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Satire & the Postcolonial Novel

Author: John Clement Ball

Publisher:

Published: 2015

Total Pages:

ISBN-13: 9781135451622

Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric." Through the varying lenses provided by satire's relation to irony, allegory, narrative, and the grotesque, this book offers new readings of important novels by V.S. Naipaul (Trinidad), Chinua Achebe (Nigeria) and Salman Rushdie (India. It presents a detailed study of the complex and multidirectional ways satire has engaged with the history and messy aftermath of empire.

Satire and the Postcolonial Novel

Author: John Clement Ball

Publisher: Psychology Press

Published: 2003

Total Pages: 234

ISBN-13: 9780415965934

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Postcolonial Satire

Author: Amy L. Friedman

Publisher: Rowman & Littlefield

Published: 2019-10-16

Total Pages: 223

ISBN-13: 1498571972

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Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.

Modern Satire

Author: Peter Petro

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2015-09-25

Total Pages: 176

ISBN-13: 3110821826

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The Postcolonial Novel

Author: Richard Lane

Publisher: Polity

Published: 2006-07-21

Total Pages: 154

ISBN-13: 0745632785

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Richard Lane explores the themes surrounding the postcolonial novel written in English.

Teaching Modern British and American Satire

Author: Evan R. Davis

Publisher: Modern Language Association

Published: 2019-05-01

Total Pages: 413

ISBN-13: 1603293817

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This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it suggests ways to enrich students' understanding of voice, irony, and rhetoric and to explore the questions of how to define satire and how to determine what its ultimate aims are. For instructors teaching older satire, it demonstrates ways to help students gain knowledge of historical context, medium, and audience, while addressing more specific literary questions of technique and form. Readers will discover ways to introduce students to authors such as Swift and Twain, to techniques such as parody and verbal irony, and to the difficult subject of satire's offensiveness and elitism. This volume also helps teachers of a wide variety of courses, from composition to gateway courses and surveys, think about how to use modern satire in conceiving and structuring them.

Shaken Wisdom

Author: Gloria Nne Onyeoziri

Publisher: University of Virginia Press

Published: 2011

Total Pages: 191

ISBN-13: 081393186X

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Introduction: African ironies -- From rhetoric to semantics -- Interpreting irony -- Pragmatics and Ahmadou Kourouma's (post)colonial state -- Chinua Achebe's Arrow of god and the pragmatics of proverbial irony -- Calixthe Beyala: new conceptions of the ironic voice -- Conclusion: when the handshake has become another thing.

Rushdie's Cross-Pollinations

Author: Dana Bădulescu

Publisher: Cambridge Scholars Publishing

Published: 2022-01-12

Total Pages: 120

ISBN-13: 1527579298

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This book is a literary journey through Salman Rushdie’s cross-pollinated gardens, showing that the metaphor of reading as a quest is essential to Rushdie’s writing. It invites scholars and students interested in postcolonialism, postmodernism, transculturalism and the global novel to explore the many facets of Rushdie’s novels and collections of essays. The journey starts from Rushdie’s sorcery with language, and it continues with his appraisal of Joyce’s legacy. The reader will also find an analysis of the dark season of the fatwa, as well as the lush sensuality of the body and aestheticized Eros in The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown and The Enchantress of Florence. The book further explores the liquid bridges, the postmodernist twist and postcolonial satire in Rushdie’s fiction. After providing a sense of Rushdie’s novel of “disorientation” and New York, the book finishes by exploring Rushdie’s Quichotte, published in 2019, an epitome of the global novel that revisits and “translates” Cervantes’s Don Quijote de la Mancha for readers addicted to TV and the Internet.

Blackass

Author: A. Igoni Barrett

Publisher: Graywolf Press

Published: 2016-03-01

Total Pages: 256

ISBN-13: 1555979262

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Furo Wariboko, a young Nigerian, awakes the morning before a job interview to find that he's been transformed into a white man. In this condition he plunges into the bustle of Lagos to make his fortune. With his red hair, green eyes, and pale skin, it seems he's been completely changed. Well, almost. There is the matter of his family, his accent, his name. Oh, and his black ass. Furo must quickly learn to navigate a world made unfamiliar and deal with those who would use him for their own purposes. Taken in by a young woman called Syreeta and pursued by a writer named Igoni, Furo lands his first-ever job, adopts a new name, and soon finds himself evolving in unanticipated ways. A. Igoni Barrett's Blackass is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us simply by virtue of the way we look. As he did in Love Is Power, or Something Like That, Barrett brilliantly depicts life in contemporary Nigeria and details the double-dealing and code-switching that are implicit in everyday business. But it's Furo's search for an identity--one deeper than skin--that leads to the final unraveling of his own carefully constructed story.