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Scottish Theatre Since the Seventies

Author: Randall Stevenson

Publisher: Edinburgh University Press

Published: 2019-08-07

Total Pages: 249

ISBN-13: 1474472869

Written accessibly for the theatre-going general public, this is an ideal guide to the new Scottish theatre: its people, its plays, its politics, its companies and its audiences. Directors, playwrights, journalists and distinguished theatre critics offer personal, challenging and wide-ranging insights into the last 25 years of Scottish theatre.

Modernism and Scottish Theatre since 1969

Author: Mark Brown

Publisher: Springer

Published: 2018-12-30

Total Pages: 254

ISBN-13: 3319986392

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This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.

Scottish Theatre: Diversity, Language, Continuity

Author: Ian Brown

Publisher: Rodopi

Published: 2013-10-20

Total Pages: 256

ISBN-13: 9401209944

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Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.

A Theatre that Matters

Author: Valentina Poggi

Publisher:

Published: 2000

Total Pages: 288

ISBN-13:

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Nation, community, self

Author: Gioia Angeletti

Publisher: Mimesis

Published: 2019-01-18T00:00:00+01:00

Total Pages: 200

ISBN-13: 8869772055

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From the late 1960s until the present day, a significant number of women playwrights have emerged in Scottish theatre who have made a pioneering contribution to dramatic innovation and experimentation. Despite the critical reassessment of some of these authors in the last twenty years, their invaluable achievement in playwriting, within and outside Scotland, still deserves more thorough investigations and fuller acknowledgement. This work explores what is still uncharted territory by examining a selection of representative texts by Ann Marie di Mambro, Marcella Evaristi, Sue Glover, Jackie Kay, Liz Lochhead, Sharman Macdonald, and Joan Ure. The three macro-thematic areas of the book – the rewriting of the Shakespearean canon; the representation of female communities and minorities; and the conflicts between the self and society – find significant and paradigmatic expression in their dramas. All seven writers examined in this book have explored new theatrical methods, introduced aesthetic innovations and opened new perspectives to engage with the complexities of national, community and individual identities. This study will surely contribute to wider recognition of their achievement, so that their work can never again be described as “uncharted territory”.

Empathy as Dialogue in Theatre and Performance

Author: Lindsay B. Cummings

Publisher: Springer

Published: 2016-07-12

Total Pages: 220

ISBN-13: 1137593261

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Empathy has provoked equal measures of excitement and controversy in recent years. For some, empathy is crucial to understanding others, helping us bridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy’s genealogy through aesthetic theory, philosophy, psychology, and performance theory, Cummings illustrates how theatre artists and scholars have often overlooked the dynamic potential of empathy by focusing on its more “monologic” forms, in which spectators either project their point of view onto characters or passively identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.

Theatre and Scotland

Author: Trish Reid

Publisher: Bloomsbury Publishing

Published: 2012-12-11

Total Pages: 120

ISBN-13: 113729664X

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In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.

History as Theatrical Metaphor

Author: Ian Brown

Publisher: Springer

Published: 2016-09-24

Total Pages: 247

ISBN-13: 1137473363

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This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them. Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.

Scots Plays of the Seventies

Author: Bill Findlay

Publisher:

Published: 2001

Total Pages: 408

ISBN-13:

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"The six plays gathered together in this anthology are seminal works in the unprecedented flowering of Scottish drama that occurred in the 1970s - a time when, as one critic remarked, 'Scottish theatre was alive as never before, with one fine play following another'."--Jacket.

Scotland and Europe, Scotland in Europe

Author: Gilles Leydier

Publisher: Cambridge Scholars Publishing

Published: 2009-03-26

Total Pages: 325

ISBN-13: 1443807044

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The aim of the book is to explore the long-standing and multi-faceted relationship between Scotland and the societies and cultures of the European continent, in various epochs and from a large diversity of view points and problematics. The book collects most of the contributions from the IVth annual conference of the Société Française d’Etudes Ecossaises, held in Toulon in October 2005. This international conference gathered fifty European academics, working in a wide range of research fields, from social history to art history, from language to literature, from politics to civilisation and cultural studies. The interdisciplinary ambition and cross-cultural perspective of the conference are reflected in the volume. The book is divided into four main sections: links with Europe, visions of Europe, voices in Europe, and current political issues within the European Union. It illustrates the richness and complexity of the dialogue between Scotland and the continent over the centuries, and underlines the open, fluid and dynamic character of the Scottish identity.