Saint Joan of the Stockyards

Saint Joan of the Stockyards PDF

Author: Bertolt Brecht

Publisher: Indiana University Press

Published: 1970-01-22

Total Pages: 130

ISBN-13: 9780253201270

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Joan of Arc is Joan Dark in SAINT JOAN OF THE STOCKYARDS, Bertolt Brecht's first major political drama for the commercial theater. A virtuous knight in a Christian army of salvation, she makes the stockyards her field of battle when she clashes with Pierpoint Mauler, meat king and philanthropist, over the heart of business and the soul of labor. Copyright © Libri GmbH. All rights reserved.

The Cambridge Companion to Brecht

The Cambridge Companion to Brecht PDF

Author: Peter Thomson

Publisher: Cambridge University Press

Published: 2002

Total Pages: 338

ISBN-13: 9780521424851

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This updated edition properly retains much that was in the original Companion, but also introduces new voices and themes. It brings together the contrasting views of major critics and active practitioners and contains new essays on Brecht's early experience of cabaret, his significance in the development of film theory and his unique approach to dramaturgy. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this thorough overview of a writer who constantly aimed to provoke. Book jacket.

Bentley on Brecht

Bentley on Brecht PDF

Author: Eric Bentley

Publisher: Northwestern University Press

Published: 2008-03-06

Total Pages: 558

ISBN-13: 0810123932

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Recipient of 2007 The Robert Chesley Foundation Lifetime Achievement Award in Playwriting Winner of 2006 International Association of Theatre Critics Thalia Prize Winner of 2006 Village Voice OBIE Awards Lifetime Achievement Award Since their first meeting in Santa Monica, California in 1942, Eric Bentley has been Bertolt Brecht's other, offstage voice. Just as Brecht reshaped modern theater, Bentley's writings on Brecht helped shape his reputation in the United States and the rest of the world. Bentley on Brecht represents a lifetime of critical and personal thoughts on both Brecht as friend and Brecht as influential literary figure. Brought together in this volume are Brecht-Bentley correspondence, Bentley's personal recollections of his years with Brecht, including Charles Laughton's production of Galileo, Brecht's testimony before the House Un-American Activities Committee, and Bentley's analysis of Brecht's plays.

A Production Notebook to St. Joan of the Stockyards

A Production Notebook to St. Joan of the Stockyards PDF

Author: Bertolt Brecht

Publisher:

Published: 1973

Total Pages: 284

ISBN-13:

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"Excerpts of St. Joan of the stockyards are from the final acting version used in the McGill University Theatre Laboratory production of March 1973. The script was based on the original translation by Richard Herbert Howe. During rehearsals this basic text was extensively modified" (p.10).

Twentieth-century English History Plays

Twentieth-century English History Plays PDF

Author: Niloufer Harben

Publisher: Rowman & Littlefield

Published: 1988

Total Pages: 302

ISBN-13: 9780389207344

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The book offers the clearest definition yet of the history play, its scope and its limits. Historical drama is an extremely popular genre among 20th-century English playwrights. Yet the sheer size and complexity of the subject has, until now, prevented critics from attempting a clear definition. Dr. Harben provides a new and original perspective, taking into account modern ideas of and attitudes to history. The author examines the varying approaches to history taken by modern historians and playwrights, and provides a detailed analysis of the historical source material of selected plays. The study is supported with a wealth of vivid and provocative illustrations. Historical and dramatic criticism is related to theatrical interpretation and experience. This book therefore should prove valuable and interesting to the reader with a specialist interest in the field as well as to the more general reader.

The Story of Shaw's Saint Joan

The Story of Shaw's Saint Joan PDF

Author: Brian Tyson

Publisher: McGill-Queen's Press - MQUP

Published: 1982

Total Pages: 154

ISBN-13: 0773503781

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The literary genetics of Shaw's most famous play are here examined for the first time. The sources of Saint Joan are closely compared with the original shorthand manuscript and that is compared with its subsequent revisions. This evidence is supplemented by facts drawn from Shaw's correspondence in print, in the British Library, and in private collections, and by accounts both in print and in the correspondence of people who knew Shaw at the time of his writing Saint Joan. The manuscript and its revisions are examined in the light of all that has been written about the play since it first appeared in 1923. Tyson examines the events that led Shaw to write Saint Joan, establishes the times and places of its composition, and speculates on the "models" upon which Shaw may have based his heroine. The scene-by-scene investigation of the original manuscript accounts as far as possible for later alterations and revisions and discusses passages of critical or historical interest. The concluding chapters survey the circumstances surrounding the first production of the play in the United States, Great Britain, France, and Germany and reflect on the impact that Saint Joan has had on drama for more than half a century.

Pygmalion, Heartbreak House, and Saint Joan

Pygmalion, Heartbreak House, and Saint Joan PDF

Author: George Bernard Shaw

Publisher:

Published: 2021

Total Pages: 545

ISBN-13: 0198793286

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Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre.Pygmalion (1912) was a world-wide smash hit from the time of its premiere in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady.Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after theconflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece.Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prizefor Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.