eBook PDF Download Digital Library
Author: Domenico Scarlatti
Publisher: Alfred Music
Published: 2005-05-03
Total Pages: 66
ISBN-13: 1457444186
DOWNLOAD EBOOK →This carefully edited volume contains 19 of Scarlatti's easiest pieces, including minuets, sonatas and assorted other works. Suggestions for interpretation and a discussion of the original editions are provided. Unique to this collection is a consideration of figured bass as used in several of Scarlatti's sonatas.
Author: Margery Halford
Publisher: Alfred Music Publishing
Published: 1974-06
Total Pages: 68
ISBN-13: 9780739022153
DOWNLOAD EBOOK →This carefully edited volume contains 19 of Scarlatti's easiest pieces, including minuets, sonatas and assorted other works. Suggestions for interpretation and a discussion of the original editions are provided. Unique to this collection is a consideration of figured bass as used in several of Scarlatti's sonatas. A Federation Festivals 2020-2024 selection.
Author: Paul Negri
Publisher: Courier Corporation
Published: 2004-01-01
Total Pages: 160
ISBN-13: 0486435687
DOWNLOAD EBOOK →Great works include Bach's French Suite No. 5, Handel's Suite No. 5 in E Major, Scarlatti's Sonata in D Minor and Sonata in G Minor, plus works by Telemann, Purcell, Rameau, and others.
Author: Domenico Scarlatti
Publisher: Alfred Music
Published: 2005-05-03
Total Pages: 68
ISBN-13: 9781457406225
DOWNLOAD EBOOK →This edition will assist piano students in achieving a better, more stylistically correct interpretation of Domenico Scarlatti’s piano music. These 16 intermediate to late intermediate level sonatas include dynamics, fingering, articulation and phrasing, realization of ornaments and metronome indications in parentheses. Historical background, performance problems and performance suggestions, including pedaling, are included in the "About Each Sonata" section.
Author: Domenico Scarlatti
Publisher: Alfred Music
Published: 1996-08-01
Total Pages: 132
ISBN-13: 9781457463426
DOWNLOAD EBOOK →The editor has chosen 40 keyboard sonatas from the more than 500 written by Domenico Scarlatti. These serve as a progressive initiation into Scarlatti's keyboard artistry. The sonatas generally follow the simple structure of a single movement divided into two symmetrical refrains, as in the pre-classical dance suites. Embellishments are written in regular note values for ease of playing, and dynamic indications, which were sparse for the harpsichord, are added for the modern piano. Fingerings are included as a suggested guide.
Author: Willard A. Palmer
Publisher: Alfred Music Publishing
Published: 1975
Total Pages: 52
ISBN-13:
DOWNLOAD EBOOK →Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
Published:
Total Pages: 68
ISBN-13: 9781457444104
DOWNLOAD EBOOK →The pieces in this book are arranged roughly in chronological order. They include the best of Mozart's childhood compositions through late works such as the famous "Sonata in C Major," K. 545. Unique features of this volume include an excellent discussion of pianos in Mozart's day, as well as directives on how to improvise ornaments in Classic keyboard music.
Author: Domenico Scarlatti
Publisher: Alfred Music
Published:
Total Pages: 28
ISBN-13: 9781457440397
DOWNLOAD EBOOK →These short, pleasing pieces assist early-intermediate pianists in developing overall musicianship and technique. The collection contains sonatas, minuets, an "Aria" and a "Pastoral" written in binary form. Halford provides suggestions for style and interpretation in a foreword, and includes fingering, phrasing and notated ornaments in light print within each composition. This is an important volume for students new to Scarlatti's brilliant and lyrical keyboard styles.
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
Published: 2008-08-28
Total Pages: 414
ISBN-13: 1139441094
DOWNLOAD EBOOK →W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
