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Sarcophagus of Identity

Author: James M. Skelly

Publisher: Columbia University Press

Published: 2017-03-28

Total Pages: 340

ISBN-13: 3838269888

Inspired in part by his lawsuit against the US Secretary of Defense while serving as an active duty military officer, in this book James Skelly explores and critiques the dominant conceptual bases for self and identity. Arguing that our use of language in the construction of identities is unwitting, unreflective, and has engendered horrific consequences for tens of millions of human beings, Skelly shows that we need to overcome sectarian modes of thinking and engage in much deeper forms of solidarity with others. This book offers not only an academic reflection on the concept of identity but one that delves into the nature of the self and identity by drawing on Skelly's concrete experience of attempting to present a self-identity opposed to war in the face of the political, psychological, religious, and legal arguments put forth in a year-long battle by the United States government to prove that he did not qualify as a conscientious objector. One consequence is that Skelly argues that in order to create a new and more pacific human sensibility we must help ourselves and others to gain sovereignty over our social worlds and the definition of 'who we are'. This will necessitate a broad educational project that arms individuals with the tools necessary to insure that the definitions and categorizations to which we are subject in the construction of traditional notions of 'identity' can be resisted and ultimately transcended.

The Sarcophagus of Identity

Author: James M. Skelly

Publisher: Ibidem Press

Published: 2017-03-28

Total Pages: 340

ISBN-13: 9783838210384

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Problems of Canonicity and Identity Formation in Ancient Egypt and Mesopotamia

Author: Gojko Barjamovic

Publisher: Museum Tusculanum Press

Published: 2016-04-24

Total Pages: 359

ISBN-13: 8763543729

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The term ‘canonicity’ implies the recognition that the domain of literature and of the library is also a cultural and political one, related to various forms of identity formation, maintenance, and change. Scribes and benefactors ‘create’ canon in as much as they teach, analyze, preserve, prom¬ulgate and change ‘canonical’ texts according to prevailing norms. From early on, texts from the written traditions of ancient Mesopotamia and Egypt were accumulated, codified, and to some extent canonized, as various collections developed mainly in the environment of the temple and the palace. These written traditions represent sets of formal and informal cultures that all speak in their own ways of canonicity, normativity, and other forms of cultural expertise. Some forms of literature were used not only in scholarly contexts, but also in political ones, and they served purposes of identity formation. This volume addresses the interrelations between various forms of ‘canon’ and identity formation in different time periods, genres, regions, and contexts, as well as the application of contemporary conceptions of ‘canon’ to ancient texts.

Life, Death and Representation

Author: Jas Elsner

Publisher: Walter de Gruyter

Published: 2010-12-15

Total Pages: 454

ISBN-13: 3110216787

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This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

The Toga and Roman Identity

Author: Ursula Rothe

Publisher: Bloomsbury Publishing

Published: 2019-12-12

Total Pages: 256

ISBN-13: 1472571568

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This book traces the toga's history from its origins in the Etruscan garment known as the tebenna, through its use as an everyday garment in the Republican period to its increasingly exclusive role as a symbol of privilege in the Principate and its decline in use in late antiquity. It aims to shift the scholarly view of the toga from one dominated by its role as a feature of Roman art to one in which it is seen as an everyday object and a highly charged symbol that in its various forms was central to the definition and negotiation of important gender, age and status boundaries, as well as political stances and ideologies. It discusses the toga's significance not just in Rome itself, but also in the provinces, where it reveals ideas about cultural identity, status and the role of the Roman state. The Toga and Roman Identity shows that, by looking in detail at the history of Rome's national garment, we can gain a better understanding of the complexities of Roman identity for different groups in society, as well as what it meant, at any given time, to be 'Roman'.

The Death of Myth on Roman Sarcophagi

Author: Mont Allen

Publisher: Cambridge University Press

Published: 2022-12-31

Total Pages: 293

ISBN-13: 100904124X

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A strange thing happened to Roman sarcophagi in the third century: their Greek mythic imagery vanished. Since the beginning of their production a century earlier, these beautifully carved coffins had featured bold mythological scenes. How do we make sense of this imagery's own death on later sarcophagi, when mythological narratives were truncated, gods and heroes were excised, and genres featuring no mythic content whatsoever came to the fore? What is the significance of such a profound tectonic shift in the Roman funerary imagination for our understanding of Roman history and culture, for the development of its arts, for the passage from the High to the Late Empire and the coming of Christianity, but above all, for the individual Roman women and men who chose this imagery, and who took it with them to the grave? In this book, Mont Allen offers the clues that aid in resolving this mystery.

Depicting the Dead

Author: Stine Birk

Publisher: Aarhus Universitetsforlag

Published: 2013-03-28

Total Pages: 350

ISBN-13: 8771244166

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The present monograph takes its place in a now well-established tradition of seeing sarcophagi as visual statements of deceased individuals that used allegories to plot lives and personal memories against mythological and other idealised narratives. It focuses on Roman sarcophagi, often referred to as stadtromisch, which reflects the fact that the field has traditionally been dominated by German scholars. The aim of the book is twofold: Firstly, it is an exploration of how to read Roman sarcophagi, which starts from those with portraits, but which can contribute more broadly to the study of sarcophagi in general. Secondly, this book investigates gender values as represented through images and how to locate the individual in standardised iconography.

Constructing Identities in Late Antiquity

Author: Richard Miles

Publisher: Routledge

Published: 2002-03-11

Total Pages: 273

ISBN-13: 1134649924

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Identity is a 'trendy' and 'hot' topic in classics Eminent contributors, including Pat Easterling, Gillian Clarke Identity examined from different perspectives and as different structures - sexual, ethnic, geographic, status, religions - comprehensive Theoretically and critically up-to-date

Fiction, Memory, and Identity in the Cult of St. Maurus, 830–1270

Author: John B. Wickstrom

Publisher: Springer Nature

Published: 2022-01-10

Total Pages: 394

ISBN-13: 3030869458

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This book explores one of the most significant medieval saints’ cults, that of St. Maurus, the first known disciple of Saint Benedict. Despite the centrality of this story to the myth of medieval Benedictine culture, no major scholarly work has been devoted to Maurus since the late nineteenth century. Drawing on memory studies, this book investigates the origins and history of the cult, from the ninth-century Life of St. Maurus by Odo, abbot of Glanfueil, to its appropriation and re-shaping by three powerful abbeys through to the thirteenth century—Fossés, Cluny, and Montecassino. It traces how these institutions deployed caches of mostly forged documents (many translated here for the first time) to adapt the cult to their aspirations and, moreover, considers how the cult adapted itself further, to face the challenges of the modern world.

The Visual Rhetoric of the Married Laity in Late Antiquity

Author: Mark D. Ellison

Publisher: Taylor & Francis

Published: 2023-12-11

Total Pages: 377

ISBN-13: 1003832326

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This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarcophagi, paintings, glass vessels, finger rings, luxury silver, other jewellery items, gems, and seals that bore their portraits and other iconographic forms of self-representation. This study is the first to undertake a sustained exploration of these material sources in the context of early Christian discourses and practices related to marriage, sexuality, and celibacy. Reading this visual evidence increases understanding of the population who created it, the religious commitments they asserted, and the comparatively moderate forms of piety they set forth as meritorious alternatives to the ascetic ideal. In their visual rhetoric, these artifacts and images comprise additional voices in Late Antique conversations about idealized ways of Christian life, and ultimately provide a fuller picture of the early Christian world. Plentifully illustrated with photographs and drawings, this volume provides readers access to primary material evidence. Such evidence, like textual sources, require critical interpretation; this study sets forth a careful methodology for iconographic analysis and applies it to identify the potential intentions of patrons and artists and the perceptions of viewers. It compares iconography to literary sources and ritual practices as part of the interpretive process, clarifying the ways images had a rhetorical edge and contributed to larger conversations. Accessibly written, The Visual Rhetoric of the Married Laity in Late Antiquity is of interest to students and scholars working on Late Antiquity, early Christian and late Roman social history, marriage and celibacy in early Christianity, and early Christian, Roman, and Byzantine art.