brutal custody battle with her ex and his new wife where he’s using lies and his family’s money to sway the judge. Brenna is barely hanging on. As Nate and Brenna deal with the present—including new information about that fateful night and a wildfire that’s threatening their town—the past keeps igniting. Nate is the steady force Brenna has so desperately needed. But she’ll have to learn to trust him again first. Full-length, stand-alone suspense novel Also by New York Times bestselling author Terri Blackstock: If I Run, Intervention, Cape Refuge, Aftermath Includes discussion questions for book clubs

Silk Screen Techniques

Author: Jacob Israel Biegeleisen

Publisher: Courier Corporation

Published: 1958-01-01

Total Pages: 196

ISBN-13: 9780486204338

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Presents basic silk screening principles with instructions for making and printing stencil designs plus a brief history of stencilling as an art

Smoke Screen

Author: Sandra Brown

Publisher: Simon and Schuster

Published: 2008-08-12

Total Pages: 420

ISBN-13: 1416563067

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The themes of role reversal and the abuse of power figure prominently in a tale in which corruption and betrayals turn friends against one another and force criminals to become heroes.

Blue Light of the Screen

Author: Claire Cronin

Publisher: Watkins Media Limited

Published: 2020-10-13

Total Pages: 205

ISBN-13: 1913462064

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Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.

Smoke Screen

Author: Kyle Mills

Publisher: Signet

Published: 2004-08

Total Pages: 0

ISBN-13: 9780451212788

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Unwillingly promoted to the tobacco industry's lead spokesperson, Trevor Barnett oversees the industry's economy-staggering production freeze in the wake of a high-stakes lawsuit, placing him in a tenacious position.

The Double Screen

Author: Wu Hung

Publisher: Reaktion Books

Published: 1996-11-22

Total Pages: 298

ISBN-13: 1861898428

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In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.

Panel to the Screen

Author: Drew Morton

Publisher: Univ. Press of Mississippi

Published: 2016-11-28

Total Pages: 239

ISBN-13: 1496809815

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Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into "high" art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception.