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Author: Peter L. Shillingsburg
Publisher: University of Michigan Press
Published: 1996
Total Pages: 210
ISBN-13: 9780472066001
DOWNLOAD EBOOK →A practical introduction to the aims, controversies, and procedures of scholarly editing
Author: Peter L. Shillingsburg
Publisher:
Published: 1984
Total Pages: 228
ISBN-13: 9780908254514
DOWNLOAD EBOOK →Author: Elena Pierazzo
Publisher: Routledge
Published: 2016-03-16
Total Pages: 252
ISBN-13: 131715066X
DOWNLOAD EBOOK →This book provides an up-to-date, coherent and comprehensive treatment of digital scholarly editing, organized according to the typical timeline and workflow of the preparation of an edition: from the choice of the object to edit, the editorial work, post-production and publication, the use of the published edition, to long-term issues and the ultimate significance of the published work. The author also examines from a theoretical and methodological point of view the issues and problems that emerge during these stages with the application of computational techniques and methods. Building on previous publications on the topic, the book discusses the most significant developments in digital textual scholarship, claiming that the alterations in traditional editorial practices necessitated by the use of computers impose radical changes in the way we think and manage texts, documents, editions and the public. It is of interest not only to scholarly editors, but to all involved in publishing and readership in a digital environment in the humanities.
Author: Matthew James Driscoll
Publisher: Open Book Publishers
Published: 2016-08-15
Total Pages: 290
ISBN-13: 1783742410
DOWNLOAD EBOOK →This volume presents the state of the art in digital scholarly editing. Drawing together the work of established and emerging researchers, it gives pause at a crucial moment in the history of technology in order to offer a sustained reflection on the practices involved in producing, editing and reading digital scholarly editions—and the theories that underpin them. The unrelenting progress of computer technology has changed the nature of textual scholarship at the most fundamental level: the way editors and scholars work, the tools they use to do such work and the research questions they attempt to answer have all been affected. Each of the essays in Digital Scholarly Editing approaches these changes with a different methodological consideration in mind. Together, they make a compelling case for re-evaluating the foundation of the discipline—one that tests its assertions against manuscripts and printed works from across literary history, and the globe. The sheer breadth of Digital Scholarly Editing, along with its successful integration of theory and practice, help redefine a rapidly-changing field, as its firm grounding and future-looking ambit ensure the work will be an indispensable starting point for further scholarship. This collection is essential reading for editors, scholars, students and readers who are invested in the future of textual scholarship and the digital humanities.
Author: Kathryn Sutherland
Publisher: Routledge
Published: 2016-04-01
Total Pages: 240
ISBN-13: 1317045750
DOWNLOAD EBOOK →Traditional critical editing, defined by the paper and print limitations of the book, is now considered by many to be inadequate for the expression and interpretation of complex works of literature. At the same time, digital developments are permitting us to extend the range of text objects we can reproduce and investigate critically - not just books, but newspapers, draft manuscripts and inscriptions on stone. Some exponents of the benefits of new information technologies argue that in future all editions should be produced in digital or online form. By contrast, others point to the fact that print, after more than five hundred years of development, continues to set the agenda for how we think about text, even in its non-print forms. This important book brings together leading textual critics, scholarly editors, technical specialists and publishers to discuss whether and how existing paradigms for developing and using critical editions are changing to reflect the increased commitment to and assumed significance of digital tools and methodologies.
Author: Jack Stillinger
Publisher: Oxford University Press
Published: 1994-05-12
Total Pages: 268
ISBN-13: 0195358929
DOWNLOAD EBOOK →Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works.
Author: Peter L. Shillingsburg
Publisher: University of Michigan Press
Published: 1997
Total Pages: 246
ISBN-13: 9780472108640
DOWNLOAD EBOOK →Reveals how language and texts are used to control both the present and the past
Author: Marcus Walsh
Publisher: Cambridge University Press
Published: 2004-07-05
Total Pages: 244
ISBN-13: 9780521602907
DOWNLOAD EBOOK →Study of the theories and methods informing editions of Milton and Shakespeare in the eighteenth century.
Author: Darcy Cullen
Publisher: University of Toronto Press
Published: 2012-01-01
Total Pages: 313
ISBN-13: 1442610395
DOWNLOAD EBOOK →Explores the theories and practices of editing, the processes of production and reproduction, and the relationships between authors and texts as well as that between manuscripts and books to offer insight into the past and future of academic communication.
Author: Peter L. Shillingsburg
Publisher: Cambridge University Press
Published: 2006-08-31
Total Pages: 190
ISBN-13: 1139459015
DOWNLOAD EBOOK →As technologies for electronic texts develop into ever more sophisticated engines for capturing different kinds of information, radical changes are underway in the way we write, transmit and read texts. In this thought-provoking work, Peter Shillingsburg considers the potentials and pitfalls, the enhancements and distortions, the achievements and inadequacies of electronic editions of literary texts. In tracing historical changes in the processes of composition, revision, production, distribution and reception, Shillingsburg reveals what is involved in the task of transferring texts from print to electronic media. He explores the potentials, some yet untapped, for electronic representations of printed works in ways that will make the electronic representation both more accurate and more rich than was ever possible with printed forms. However, he also keeps in mind the possible loss of the book as a material object and the negative consequences of technology.
