Ruth Maleczech at Mabou Mines

Ruth Maleczech at Mabou Mines PDF

Author: Jessica Silsby Brater

Publisher: Bloomsbury Publishing

Published: 2016-02-25

Total Pages: 273

ISBN-13: 1472578856

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Constituting the first comprehensive look at Ruth Maleczech's work, Jessica Brater's companion is a landmark study in innovative theatre practice, bringing together biography, critical analysis, and original interviews to establish a portrait of this Obie-award winning theatre artist. Tracing Maleczech's background, training, and influences, the volume contextualizes her work and the founding of Mabou Mines within the wider landscape of American avant-garde theatre. It considers her performances and productions, revealing both her interest in making ordinary women important onstage, and her predilection for resurrecting extraordinary women from history and finding their resonances within a contemporary theatrical context. Brater considers Maleczech's investment in redrawing the boundaries of what women are allowed to say, both on stage and off, and shows how her commitment to radical artistic and production risks has reshaped the contours of a contemporary theatrical experience. Highlights of the volume include discussion of productions such as Mabou Mines' Lear, Dead End Kids, Hajj, Lucia's Chapters of Coming Forth by Day, Red Beads, and La Divina Caricatura, as well as a close look at Maleczech's final work-in-progress, Imagining the Imaginary Invalid.

The Gospel at Colonus

The Gospel at Colonus PDF

Author: Lee Breuer

Publisher: Theatre Communications Group

Published: 1993-01-01

Total Pages: 79

ISBN-13: 1559366788

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A founding member of the acclaimed New York-based company Mabou Mines, Breuer's gifts as a writer and director have have made him a mainstay of the theatrical avant-garde.

Ruth Maleczech at Mabou Mines

Ruth Maleczech at Mabou Mines PDF

Author: Jessica Brater

Publisher:

Published:

Total Pages: 272

ISBN-13: 9781472578860

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Jessica Brater's companion is a landmark study in innovative theatre practice, bringing together biography, critical analysis, and original interviews to establish a portrait of this Obie-award winning theatre artist Ruth Maleczech.

A Coffin in Egypt

A Coffin in Egypt PDF

Author: Horton Foote

Publisher: Dramatists Play Service, Inc.

Published: 2015-01-01

Total Pages: 33

ISBN-13: 0822232405

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THE STORY: Myrtle Bledsoe, a ninety-year-old Texas widow, looks back on the dramatic events that caused a small Southern town, and her own relationships, incredible strife. This almost-monologue by American master Horton Foote is a haunting tale of how men and women, blacks and whites, rich and poor are all entangled in the chaos of life.

Sister Suzie Cinema

Sister Suzie Cinema PDF

Author: Lee Breuer

Publisher: Theatre Communications Grou

Published: 1987

Total Pages: 166

ISBN-13:

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In addition to the listed contents, includes an essay and five poems.

Mabou Mines

Mabou Mines PDF

Author: Iris Smith Fischer

Publisher: University of Michigan Press

Published: 2011

Total Pages: 296

ISBN-13: 0472117629

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The first 10 years of a company known for its creative collaborations and daring innovations

Women, Collective Creation, and Devised Performance

Women, Collective Creation, and Devised Performance PDF

Author: Kathryn Mederos Syssoyeva

Publisher: Springer

Published: 2016-08-29

Total Pages: 348

ISBN-13: 1137550139

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This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s’ France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe’s transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central—and women theatremakers revealed as progenitors of these practices.